Totally in love with deep house / tech house and music itself.

A culture and form of ground breaking music and self expression with elements that consisted of the elements of graffiti art, DJing, MCing, and breaking. Today Hip-Hop is considered to be dead in the mainstream because so-called mainstream Hip-Hop doesn't have the elements of hip-hop and have no meaning.
The stuff on MTV and the radio can't be called Hip-Hop because the lyrics don't have any meaning or self expression. Wack artists today just rap about their shopping lists and other bullshit. There are no more DJs making a prescence since artists today think they can manage without them. Without a DJ there are no scratches and cuts. No much graffiti art is being shown in videos. Artists such as 50 Cent, Nelly, Chingy, J-Kwon, P. Diddy, Cash Money Millionaries lack the 4 elements since their lyrics are ridiculous (no MCing skills), they don't have any DJ presence in their tracks (notice that so-called hip-hop today lacks scratches and cuts), and not much graffiti art is being expressed.
The point of this defintion is to show that MTV/Radio mainstream Bling Rappers should be categorized as Hip-Pop artists, not Hip-Hop artists.
Hip-Hop Music is: Run DMC, A Tribe Called Quest, De La Soul, Gang Starr, Wu-Tang Clan, Pharcyde, Hieroglyphics, Aceyalone, Mos Def, Talib Kweli, Public Enemy, Common, Mobb Deep, Nas, Rakim, and many more old school and underground acts.

A disc jockey (abbreviated D.J. or DJ) is a person who plays recorded music for an audience. Originally, "disc" (sometimes spelled "disk", although this is now uncommon) referred to phonograph records, not the later compact discs. Today, the term includes all forms of music playback, no matter the medium.

There are several types of disc jockeys. Radio DJs or radio personalities introduce and play music that is broadcast on AM, FM, shortwave, digital or internet radio stations. Club DJs select and play music in bars, nightclubs or discothèques, or at parties or raves, or even in stadiums. Hip hop DJs select and play music using multiple turntables to back up one or more MCs/rappers, perform turntable scratching to create percussive sounds, and are also often music producers who use turntablism and sampling to create backing instrumentals for new tracks. In reggae, the DJ (deejay) is a vocalist who raps, "toasts", or chats over pre-recorded rhythm tracks while the individual choosing and playing them is referred to as a selector.[1] Mobile DJs travel with portable sound systems and play recorded music at a variety of events. Some mobile DJs also serve as the master of ceremonies or MC directing the attention of attendees, and maintaining a room-wide focus on what is included in the event's agenda.[2] According to a 2012 study, there are approximately 1¼ million professional disc jockeys in the world.[3]

The title "DJ" is also commonly used by DJs in front of their real names or adopted pseudonyms as a title to denote their profession.

I'm been instrumental to the creation and evolution of Chicago Juke music and has been lifelong friends with other key players on the scene such as Paul Johnson, DJ Gant-Man, DJ Spinn, DJ Godfather and Jammin Gerald. He has the ability to blend elements of house, ghetto house, disco, juke, and ghetto tech together with a knack for creating sparse, snappy tracks that manage to convey a physicality and funk with spectacular precision.
Along with his teammates DJ Spinn and DJ Gant-Man, DJ Rashad has become notorious for making Juke anthems that have made fans outside the world of Chicago mix cds. He’s released records on Dancemania, Juke Trax, Planet Mu, created his own label, Ghettophiles, as well as had featured remixes on BBE, Palms Out Sounds, and Movel Traxx. He’s received press coverage from DJ Mag, XLR8R, Fact, Resident Advisor, as well as Rip It Up. Additionally, he’s headlined parties such as London’s Night Slugs, Brussel’s Regulate, Chicago’s Mad Decent Block Party, and New York City’s Turrbotax and Moma’s PS1 events.

A disc jockey (abbreviated D.J. or DJ) is a person who plays recorded music for an audience. Originally, "disc" (sometimes spelled "disk", although this is now uncommon) referred to phonograph records, not the later compact discs. Today, the term includes all forms of music playback, no matter the medium.

There are several types of disc jockeys. Radio DJs or radio personalities introduce and play music that is broadcast on AM, FM, shortwave, digital or internet radio stations. Club DJs select and play music in bars, nightclubs or discothèques, or at parties or raves, or even in stadiums. Hip hop DJs select and play music using multiple turntables to back up one or more MCs/rappers, perform turntable scratching to create percussive sounds, and are also often music producers who use turntablism and sampling to create backing instrumentals for new tracks. In reggae, the DJ (deejay) is a vocalist who raps, "toasts", or chats over pre-recorded rhythm tracks while the individual choosing and playing them is referred to as a selector.[1] Mobile DJs travel with portable sound systems and play recorded music at a variety of events. Some mobile DJs also serve as the master of ceremonies or MC directing the attention of attendees, and maintaining a room-wide focus on what is included in the event's agenda.[2] According to a 2012 study, there are approximately 1¼ million professional disc jockeys in the world.[3]

The title "DJ" is also commonly used by DJs in front of their real names or adopted pseudonyms as a title to denote their profession and the music they play

Hardtechno refers to a style of Techno, which evolved after 2000 from Schranz and Hardcore Techno. While the first harder Techno productions appeared around 1991 on labels such as PCP and Industrial Strength, these were referred to as Hardcore Techno. Over the years, the Hardcore scene cultivated a new sound far away from its Techno origins, whereas Techno itself went in a softer direction.

At the end of the 1990s, fueled by the Schranz movement, a new, extremely hard style of Techno became popular, which is now generally referred to as Hardtechno. This style runs at very high bpm, usually 150 or more and features heavy distortion and prominent kickdrums. By 2007, almost all major European Techno festivals, such as I Love Techno, Awakenings, MayDay, Nature One, Mystery Land featured a Hardtechno stage or at least one Hardtechno artist. It has also been the main focus of festivals like "Hardtechno Festival" in Vienna (attendance 2,000+) or Syndicate in Dortmund (attendance 10,000).

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