bluemoon-yellowsun  electronic deviant mantra 

STOP WAR #StandWithUkraine

An independent electronic music project from Auckland, New Zealand, blending IDM, ambient synth, downtempo, and surreal kin‑dza‑jazz within moon‑themed soundscapes optimized for headphone listening.

bluemoon-yellowsun STOP WAR #StandWithUkraine

Greetings! Check out my latest EDM banger "Here I Am". The bass on this track is killer! Check out the knocking kick and the charging bass line! This piece sounds a bit more robust compared to most of my work. Check out the percussion samples and effects that make up the drums! The vocals are drowned in a late reflective reverb to add to the tone.
Thanx 4 listening.
Quentin SounDrive.  

Where The Party At

Here I Am

Amazon

Dr Lilly

Bro… I don’t even know how to explain this.
I threw French Rap Sefyu – Molotov 4 on top of a techno remix of Niggas in Paris samples
Yeah… I know. It makes zero sense.
I was high as hell, bass was too heavy, and I thought: “fuck it, let’s mash it all up, worst case it bangs.”
Now it slaps, it hits, it grooves, it does everything at once.
Makes you wanna dance, run, and break shit.
It’s ugly and beautiful at the same time.
Just… play it and shut up.

Frérot… j’sais même pas comment t’expliquer.
J’ai foutu Sefyu – Molotov 4 sur un remix techno au bon sample de Niggas in Paris
Ouais, j’sais c’est nawak
J’étais foncedé, y’avait trop de basses, et j’me suis dit : « vas-y, on mélange tout, au pire ça pète ».
Maintenant ça tape, ça cogne, ça groove, ça fait tout en même temps.
T’as envie de danser, de courir et de tout casser.
C’est moche et c’est beau.
Bref  écoute et ferme ta gueule.

C'est vraiment n'importe quoi mais ça paaaaaaaaassse non ?

SEFYU - MOLOTOV 4 KRAZY TECH REMIX NIGGAS IN PARIS MASHUP EDITION

Unbound

A spontaneous house preview mix, recorded on the fly. Raw selection, no polish – just pure vibes and groove. A little taste of what’s coming up in the future.

House Preview #1

▶Produced, arranged and mixed by @will-coloan
   ▶Recorded at Willie C. Studios
 ▶Artwork by AM Creative
 ▶Website: ColoanRecords.com
  ▶Spotify: open.spotify.com/artist/6QppELkWVFN1Tr1ZsXuwPL
▶Apple: podcasts.apple.com/us/podcast/will…d501586609?mt=2
 ▶Amazon Music: podcasts.apple.com/us/podcast/will…d501586609?mt=2
▶iHeart Radio: podcasts.google.com/feed/aHR0cHM6Ly…zQ5ODU4NTYucnNz

For promotional purposes only.

Coloan International 1

Save Us - $kiMa$k $ummerz latest album featuring 5 Dark, Proggressive and Melodic Techno tracks. Ensemble of gritty underground sounds featuring a dark atmosphere and enlightening melodic highs.

MoneyVamps Digital Music Label 2025
All Rights Reserved

Production, Mix&Master, Cover by $kiMa$k $ummerz

Save Us

Buy on Bandcamp

$kiMa$k $ummerz  - Infertile Soil

The Descent

//Java Scipt for Strudel REPL web tool

samples('github:eddyflux/crate')

setcps(0.4) 

let drums_3 = stack(
  s("bd ~ - ~ bd - bd -")
  .gain(5)
  .attack(0.05) 
  .sustain(5)
  .decay(3)
  .sometimesBy(0.3, x => x.gain(3)), 

  s("- sd ~ sd ~ sd - sd")
    .gain(1.2)
    .sometimesBy(0.25, x => x.gain(0.5)), 
 
  s("hh hh hh hh*2 hh hh hh hh")
    .fast(2)
    .gain(1)
)


let chords_2 = n(
  "<[0 1 3*2] [6 8] [0 1/2 3] [6 8/4]>") 
  .scale("<d:minor>") // remove /4 for safety
  .sound("gm_piano:2")
  .room(1)
  .shape(0.4)
  .fast(2)
  .gain(0.6)

let bass_2 = s("<0 2 4> <5 7 9> <4 6 8>")
  .set(chords_2)
  .sound("z_sine")
  .slide(0.25)
  .sometimesBy(0.4, x => x.slide(0.15))
  .fast(1)

let melody_2 = s("<0 2 4> <5 7 9> <4 6 8>")
  .set(chords_2)
  .sound("gm_pad_halo")
  .room(0.2)
  .lpf(850)
  .fast(1)
  .delay(0.3)
  .gain(3)
  .sometimesBy(0.5, x => x.fast(1))

let drums = stack(
  s("bd ~ - bd ~ - - ~").gain(2),   
  s("- sd ~ - - sd ~ -").gain(0.9),    
  s("hh*6 [hh*3 ~] hh*6 ~")            
    .fast(1.0)
    .sometimesBy(0.35, x => x.fast(2))
    .gain(0.55)
)
let drums_2 = stack(
  s("bd ~ - - ~ - - ~").gain(2),   
  s("- sd ~ - - sd ~ -").gain(0.9),    
  s("hh*6 [hh*3 ~] hh*8 ~")            
    .fast(1.0)
    .sometimesBy(0.35, x => x.fast(2))
    .gain(0.55)
)
let chords_1 = n("<0 -3>, 2 4 <6 8>")
  .scale("<d:minor>")
  .sound("gm_piano:3")
  .fast(0.45)
  .room(0.65)
  .shape(0.25)
  .lpf(900)
  .gain(0.9)
  ._punchcard()
  .color("cyan")
let bass = s("- 0 1 - 3 - 2 1")    "
  .set(chords_1)                     
  .sound("z_sine")
  .lpf(200)
  .gain(0.5)
  .decay(1.5)

let lead = s("<0 2 4> ~ <5 7> ~ <4 6> ~")
  .set(chords_1)
  .sound("gm_fiddle")
  .segment(6)
  .room(0.4)
  .delay(0.28)
  .lpf(1200)
  .gain(0.6)
  .sometimesBy(0.25, x => x.fast(1.5))


let pad = n("0 ~ 2 ~ 4 ~ 2 ~")
  .scale("<d:minor>")
  .sound("gm_pad_halo")
  .segment(8)
  .room(0.7)
  .lpf(1500)
  .gain(0.35)
                  

let intro = stack(pad, chords_1)
let verse = stack(pad, chords_1, bass, drums_2)
let chorus = stack(chords_1, bass, drums, lead)
let bridge = stack(drums_3, chords_2, bass_2)


arrange(
  [4, intro],
  [7, verse],
  [1, bridge],
  [15, chorus],
  [1, bridge],
  [7, verse],
  [1, bridge],
  [3, intro],
  [1, bridge],
)

Next Déjà-Vu

Recently i’ve been inspired by SHM playing some of their old hits at Tomorrowland and Creamfields, along with clips of Third Party sticking to the sound they’ve always loved. 

It got me thinking that this period of dance music isn’t shown enough respect. It’s the time when DJ’s where taken from clubs to huge international festival stages, and prime time on radio and TV. Whether you think that’s good or bad it’s led to the dance music we have today. 

Back then even Radio 1 used to hammer these bigroom/progressive House tracks. To the point i remember Pete Tong playing Lights 3x in one 2 hour show because of the listener reaction.

I hope one day we’ll look back at these tracks like we do with classic trance and House now. Because some music then was amazing and isn’t looked at fondly enough.

I know there’s a lot of tracks missing so there may be a pt2. For this one i tried to stick to some of the less commercial tracks of this era

Forgotten Tracks Of The Bigroom Era

If there is anything that i appreciate more than publishing own productions on soundcloud, it would be hearing the beauty everyone else hase to offer here.

Next Déjà-Vu

Aaron Weston