Kobobar расположен близ Анапы, в самом сердце Бугазской косы - полоса суши длиной около 12 километров и шириной 250—300 метров, протянувшаяся между Бугазским лиманом и Чёрным морем, находится на территории ландшафтного заказника «Благовещенская коса», созданного в 1995 году. Одно из самых живописных мест побережья, которое состоит из кварцевого песка, гальки, мелкого ракушечника, и подходит для отдыха и занятий спортом. 
Европейская кухня в сочетании с обслуживанием дарит посетителям ощущение уединенности, бар с достоинством оправдывает самые смелые пожелания своих гостей, а уютный интерьер располагает к отдыху и безмятежности. Морской воздух, дикий пляж, атмосфера современности в деталях помогут Вам укрыться от будничных забот, от города, и насладиться уникальной природой и приятной музыкой. Kobobar оснащен английской акустической системой "Funktion-one" и является единственным местом представляющим оборудование столь высокого уровня на площадках побережья и края.

Tochka Sborki Crew
CEO Воскресный Кайф // Sunday Kife

Labels:
Ammu Records
Concept
GoodRo Digital
Studio 54
Mus Records
Salarievo Records

record label :
https://www.discogs.com/fr/label/1119605-yoyaku
owning yydistribution
http://www.yydistribution.fr

Moscow media project focused on house parties, podcast series and a blog

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Multidisciplinary brand promoting underground cultures through creations, music and events.

MEOKO is a forward-thinking, cutting-edge and creative lifestyle brand, with a primary focus on the global underground music and events.

for info: 
andres.meoko@gmail.com //
meokomusic1@gmail.com //

Portuguese vinyl only label run by @manatamusic.
Sub label @redberylrecords
Distribution: @otg-distribution
Artwork by Bdon

Bookings / Contact: nugsonboard@gmail.com

We do not reply to SoundCloud messages, for premieres and enquiries please contact: 
info [at] trommelmusic [dot] com 

Trommel is an online media platform and electronic music magazine focusing on events, music and producers from the underground scene

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