“Al ritorno da un viaggio in India e dopo aver scoperto molte cose in comune è nato spontaneo questo progetto di musica per viaggiatori, per la poesia del viaggio lento, musica per treni vecchi, per autobus suburbani, musica da finestrino o per chi viaggia a piedi, ideale come colonna sonora di molte avventure con il loro carico di entusiasmo e di nostalgia. 
Sono i viaggi di scoperta, ma anche viaggi di chi abbandona la propria casa e la propria terra, nella 
speranza di essere più libero o di trovare se stesso. Il nostro primo live è stato al Pete’s Candy, locale di New York, famoso per i suoi Open Mic. Dopo quel battesimo così potente ed emozionante, abbiamo continuato a scrivere. 
E per un po’ abbiamo smesso di viaggiare, tenendo stretti i ricordi di molti incontri e infilandoli tra i suoni e le parole." E. N.
Simone Martinetto - Chitarra classica
Antonio Giallella - Armonica, Voce
Virginia Farina - Poesia

Nasce a Schio (VI) nel 1980. All’età di sedici anni inizia lo studio del basso elettrico sotto la guida di Andrea Rossi Andrea. Nel 1999 si trasferisce a Bologna per frequentare il D.A.M.S. ed entra a far parte di quella che, tuttora, è la sua band ufficiale: i ‘Prophexy’ (www.prophexy.com). Negli anni bolognesi si ritrova coinvolto in svariate situazioni musicali militando nelle più disparate formazioni jazz e rock. Nel 2003 viene ammesso alla classe di flauto traverso del M. Gianni Lazzari presso il Conservatorio di musica ‘G. Frescobaldi’ di Ferrara. E’ assieme a Lazzari che svilupperà la tesi (un’importante revisione critica di un manoscritto didattico di inizio ‘800) che lo porta a conseguire la laurea in D.A.M.S. musica nel 2004. Nel frattempo continuano i contatti con l’ambiente artistico scledense ed inizia una duratura collaborazione con il filosofo e scrittore Davide Dal Pra. Iniziano anche le sperimentazioni solistiche da cui nascono le prime composizioni per basso elettrico, flauto traverso, voce e loop station (‘Abarico’ loop project: www.myspace.com/abarico). Queste architetture ipnotiche, miscelate ai recitativi di Dal Pra, diventano un ulteriore progetto: ‘Officina Degli Ordigni’. Nel 2008 Alessandro, dopo aver conseguito il diploma del quinto anno, si ritira dal Conservatorio per dedicarsi all’insegnamento presso l’Accademia musicale di Schio (www.accademia-musicale.it). Nel 2009 inizia a collaborare con la radio universitaria di Padova (www.radiobue.it) presentando, assieme a Dal Pra, un programma (‘La bocca del Trickster’: di cui scrive le musiche) che si aggiudica il primo premio al FRU 2010 di Perugia come miglior format italiano delle radio universitarie. Attualmente frequenta il biennio superiore di musica da camera presso il Conservatorio di musica ‘A. Pedrollo’. A fianco all’attività concertistica continua a coltivare la passione per la composizione e, recentemente, ha scritto la colonna sonora per il fotovideo ‘Orissa’ di Simone Padovani. Sta collaborando con Richard Sinclair, leader di Caravan, Heatfield and the North e Camel…

English Version

Born in Schio (VI) in 1980, at 16 Alessandro started his electric bass studies with Andrea Rossi Andrea. He moved to Bologna in 1999 to attend DAMS (University Music Academy).

He started playing with PropheXy in 2000; at the same time, he developed his studies in jazz and rock styles.

In 2003 he enters Gianni Lazzari’s class at the “G. Frescobaldi” Conservatory (Ferrara). With Lazzari supervision he wrote his thesis for the DAMS music degree in 2005.

Meanwhile,  he started a durable collaboration with the writer and philosopher Davide Dal Pra.

He developes solo experiments with compositions for electric bass, flute, voice and loop station (‘Abarico’ loop project: www.myspace.com/abarico). The hypnotic architectures mixed with Dal Pra’s reading become another project: ‘Officina Degli Ordigni’.

In 2008 Alessandro, after obtaining the five years degree, leaves the Conservatory to teach at ‘Accademia Musicale ‘ in Schio (www.accademia-musicale.it). In 2009 he started to collaborate with Padova University web radio (www.radiobue.it), proposing with Dal Pra the show ‘La bocca del Trickster’ which won the first prize at Perugia’s FRU 2010 for best italian format in the category ‘university radios’.

In 2010 he attends a chamber music specialization course in Vicenza’s Conservatory ‘A. Pedrollo’.

Currently he works as a teacher, musician and composer. One of the last creations is the soundtrack for the slideshow ‘Orissa’ of the photographer Simone Padovani.

Now he’s working with Richard Sinclair, leader of Caravan, Heatfield and the North and Camel…


From www.oblomov.it:
"Sick from cold and boring afternoons in St. Petersburg spent watching television, too many perhaps, the Russians Oblomov, Ilja Ilic and trusted Zachar, decided to devote himself to music, stealing from the road and from the network sounds and noises, hints and narrations, mixing nothing to the superfluous. They use old equipment such as radios, televisions and record players, game consoles, camp stoves, all ready to infiltrate the sounds and become music themselves.

FotoSlide2Grown up in a remote province, among the habits andthe kind and gentle customes of his homeland, after spending twenty years from a relatives’ embrace to another, friends and acquaintances, it was fair to imagine that the future use of Ilja Ilic should be a kind of family occupation. He thought  that attending the workplace was not a habit at all mandatory, which was necessary to follow every day, and the mud, the heat, or just a bad moon were sufficient and legitimate excuses for not going to the office. How bad he felt when he saw that it took at least an earthquake because a clerk in good health did not go to the office, and in St. Petersburg, by sheer coincidence, no earthquake ever getrs by. All this had caused him a feeling of fear and great discomfort.

“But when you can live? When? “, he repeated to Zachar.

For some years now Oblomov roam around Europe, after a hen had sung, back in the beloved Oblomovka, with the verse of the cock, and a raven had croaked on the roof. One year here, six months there, Paris, Hamburg, Vienna, the French Riviera, at the whim of Ilja Ilic.
They are currently in Italy because, according to the TV, it is a country where you can just walk around, with no worries or troubles.

BackProva3From a collaboration with the Italian painter Adriano Fida, Oblomov get interested in the theme of “universal myths”. This gives life to a projects in which all forms of arts, and indolence, are welcome. Their first album, currently being under slow and lazy processing, will be released somewhere in the next months and will be distributed, as well as in Russia and in Europe, in Japan and South Africa."


Instrumental, Emotional, avant-world music

Follow Safir Nou Music on: Spotify, Itunes, deezer, Youtube, bandcamp and Soundcloud.

lorenzo.pagliei@gmail.com
Composer, pianist, orchestral conductor, electronic musician and researcher, Lorenzo Pagliei studied with Salvatore Sciarrino, Azio Corghi, Ivan Vandor, Giorgio Nottoli and Philippe Leroux. 
He holds a PhD in Composition from the Accademia Nazionale di Santa Cecilia in Rome. The president of the examination board was Luciano Berio, with whom he later had a fruitful period of exchange on his own music.
He attended masterclasses with Gérard Grisey, Helmut Lachenmann, Brian Ferneyhough, Jonathan Harvey, Tristan Murail, Yan Maresz, Philippe Manoury, Henri Pousseur e Hugues Dufourt.

His activity has a wide range of applications: composition, research, live electronic music, sound installations, piano improvisation, orchestral conducting and collaborations with contemporary artists and choreographers.
He moved to Paris to work for several years at IRCAM, Centre Pompidou, as a composer in research and professor of electronic music.
During his researches on gesture and sound synthesis at IRCAM, he invented a family of advanced electroacoustic instruments: the Geecos (Gesture Control Surfaces/Synthesis). He collaborated with CNRS, Collège de France, for the realization of a synthesis engine and a sound installation devoted to the sonification of sub-molecular particles (Micro Particle Synthesis – Les invisibles).

He collaborated with prestigious soloists, orchestras and institutions such as Orchestre Philharmonique de Radio France, Orchestra della Toscana, Orchestra di Padova e del Veneto, EXAUDI vocal ensemble, Quatuor Danel, Quatuor Tana, Mdi Ensemble, Divertimento Ensemble, Ars Ludi, Francesco Dillon, Arne Deforce, Jean Deroyer. Daniel Ciampolini, LeineRoebana dance company, BBC Radio 3, Ernst von Siemens Foundation, Musica Strasbourg, Wien Modern, Voix Nouvelles Royaumont, Accademia di Santa Cecilia, IUC Roma, RomaEuropa festival, Académie de France Villa Medici, Teatro dell’Opera di Roma, Arena di Verona, Huddersfield Contemporary Music Festival, IRCAM, CNRS - College de France, Centre Pompidou, etc.
Since 2013, his music is published by Casa Ricordi and formerly by Edizioni Suvini Zerboni.

His music is based on curved, elastic and micro-caotic time, on blurred synchronisation and on layering of different qualities of time in fluid relation (poly-temporality). He has developed flexible writing techniques in which the creative contribution of the interpreter is fundamental. The aim is to attain the freshness and vitality of the present, as in improvisation, while articulating a rigorous architecture on a large scale.
In electronic music, he tries to realise what is impossible with acoustic instruments: the synthesis of unrealistic or physically inspired sounds, the hyper-amplification of acoustic objects or instruments and the use of spatialisation to open up listening to new dramaturgical dimensions.
Another major field of interest is the voice, conceived not only as singing but also as a source of multiple behaviours. This is why his vocal scores are located in the fertile territory at the intersection of music, theatre and literature.

Daniela Dalle Carbonare: violino
Alessandro Valle: flauto traverso, basso elettrico, footstomp
Marcello Grandesso: fisarmonica

Fusilla Spark è una band eclettica dalle sonorità originali: sono tre i musicisti ma cinque gli strumenti e grazie ad un mix letale di generi e stili questo gruppo sconvolge e scardina l'idea di cover band.
La fisarmonica evoca paesaggi e colori folkloristici, il footstomp segna un ritmo incalzante, e mentre il basso risuona con groove e potenza, violino e flauto si distinguono con virtuosismi e riff originali.
I generi di questa band sono i più vari: blues, rock e musica colta per citarne alcuni, tutto amalgamato da arrangiamenti innovativi che danno spessore e spaziano tra tutte le potenzialità di ogni strumento...e come migliore amico hanno un cammello!

contatti:
fusillaspark@gmail.com

abarico is following