AbdallahDabbas - Solidarity With Palestine | Root Radio 17/05/2021

Owelle - Gliding Threw EP (PLT055)

Out now on all big streaming sites:
smarturl.it/93qjba

PLT055 Π 2021

Follow Owelle:
owelle.ch
soundcloud.com/o_welle
www.instagram.com/_owelle/
www.youtube.com/channel/UCKY6...

Follow PLUTO Sound:
plutosound.hu
facebook.com/pltsnd/
instagram.com/pltsnd/
plutosound.bandcamp.com
credits
released July 13, 2021

Cover by Kristóf Huszár and Valérie Siron
Music by Owelle
Master by Kristóf Huszár

Train

A cozy freestyle set inspired by coastline atmosphere and good company on Samsø 23/6-2021

Feel free to ask for track ID

❤ 🌞 Psamsø-fi 2021 🌞 ❤ Deep Terrasse DJ-Set

Salasi's guests of the month are Palestinian DJ Lina Bder a.k.a Goldpanda, who mixes pan-Asian mutational sounds, collected through years of discovering beautiful tribal music with new electronic - and 8-bit sounds. Second guest is Ali Asfour a.k.a. Al Finik with a dark, strange and unpredictable raw mix of different kinds of electronic music with singular resonances and soundscapes. 

🄾🅄🅃🅂🄸🄳🄴🅁🅂

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 10 am or 10 pm CET
🔗 https://kioskradio.com

Outsiders: Salasi w/ Goldpanda & Al Finik @ Kiosk Radio 28.08.2021

Monthly Python - XOGN (Mars 2022)

Releases 12th October 2022

Pre-order Cassette / Digital: https://naturetales.bandcamp.com/album/rest

• • •

"To rest is to allow yourself to be unfinished, but to enjoy yourself nonetheless. To accept that whatever task you have set yourself you will not achieve right at this instant, and being at peace with that. To sit down wherever you happen to stand and to see what can be enjoyed right here, never forgetting that at some point your journey will continue and carry you away from that resting place.

As someone that consciously started out on his spiritual journey a bit later in life, I’m all too familiar with the opposite of that, with always wanting to be somewhere else already and dismissing every place reached as not-yet-there. And when I wouldn’t get “there“ fast enough, I would punish myself, in feelings and deeds. Strangely enough, that didn’t seem to help very much and the more I tried to go faster the less I seemed to be moving. Eventually I was fortunate enough to meet some teachers who helped me to find a different way and one of the most important lessons I had to learn was to rest. To find self-love and compassion, in the face of the pain and challenges we all have to meet, even and especially when sometimes failing at them. To treat oneself the same way one would invite a tired friend to sit down and share water after a long day's walk.

So in this release I attempted to manifest those feelings, and to offer you a sonic space to find rest and comfort in. Hopefully whatever issue you are working on and whatever path you are treading for this half hour you can put it all aside, immersing yourself and recovering your strength to set out on your road again whenever you will be ready"

• • •

All music written, produced & mixed by Heinrich Lenz
Mastering by Molle Nifkin
Illustration by Líva Igovena
Graphic design by Markus Trige Frandsen

Follow The Earth Viewing Experiment:
soundcloud.com/earthviewingexperiment
www.instagram.com/the.earth.viewing.experiment/
www.heinrichlenz.de

The Earth Viewing Experiment - Rest (Preview) [NT007]

Wave-5

4. Maníaco Vôo do Beija-flor - Manic Bird Flight

Title:
DayZi Suite
 Switch On
 Explore
 Alarm
 Cycle

Dates:
06-Sep-2025 (inception), 11-Sep-2025 (finalised), 12-Sep-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/track/xxx -- watch this space

Description:
A four track album, DayZi Suite

Track 1: Switch On (4:10)
Track 2: Explore (1:59)
Track 3: Alarm (1:03)
Track 4: Cycle (7:38)

Inspired from the modular synthesiser works of Sarah Belle Reid and Walker Farrell and hardware sequencing of the Soma Ornament from Vlad Kreimer; my own digital modular synthesiser, the DayZi; plus the eight track recorder of DayZi to capture the Soma Enner and Soma COSMOS magic.

This is a suite of four separate recordings of live improvisations using my digital modular synthesiser, the DayZi (Release 05), which I programmed in Max (Cycling 74). The synthesiser at it's core is a generative music performance instrument using linked timers to trigger other timers and the FM oscillators, some parts are planned ahead of the performance, others are conjured up during the performance. Key parameters liker timers, initiators (bangs, pings etc.) and frequencies are controlled through a patch bay, that can be altered during the performance. Not all synthesiser parameters are hard wired into the generative process, leaving room for the performer (me) to improvise twiddling the parameters live during the recording. All parameters can be saved to preset banks ready to recall later or saved/read from a text file. No midi interface was used for this performance, nor was this included in Rel 05 of DayZi, future releases will consider addition of midi for launching and parameter control via rotary encoders.

Some times the DayZi synthesiser provided the inspiration for the Soma Enner playing, other times vis versa.

No digital audio workstation (DAW) was used. Only minor editing of the recorded wave files using Audacity, to trim off the silent portions at the beginning and end was employed.

Development of the DayZi began on the 3-Sep-2025 as a proof of concept, happy with the initial prototype, I continued further, now at Release 05 on the 10-Sep-2025.

The tuning is largely just intonation (JI) based on the DayZi side, whereas on the Soma Enner is freely improvised tuning based upon the emotional drive created by the DayZi recordings and that of the performer, the crucial human element. There was no specific plan of a tuning scheme, largely at the whim of my imagination at the time of inception.

The suite is based on four performances, all related by the instruments used to play them and similar theme, though the timbral sounds produced very much changed from one performance to the next, but yet enough in common to function as a suite.

The first piece in the suite, DayZi Switch On (4:10), is turning on the sound machine. Typical tuning was 100,150, 300, 600, 700, 324 Hz.

The second piece in the suite, DayZi Explore (1:59), is rummaging around exploring the scene. The tuning here is rather bizarre, purely improvised tuning and experimenting with recursive generative tuning.

The third piece in the suite, DayZi Alarm (1:03), the exploration has triggered an alarm -- oops.

The fourth and final piece in the suite, DayZi Cycle (7:38), the alarms give way to an exploration of two linked sequences, each a daisy chain of events in their own right but with a common trigger in time. The Enner performance interprets the daisy chain of events. The starting point for the tuning, for the first daisy chain was: 
100 Hz, 200 Hz, 100*(2/3) Hz (#1), 100*(4/3) Hz;
whereas for the second daisy chain: 400 Hz, 400*4/3 Hz, 400*3/2 Hz,  100*(2/3) Hz (#1).

The common node of the two chains is marked as (#1).

See my BandCamp page for the full description.

DayZi:2 Explore

How had this dark wisdom, born in the black and blood-stained shadows of this grim land, been given to the wizard? What sacrifice had been so pleasing to the Black Gods, what ritual so monstrous, as to make them give up the knowledge of this magic?

Robert E. Howard.

Doctrina Natura - A Story About A Ritual

‘Shame on you’ is a track that will be part of an EP that will be released by Veronica Maximova later in 2022. It is a fierce and angry message, against inadequacies, insecurities and against the Impostor Syndrome. 

The repeating dialogue is a determined female mantra ‘rock it like a star’, pit against a
condescending male jape, delivered in a vulgar and shaming way: ‘my favorite’.

Songwriting by Veronica Maximova. Mixed by Lee Avant and co-production by George Stroud.

AbdallahDabbas - Solidarity With Palestine | Root Radio 17/05/2021

Abdallah Dabbas

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