Camel - Irish Air/Harbour Of Tears

Original Lyrics:

Je crois entendre encore,
Caché sous les palmiers,
Sa voix tendre et sonore
Comme un chant de ramier!
O nuit enchanteresse!
Divin ravissement!
O souvenir charmant!
Folle ivresse! doux rêve!
Aux clartés des étoiles,
Je crois encore la voir,
Entr’ouvrir ses longs voiles
Aux vents tièdes du soir!
O nuit enchanteresse!
Divin ravissement!
O souvenir charmant!
Folle ivresse! doux rêve!
Charmant souvenir!

English translation:

I still believe I hear
hidden beneath the palm trees
her voice, tender and deep
like the song of a dove
oh enchanting night
divine rapture
delightful memory
mad intoxication, sweet dream.
In the clear starlight
I still believe I see her
half drawing her long veil
to the warm night breeze.
Oh enchanting night
divine rapture
delightful memory
mad intoxication, sweet dream.
Charming memory.

Je Crois Entendre Encore | David Gilmour | I still believe I hear

Ces 4 titres masterisés sont issus de l'album de Birds on a wire, Rosemary Standley et Dom La Nena sortie le 31 mars 2014 chez Air Rytmo / L'Autre Distribution

C’est une histoire de rencontres. 
Celle d’abord d’une chanteuse, Rosemary Standley, et d’une productrice de spectacles, Madamelune, qui ont l’envie de monter un duo de reprises voix et violoncelle. 
Dom La Nena, toute jeune violoncelliste et chanteuse aux multiples talents rejoint alors la chanteuse de Moriarty. 
L'alchimie est immédiate : dès la première répétition domine l'impression qu'on a affaire là à deux sœurs qui auraient passé leur jeunesse à jouer de la musique dans la même chambre, le soir, à la lueur d'une lampe de chevet. 
Entre la franco-américaine et la brésilienne, les répertoires s’échangent et s’entrechoquent : classique, folk, traditionnel américain ou argentin ; en italien, anglais, réunionnais, espagnol, arabe. 
D’Henry Purcell à Tom Waits en passant par Stefano Landi, Violetta Parra ou encore Léonard Cohen, ces deux oiseaux sur un fil, ces deux  Birds on a wire sont prêtes pour une tournée d’une trentaine de dates. 

Ces miscellanées live doivent absolument être immortalisées, faire l’objet d’un recueil que l’on pourrait emporter avec soi. Le disque s’impose. 
Joueur, émouvant, délicat, fragile, dépouillé, rayonnant de grâce et de naturel, 
Birds on a wire qui sort chez Air Rytmo, label anagramme de Moriarty, est comme un album photo que l’on feuillette et alors les souvenirs reviennent :  on pleure avec All the World is Green de Tom Waits ou Oh My Love de John Lennon, on frisonne avec Blessed is the memory de Leonard Cohen, on rit sur Sambinha signé Dom La Nena, on hyperventile sur Arriba quemando el sol de Violetta Parra, on rêve éveillé sur Panis & Circenses de Caetano Veloso, on frémit sur le traditionnel Duerme Negrito, on ferme les yeux sur Solitude de Purcell. On repense à ces amours passées, envolées, regrettées ou pas. Car à travers les chansons réunies ici, Rosemary Standley et Dom La Nena ne chantent, ne parlent, (presque) que d'amour. D'amants éperdus dont les adresses, les demandes de grâce se perdent dans le vide. C'est ce vide que deux Inséparables nommées Rosemary et Dom viennent combler comme des oiseaux annonçant le printemps. 


All the world is green Tom Waits

“SeVeNTeeN CriEs” is a cinematic soundtrack born from pain, innocence, and memory. Each track carries the echoes of fear, hope, and resistance - unfolding like a film score that tells the story of a child’s cries against a world of silence. This is not just music, but a memorial in sound, created to move hearts and remind generations of the cost of injustice.

SpokeN SeVeNTeeN CriEs(Hind Rajab)-2

"Vocatio Abrahae" (The Calling of Abraham) is a two-hour symphonic odyssey, divided into 12 main parts (plus optional postlude), designed for performance or sectional listening. Inspired by the Romantic tradition of programmatic music, it follows the biblical patriarch Abraham as a metaphor for radical faith — leaving home, journeying through trials, receiving divine promises, interceding for others, and ultimately facing the supreme test at Mount Moriah.

The work begins with a brooding Call in Ur, grows into the restless Journey, expands in wonder under the Starry Promise, and erupts into conflict in the War of Kings. A solemn Covenant passage anchors the symphony in sacred ritual, before turning toward the playful Hospitality at Mamre and the tragic shadows of Sodom’s Cry.

The final two sections, The Ascent to Moriah and The Sacrifice of Isaac, are the emotional and spiritual summit of the symphony: an immense meditation on obedience, anguish, and redemption. Here, motifs from earlier movements return, transformed into radiant light as the angel intervenes and the promise of faith is fulfilled.

The Postlude closes the journey with a gentle pastoral benediction, leaving the listener in peace after the storm.

Movement I – The Call: Departure from Ur - Part I-A: Largo Sostenuto

Ninet Tayeb - Crazy

Tom McRae   You Cut Her Hair

Weeping Willow  (Waltz Macabre)

Written & performed by DUSK a.k.a. Avgi Platanidi.
Single Version: https://orcd.co/dusk-whatarethechances
Album Version: https://orcd.co/dusk-thedebutofcrossingthelines

Our latest addition to our alternative/indie roster is a talented songwriter and performer from Greece called DUSK (Avgi Platanidi). With her attention focused on strong melodies, meaningful words and minimal arrangements, she doesn’t follow the current musical trends but simply tells her story. To put it in her own words: “Music has been my personal journal for every memorable moment of my life since I can remember myself, either as a listener, or as a songwriter…”
DUSK has been influenced and inspired by the enchanting sounds  of Dead Can Dance and Enya , the melodic creations of Greek composers, such as Yannis Markopoulos and the mesmerizing songs of Radiohead, Puressence, Pj Harvey and Tori Amos.  This is the first single from her upcoming album. Albert Planck & Prins George have given their own electronic interpretation of the song, maintaining the minimal feeling of the original.

Dusk: What are the Chances (Original Version)

Quante stelle nel cielo con la luna
sono luci che accendono gli amanti
e più brillanti sono e più penso che
quelle stelle brillano per me e per te.

Amore amore amore a perdifiato
quante volte di notte t'ho sognato
e t'ho cercato amore fino al monte
come assetato cerca la sua fonte.

Quando lo trovavo
come un vento di primavera
sfiorava la mia mano
poi di nuovo lontano era.
Amore amore che inganni
profumi d'aria di maggio
ti tocco, ti credo vero
svanisci come un miraggio.
Amore che viene e che vai
come una cosa leggera...
Ah...non andare via.

Amore amore per te ho messo un fiore
nel mio giardino s'è sparso l'odore
e notte e giorno io l'ho ben curato
e questa volta un fiore non s'è seccato.

E l'ho bagnato con l'acqua di fonte
io l'ho difeso dal vento del monte
e l'ho nutrito a tutte quante l'ore
Amore amore amore amore amore.

Lucilla-Galeazzi-Quante-Stelle-Nel-Cielo(mp3hamster.net)

Je crois entendre encore,
Caché sous les palmiers,
Sa voix tendre et sonore
Comme un chant de ramiers !
Ô nuit enchanteresse !
Divin ravissement!
Ô souvenir charmant!
Folle ivresse! Doux rêve!

Aux clartés des étoiles,
Je crois encor la voir,
Entr’ouvrir ses longs voiles
Aux vents tièdes du soir!
Ô nuit enchanteresse!
Divin ravissement!
Ô souvenir charmant!
Folle ivresse! Doux rêve!

Camel - Irish Air/Harbour Of Tears

Abdelrahman Shaat