HEX Sound (Dark Ambient)

Label: Northern Electronics // SWE

Tekno

Prod. Census, Spaceman, Paryo, & Taz Taylor

Lil Tecca - INVESTIGATION

Linear S Decoded

Wadin Guise

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SLAM | Reverse Proceed (Soma CD105)

01. Tokyo Subway 
02. Visual Capture 
03. Reverse Proceed 
04. Cirklon Bells 
05. Synchronicity 
06. Ghosts Of Detroit 
07. Relevant Question 
08. Pattern A3 
09. Factory Music 
10. Convolute 
11. Catacoustics 
12. Irritant 
13. Rotary 
14. Resolved 

Electronic music pioneers Slam return to their home base of Soma with their brand new album, Reverse Proceed.
After tireless months in the studio, the Glaswegian duo are ready to unleash what is easily their best body of work to date. Not only does this album capture where the two are at musically at the moment but is an extension of their unending fascination with all things Electronic. Lending their 22 years of experience to this new project, Slam have delved into the past for inspiration whilst simultaneously heralding future technologies in the production process. Conceptually, Slam wanted to have the human experience in mind when recording and to base the architecture of the album around ‘the sequence’. This led them to a locally built hardware sequencer called the ‘Sequentix Cirklon’ that became the heart of the album. Allowing them to access older machines and also a modern modular synth setup simultaneously, Stuart & Orde merged live manipulation and recording techniques to full potential to bring a soul to the album.
Reverse Proceed is more than an album; it is a well-defined experience built on the principle of the sequence. Having been meticulously woven together to create a seamless listening environment, Reverse Proceed aims to capture the audience and guide them through the sonic landscape of the album. This method allowed Slam to fully explore the concept of the album
being more than just a collection of tracks but rather a thoroughly immersible piece.
With this concept in mind, the album's opening drifts in over the course of several tracks as the malevolent Tokyo Subway opens what is the ambient first third of the album. Tension is built through sweeping pads and dubbed out synths leading perfectly into the more delicate Visual Capture where a sea of field recorded rain splashes over subtle bell tones and dream-state strings. Title track Reverse Proceed begins with intensity as pulsing sub bass fills the void with yet more time induced percussive fluctuations though synthesis, the haunting pads giving more depth to this deep, evolving track. The hardware at the center of the album takes hold now as Cirklon Bells brings a slight edge of melancholy to proceedings. It's natural hang-drum- esq sounds permeate as various layers are perfectly sequenced, breathing life into the track with each touch.
Heavenly pads bring Synchronicity into existence as we hear the first semblance of a 4/4 make its way out of the depths of the ambience. Stuttered percussion and fast paced, filtered synthetic tones give an almost unnatural rhythm whilst holding momentum firmly. A definite step up begins here as Ghosts Of Detroit stamps that typical Slam sound on the album. This ode to the motor city see an almighty melodic upheaval as tones begin to form complete harmonious coexistence and the album sees the shift onto a more dance floor orientated state of being, complete with blueprint style kick- sub bass conformity.
The ethereal interlude of Relevant Question proves to be little rest bite as Pattern A3 stomps in with flourishing modular based sequential tones and sparse, kicking 909 drums, the albums defining heads down Techno moment. Tweeked out, delayed and cerebral, Factory Music continues on perfectly as yet more off kilter sequences makes heads spin with it's subtle use of FX and crisp percussion. The wail of Convolute keeps things in check as discord swells enough to keep you ready for the solid and hypnotic Catacoustics. Dark and brooding it sets the tone for Irritant with its broken beat and roomy percussion riding spaced out, otherworldly forces. The easily recognisable Rotary helps see the album out with it's elastic synths and driving rhythms showing Slam's credentials as straight up dance floor killers. As we finally wind down from the journey we are brought into great depths with the sublime Resolved. A fitting title to end to what is the climax of this multi-faceted album.
Slam have always brought new meaning to the world of techno and electronic music over the years and have been instrumental in some of its defining moments over their careers. Modern Techno albums come and go but with a clear vision of what they wanted to bring to the table, the dynamic duo of Stuart McMillan & Orde Meikle have once again raised the bar for the world of techno.

Mastered by Conor Dalton @ Glowcast Mastering

1. Slam - Tokyo Subway

1984

Entering 101

Five years after his last album release Luke Slater returns to Ostgut Ton with a new Planetary Assault Systems longplayer, titled Arc Angel.

After 22 light-years Luke Slater’s Planetary Assault Systems keeps exploring space and time with different musical means. Staying true to the project’s initial mission statement, Slater comments on the new yet familiar musical direction: “For me music has to go forward. I’d feel I was cheating by sticking to tried and tested formulas. There’s a valid use for these, but this album has its own agenda.” With Arc Angel, Planetary Assault Systems departs to new musical frontiers by focussing on melody, but staying rooted in the purist values of Techno that Slater shaped over his decades- and generations-spanning career.

3x12" | 2xCD | all formats include digital download code

Buy Album

Planetary Assault Systems | Interlude 4

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Slam | Machine Cut Noise
[SOMALP114]

Inauguration
The Afore Mentioned
Viginti Quinque
Inception
Ecclesiastic
Evite
Psalm
Anagram
Corridors
Obstacle
Fine

Techno duo Slam return once more with the album ‘Machine Cut Noise’.

With the double vinyl album, Machine Cut Noise, Stuart McMillan & Orde Meikle delve into the everyday workings of what makes us human; with life, so to speak, running at the very heart of album. Much of their time is spent on the road, therefore many of the original ideas for the album were created in airports, hotels and wherever the two found themselves inspired around the world. This created a vibe that each track was born of the modern machine itself.

These concepts are quickly prevalent on the album - every track has a singular purpose or energy unique to itself. Whether it’s emotive or programmed, there is a feeling that the way it has been constructed has been paved by the machines that surround us. 

Slam have spread the net in terms of production on this album, basing it around their grander tastes in electronic music with the opening pairing of Inauguration & The Afore Mentioned veering into more dystopian sounds and the likes of Viginti Quinque, Ecclesiastic & Evite providing the harder edged themes in the first half of the album. The haunting sounds of Psalm & Anagram bring tension throughout, delivering shades of the future with buzzing, sombre chords set to static interference before one more peak time burst in Corridors. This allows the duo to close out the album in an exceptionally refined way, with Obstacle curving slowly downward leaving the ethereal soundscape of Fine.

The pair have lately been on consistent form with a highly prolific run of singles and remixes including the critically acclaimed ‘Soma Track Series’, all housed on their label Soma Records which is currently celebrating 25 years at the cutting edge of electronic music.

Mastered by Conor Dalton @ Glowcast Mastering

Nothing Existed

Abdulla Rashim