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Taken from "apaull - 4Sol EP (Furnace Room Records)". Out June 24th 2022. Buy here: https://www.beatport.com/release/4sol/3744115?fbclid=IwAR1N9oHVLE5fMbBHVQedu7ExWVrQqwjGZhD3TMgN_Woad9sFukfQXPkaKVc

apaull is a dutch-canadian producer, awakened from a long musical slumber and who is now busy exploring in-the-box musical potential, that was at one point futuristic and unimaginable. With Abe Duque as executive producer, apaull’s efforts are scoped and focused into a coherent package.
While the strange times we live in punch us in face most days we can still explore the shiny shards of hope, littered throughout the detritus of lives upended and dreams suspended. 
apaull’s debut 4Sol EP tries to address both, presenting the good news first and the danceable bad news second. 
“At fourteen and in a record shop, under some duress, I bought a gospel album rather than the Bee Gees Saturday Night Fever album I really wanted. March Song pays homage to what were then strange new disco sounds. Disco’s tentacles weave their way through the music I listen to and have spilled into the creative process I use to produce music”
March Song reminds that we can, for a few moments, ignore today’s calamities and that there is a brighter future over the still unseen horizon.
La Censura is about real time. We seem to be yielding ourselves to the throes of authoritarianism, with very little fight. Does it make us feel safer? Its cudgel, censorship, seems to be an unsophisticated afterthought that is being embraced as an acceptable tool to stifle dissent. Say (think) the wrong thing and you become an “anti” or worse yet an “ist”.
Yesterday boys and girls fought for freedom from tyranny. In today’s re-litigation carousel, they and what they have protected have become the tyranny. No Dimension provides some clues about why we are where we are today. History forgotten repeats itself. Today it’s with fast modems and the cowardly anonymity they afford.
“4Sol commemorates the four muslim souls that lost their lives in London, Ontario Canada in 2021, because they were muslim. While the tracks on this EP do not directly address this unspeakable tragedy it does reflect on our still pervasive collective ignorance.”

Artist social media:

https://www.facebook.com/apaullmusic
https://soundcloud.com/apaull_music
https://www.instagram.com/apaull_music

Label social media:

https://www.facebook.com/furnaceroomrecords
https://www.instagram.com/apaull_music

4Sol EP

No Dimension

PREMIERE : apaull - No Dimension (Furnace Room Records)

https://www.facebook.com/Abe-Duque-90121941228/

Abe Duque (real name Carlos Abraham Duque Alcivar) remains a larger than life character within electronic music in general - and his hometown of New York in particular. His incredibly prolific output over the past 20+ years has firmly established him as legend status, and he shows no sign of letting up.

The Float Away EP lands courtesy of his own Abe Duque Records, and features Nicole Arrington - the New York based singer-songwriter, dancer, and actress. Float Away (Chapter 1) introduces us to this incredible talent, a powerful vocal building and eventually giving way to a tough as nails acidic house banger. Float Away (Chapter 2) works similar magic, providing a deep, driving bed of streamlined acid with Nicole’s strong vocals riding the frequencies with total conviction.  
Taboo also comes in two versions; the original delivers a more laid-back, jazz inflected house vibe for Arrington’s vocals to reach full expressiveness, and a Matt Law mix that focuses fully on the club. Laser sharp drums, cut up vocals and deep vibes make this a guaranteed floor filler. Digital customers also get Float Away in its instrumental form for club / DJ use. 

Float Away (Instrumental)

Abe Duque, the New York legend who famously described himself as one of the "few producers still licensed to use the 303", has never let up in terms of his output.

His commitment to his sound and take-no-prisoners attitude has seen him go from strength to strength over his considerable career - his first release was in 1995.

These fresh three tracks are a collaboration with Marco Di Prima - and the results are predictably amazing.

All In One kicks off the release, starting from a very deep place, and slowing building in energy. The synth programming is outstanding - sounds and textures bubble up and fade away creating a deep sense of space, while the percussion and kick provide the forward propulsion.

Destroy the Console comes from a different angle - a rude, noisy intro gives way to a pounding techno banger that will shake walls, nevermind speakers. This being Abe Duque - the acid is never far from proceedings.
Hold the Phone rounds things off - a distorted kick drives the track, with frenetic, restless synths and white noise punctuating the rhythm.

Follow Abe Duque
Facebook: www.facebook.com/Abe-Duque-90121941228
SoundCloud: @abe-duque

Follow Marco Di Prima
Facebook: www.facebook.com/marco.diprima.395

Follow 6AM Group
Website: www.6AMGroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: www.soundclod.com/6amgroup
YouTube: www.youtube.com/6amgroup

My Kingdom For A Horse

Premiere: Duque Di Prima "Destroy The Console" [Edit] - Abe Duque Records

Aunque todos conocemos al americano Abe Duque por sus continuos escarceos con las Roland Tb303, su sello (Abe Duque Records) empieza el año colaborando con el italiano Marco Di Prima con 3 tracks muy potentes en el lanzamiento 'My Kingdom For A Horse'. 
Y nos solo nos referimos a la calidad, sino a la energía que desprende esta colaboración entre ambos.

Hoy mismo salen a la venta los tracks, y el mismo Abe Duque nos ha preparado un edit exclusivo de 'Hold The Phone' para DJ Mag ES con la mejor intención de poneros los dientes largos y que rápidamente vayáis a comprarlo/escucharlo (según la plataforma que uséis) para tener esa “arma de destrucción masiva” de pista, que serán las delicias para los más techneros.
¡Esperamos que os cargue de energías para el fin de semana!

Compra o escucha

[PREMIERE] Duque Di Prima  - Hold The Phone (Edit exclusivo para DJ Mag ES)

Abe Duque, whose service to the cause of quality underground techno now spans three decades. 20 years after his first release, his latest long player "Rules For The Modern DJ" on his own Abe Duque Recordings typifies his refreshing approach to finely crafted, darkly humorous and forward-thinking dance music.

Duque, real name Carlos Abraham Duque Alcivar, remains a vital presence in the techno scene, intimately linked with the development of the genre via his hometown New York. Duque was an integral part of NYC’s now legendary Limelight Club – a space immortalized since its closing by the rapturous memories of its performers and clubbers alike. Duque co-ran the Abuse Industries night – a seminal series of events that helped germinate techno in the Big Apple in the 90s and provided the launch pad for Abe’s career as a celebrated techno artist, live performer, remixer and label boss. High profile projects with the likes of Pet Shop Boys and the Chemical Brothers pricked the consciousness of the mainstream to his talents, but to underline his ambivalence to this kind of success, he also released his landmark “So Underground it Hurts” LP around the same time. 

Float Away (Instrumental)

Abe Duque

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