Loone LIVE w/ Vani Vachi

Throughout the 1980s, Michael Antener, born and raised in Bern, Switzerland, initiated an array of sonic endeavours in the realm of industrial, dark, aggressive music. Of his times as a post-apocalyptic hunter, he says today: "I found a musical niche where I could express myself, along with other people who were not afraid of dark themes. It would have been hard to sing about love in my music, so I included sounds and cries of pain taken from horror movies." 

It was a fortunate coincidence to come across one of his self-released records, the 1986 EP "Strangler of the Swamp", which marked the beginning of our quest to find this all but forgotten musician whose work seemed nowhere to be found. Eventually, we got in touch with Michael, who is still living in Bern, and began the process of searching through all his surviving musical and visual material. 

The triple vinyl release is all about documenting Michael Antener’s adventures during that intense 1980s period. We tried our best to select the most interesting material from his two earliest projects, "The Strangler of the Swamp" and "Bande Berne Crematoire", comprising materials from vinyl records, cassettes, and live recordings, some of it unreleased. The release also includes a deep dive into Michael’s visual archive of posters, photos, and sleeve artworks. 

The disjointed, tumultuous body of work presented here marks the testament of a fringe musician who was disruptive and confrontational, keen to shock and alarm people (much to our liking), and who could easily have been lost in oblivion.

300 copies.

All musical rights, Michael Antener.
Digital transfer, Reto Muggli at Powerplay Studios. 
Prepared for mastering by Florin Büchel. 
Mastered by Ruud Lekx. 
All visual material, Michael Antener. 
Design and layout, Daniele Cosmo.

Eine Aufnahme voller widerlicher Verderbtheit

Buy on Bandcamp

LXRC50 - Eine Aufnahme voller widerlicher Verderbtheit

Groza — талантливый мультижанровый диджей, одна из ключевых фигур андеграунд-сцены Екатеринбурга. Основательница серии вечеринок и одноименного комьюнити «Прыг-скок». Резидентка локальных баров «Самоцвет» и «Мизантроп». Участница вечеринок Techno Room community и корневая подруга FAM community. Аня постоянно ищет новые формы электронной танцевальной музыки. Её миксы основаны на ломаных ритмах, бэйслайне и техно. 

Гроза регулярно выступает на знаковых событиях Екатеринбурга и гастролирует со своей селекцией за пределами родного города.

@anyagroza

катэраг подкаст 021: Groza

Podcast No. 234 by @manalimusic for @oramicspl platform
www.oramics.pl

A Warsaw based Indian DJ — Manali’s affinity for obscure, spacey sounds has seen her bring a unique vibe to the dance-floors, drawing attention and fascinating the crowds and promoters alike across South Asia and parts of Europe, where she performs regularly since late 2010. Her versatile DJ sets feature meticulous selections of techno heavily infused with electro, acid, breaks and psychedelic sounds that do not confine within 4/4 — all the while as much effortlessly blending deep and minimal house jams to build a groovy but relaxed vibe during her occasional residency stints. 

No wonder she rose through the ranks and had supported brilliant artists like Sonja Moonear, Barac, Carl Finlow; and has played at Far Out Left - India's premier techno festival - and performed alongside the likes of DVS1, Identified Patient, Volvox, Umfang, Tapefeed, Aurora Halal and many more.

https://www.instagram.com/manalimusic/
https://www.facebook.com/manalimusic/ 

Tracklist:
Cami Márquez - Animals Intro (Original Mix)
Fractions - Dissuasion
214 - Misty Spots
No Moon - CPU Limit 99
Juxta Position - Elixir
Pi-XL - Do It Yourself
Volruptus - Juggernaut Cosmonaut
Oprofessionell - Pull Up (Bounce To Meet The Taxman Mix)
K-Hole Trax - Just Because You Did It Doesn't Mean You're Guilty 
Hermeth - Locked (Hermeth Remix)
Shedbug - Spiralizer
Machineries of Heaven - Vishnu Vimana
Nicole - Inside
L-3P - Xondel
Glitch - Torsion Control
FTP Jadzia - Grey Inside
Leinad & Forma - Sweating
Marilao - Stan Lives2
EOD - Dog Bits

ORAMICS 234: Manali

Random Precision

ARCHIVOS ALEATORIOS: PROGRAMA 38

01_Synatic_Idium-Human_Transducer
https://cogo.bandcamp.com/

02_ 30drop - Unending Sorrow
https://30drop.bandcamp.com/album/abstract-dynamics-ep-30d10y-001

03_lara_sarkissian_ft_adrien_soleiman
heaven_or_paradise_and_hell
https://btwnearthandsky.bandcamp.com/album/remnants

04_ The God In Hackney - Bardo! (Al Wootton Remix)
https://thegodinhackney.bandcamp.com/album/etch-al-wootton-mixes

05_ Paleman - Pale Vater
https://plmn.bandcamp.com/album/pale-vater-ep-30d10y-004

06-B1_DAWN_RAZOR_ARCHETECH_FROM_ANOTHER_GALAXY_SHED_REMIX
https://dextrecordings.bandcamp.com/album/from-another-galaxy

07-Arnaud Rebotini - Abnegation Électronique [Blackstrobe Records]
https://blackstrobe.bandcamp.com/music

08_piezo_sok_lung_dekmantel
https://piezopz.bandcamp.com/album/ecstatic-nostalgia

09_Stroef-Echoes_Of_The_Past
https://boomstraat1818.bandcamp.com/album/valurauta

10_Legowelt-Taping_a_Broken_Heart
https://legowelt.bandcamp.com/album/a-field-guide-to-the-void-4

11_im116_04_aja_ireland_5_of_cups_infinite_machine
https://ajaireland.bandcamp.com/




Archivos Aleatorios: Programa 38

Soundcloud : @oreste-music
Bandcamp : @emeraldgarden
Instagram : oresteprinceambient

Sans chercher à maîtriser les règles ou à imposer un message à travers ses sets, Oreste puise son inspiration dans des fragments de souvenirs, des lieux ou des sensations, façonnant ainsi une esthétique éthérée et introspective. Très tôt, la nécessité de nourrir sa curiosité par le biais de l'art l’a conduit à découvrir la profondeur infinie de la musique électronique ambiante. Membre d’Emerald Garden, il crée de manière intuitive et spontanée, laissant l’imprévu guider son processus.

--

Without aiming to master the rules or impose a message through his sets, Oreste draws inspiration from fragments of memories, places, and sensations, shaping an ethereal and introspective aesthetic. Early on, the need to fuel his curiosity through art led him to discover the infinite depth of ambient electronic music. A member of Emerald Garden, he creates intuitively and spontaneously, letting the unexpected guide his process.

Kontrast + Oreste / S1.E8

This is my personal Sound of May: 
A blend of different genres and emotions coming together. Exploring varied textures, somehow moving beyond the classic party sound but never fully leaving it behind ✨
📀 only 

Tracklist:

Ryan Elliott - The Introduction
Federsen - High Pressure
Kevin Saunderson - sound family (is all i need)
Sabo & Uriel - Mi Tierra
D’Julz - Jackie
Moodyman - Track 3
DJ Sneak - Spirit Taker 
Federico Curatolo - Follow This
Aphrodisiac  Brazil
Willie Graff & Tuccillo - Poseidonia
Britta Arnold - Talk Talk
C. K. Gonzalez - YEAH C’MON
Voice of the Underground - House Groove
Analog People in a Digital World - Fonzerelli Club Mix
DJ Sneak - En Route
Trevor Rockcliffe - 2001 Jack Part II
Aril Brikha - Way Back
Boo Williams feat. Jamiel Patton - Chicago The Place To Be
Mehdi M - Funky Version

Sound of May - Vinyl

Full album → goo.su/8j4jvKf
Artist: cat can do
Title: ALASKA II
Format: Digital 
Catalogue: 
Tracklist:  
1. how peacocks kiss
2. blue dunes
3. departure

www.diffusereality.net 
linktr.ee/diffusereality

PREMIERE: cat can do - Departure [Diffuse Reality]

Composer and sound artist Ishai Adar unveils the original score for HBO's Our Boys, now available digitally for the first time.

The 2019 series dramatizes the harrowing events surrounding the 2014 abduction and murder of Palestinian teenager Mohammed Abu Khdeir in Jerusalem, offering an unflinching exploration of state power, communal trauma, and fractured identities.

Adar's score avoids conventional narrative cues, instead constructing a sonic architecture of electroacoustic dissonance and textural abstraction. The compositions conjure an imagined ensemble—acoustic instruments processed and mutated into something part-organic, part-synthetic, edged with overtones of drone and analog decay.

The resulting sound captures a persistent sense of unease and interior tension, echoing the bleak interrogation rooms and shadowed urban landscapes that define the series.

Recognized for his distinctive contributions to screen music across fiction and documentary, Adar's past scores include Beaufort (2007), Shirkers (2018), and Sympathy for the Devil (2023). Alongside his work for film and television, he creates electronic music rooted in a retro-futuristic aesthetic, drawing on the textures of vintage electro and Italo-inflected minimalism.

Our Boys is both a soundtrack and a standalone piece—immersive, unresolved, and emotionally charged. A release for listeners drawn to the intersections of experimental sound design, audiovisual composition, and music that resists easy resolution. 

https://confusedmachines.bandcamp.com/album/our-boys-soundtrack-from-the-hbo-original-series-dm12

https://soundcloud.com/confused-machines

PREMIERE: Ishai Adar - A Family [Confused Machines]

abend kollektiv 21

Yosuke Tamura / Hold The Line EP

Release Date: 05 September 2025
Format: Digital

01. The Match Day
02. Away Games
03. The Match Day (DJ REIJI Remix)
04. Away Games (Chang Remix)

Produced by Yosuke Tamura
Mastered by Nobuki Nishiyama (soup)

abend kollektiv 21 / Yosuke Tamura / Hold The Line EP [snippets]

OWLS RULE. 

The label "abend kollektiv" was evolved in 2011 from techno party "abend" which started in 1999. 
Our basic colour is TECHNO in the broadest sense of the word, and as long as it's electronic music with a dance element, there are no restrictions on the form of our expression. The tempo of the releases is very gradual. Like an owl on the hunt, if something catches our fancy, we immediately take action, if not, we wait quietly and patiently for the right moment.