Ashia & The Bison Rouge - Spirit Dances Evermore - Radio Edit

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Casa Noble Lisboa Especial 131: Paz de espírito II.
By OCTUPONE (Tea*Eye Productions) : BERLIN

For the upcoming project: "Casa Noble" Lisbon, Portugal, Summer 2024

In corporation with SLOW
🌑🌘🌗🌖🌕🌔🌓🌒🌑

slowness.com/places/casa-noble/

1 Claudia Balla - Reménytelenül (Pál Szalóczy)
2 Arve Henriksen Harmen Fraanje - Melancholia
3 Gao Hong - Luck
4 Ana Costa, Zélia Duncan - Nascer Mulher
5 Gao Hong & Ignacio Lusardi Monteverde - Longing for My Lover
6 Dirk Maassen - In Lucid Moments
7 Taylor Sol - Amara
8 Tomasz Stanko Quintet - May Sun
9 Berginald Rash - 3 Gymnopédies (Arr. for Clarinet & Harp by Berginald Rash & Fiona Gryson): No. 3, Lent et grave
10 Germa Adan - Turn Turn Turn
11 Alexander Malter - Für Alina
12 Lavinia Meijer - As Ballad
13 Toechter - Mellow Splash
14 Martin Caron - Une lanterne sur la mer
15 Boozoo Bajou - Finistere
16 Canberk Ulaş - Broken
17 Berginald Rash - 3 Gymnopédies (Arr. for Clarinet & Harp by Berginald Rash & Fiona Gryson): No. 2, Lent et triste
18 Julie Berthollet - Ave Maria
19 Alexandra Streliski - the first kiss
20 Max Richter feat. Sparks - Don't Go Away (From "Spaceman" Soundtrack)
21 Ensemble Apotropaïk - [Sans titre] (Codex Faenza, déb. XVe siècle, Faenza, Biblioteca comunale, MS 117, f. 49v.)
22 Jonathan Yandel - Dawn
23 Evangelina Mascardi, Frédéric Zigante, Cornelia Demmer - Ferrabosco: Fantasia
24 Joshua Spacht - Chopin: Prelude in D flat major, Op.28: No.15, "Raindrop"
25 Anastasia Kobekina Kammerorchester Basel - Emerald and Stone
26 Quiet Keys - For A Quiet Evening
27 Taylor Sol - Creation
28 Hinako Omori - an ode to your heart
29 Tymoteusz Bies - Goldberg Variations, BWV 988: Aria
30 Dalal - Seelenkind
31 Anneleen Lenaerts - 4 Lieder, Op. 27: No. 4, Morgen!
32 Cabane - Italian Mysteries
33 St. Ephrem Male Choir - Liturgy of St John Chrysostom: VII. Trisagion
34 Michelle Cann & Thomas Mesa - Oyanadel: Tres Campanas de Rere (Three Bells from Rere)
35 Alexandre Tharaud - Pavane pour une infante défunte, M. 19
36 Dear Persephone - House Above the Sea
37 Anastasia Kobekina Azul Lima - Lamento d'Arianna
38 Cory Seznec - Kulowahed
39 Christina Sandsengen - 1991
40 Bruce Brubaker - Eno: Music for Airports, 2/1
41 Ludovico Einaudi - Fossils

Casa Noble Lisboa Especial 131: Paz de espírito II.

La Illaha Illa Allah - Manish Vyas

#guitar #emo #midwest #electric #accoustic #sad #goth #instrumental #sadboy #ambient #electricguitar

I can change

Nowhere to go

Ringtone blues  with Mr Mark Grimshaw.

Indus Raag - Music Beyond Borders

Bhopali Todi

Enjoy, share and support fresh, independent Indian Classical Music. 

Raag Pahari Jhinjhoti, 
Vilambit Teentaal, Drut Teentaal.

Pramantha Mohan Tagore : Sarod 
Rohan Bose : Tabla 

Recorded, Mixed and Mastered by Shaurjya Banerjee, at The Music from Mars Studios, Calcutta 

Produced by Shaurjya Banerjee

Raag Pahari Jhinjhoti

A rendition of John  McLaughlin's beautiful Lotus Feet, on the Sarod, by Abhishek Borkar.

Lotus Feet - on Sarod - by Abhishek Borkar

Abhishek Borkar, a young and versatile musician, was drawn to the sound of the sarod from a very early age. Born into a musically rich environment, in Pune, he initially underwent training in vocal and tabla, at age 4, before anchoring himself on the sarod, under the tutelage of his father and Guru Pt. Shekhar Borkar, under the Maihar Senia Gharana. 

Rigourous and intensive training followed. At the age of ten, he presented his first concert for which young Abhishek was lauded for his erudite performance by many connoisseurs of music. Many accolades and awards followed. He was awarded a National Talent scholarship instituted by the C.C.R.T (Government of India) and was subsequently specially invited to participate in many of their camps for outstanding young scholars. He won many music competitions in and around Maharashtra. Under the ‘Balodhyan’ initiative, he presented many memorable programmes for the All India Radio. He released his first solo CD titled ‘Pratibha’ in 2008, at the age of 16.

Following the footsteps of his father, today, Abhishek’s renditions are characterized by a unique blend of the sarod, sitar, sarangi and vocal styles of Hindustani Music. His natural instinct for aesthetic music coupled with his incredible control over sur and laya have enthralled audiences in various parts of India. Duet performances with his older brother Praashekh have also received critical acclaim. The melody in Abhishek’s music exhibits the influence of his idols, Ustad Allauddin Khan, Ustad Ali Akbar Khan and of course his father, Pt. Shekhar Borkar and the intricate layakari, the guidance of Pt. Shashi Bellare. Equally adept at playing the guitar coupled with his knowledge of western music and instrumentation led young Abhishek foray into the field of Classical fusion. Keeping the style of playing the sarod intact, he composes tunes with a classical twist, with which he aims to make Indian Classical Music more reachable to the generation today. 

A Commerce graduate, Abhishek aims to pursue his masters in Indian Music. In the coming decades, Abhishek aims to carry the beacon of Indian music and take the magnum opus of his father Pt. Shekhar Borkar – the creation of ‘Tarankaar Baaz’ and the ‘Sur-tarang’ to the world. In his words, ‘the limitations of the sarod can be surpassed because music comes from the heart, and the heart never ceases to sing’. 

Lotus Feet - on Sarod - by Abhishek Borkar

Abhishek Borkar

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