wow!! the drama!! truly epic soundscape - perfect movie score material! I know I'm a little late to the party listening to this, but I'm so glad to be back to experience this masterpiece! 🔥

An extremely sensitive work with a poignant message, my friend. Fantastic sound and mixing. Stunning cinematic sound! Top notch.

great orchestration, powerful and well produced

I SEE AN ADVENTURE OF INTERSTELLAR FRUITS

Attacca
: attack at once 
—used as a direction in music at the end of a movement to begin the next without pause.

Movement. .......................................................................  Timeline

1st .............War Cry ......Call to Arms ...............................0.00--1.55
2nd............The Advance to Battle ...................................1.55--2.48
3rd.............The Battle Begins...........................................2.48--3.59
4th.............The Triumphant...............................................4.00--5.10
Thanks to Dennis for his pristine gunfire and airbourne fx....https://pixabay.com/users/dennish18-26151496/
Cover-art :- Marek Studzinski ...https://unsplash.com/@jccards
Orchestration,arrangement,mix and production ...Pablo

Attacca

"Attacca"

Vocals and Lyrics by IPG1
https://soundcloud.com/ipg1

Produced by Cosmic Keanu

The Plan (IPG1 & Cosmic Keanu)

Conga and bass, Sergio Párraga.
Piano and drumms, Ireal pro.
Front page, Pepe Gámez.

Conversando

(Chorus)
No basic style, come on take a ride
Basic style——why? A catalog of vibe
Put a name on it, another wave for the tide
Listen what’s inside, then blast it worldwide 
The groove does not lie, a melodic glide
   Something-though, this much is certain
Set free to run wild—-no basic style
No basic style (Echo)

(Verse 1) 
Energy driven, music’s a haven
No questions-no answers -Taken-none given
We Share parts of ourselves 
   Just for the living
But I’m still underground 
Although I have risen
To a higher level in fact,
Basic styles-good riddance 
Bye bye—-let’s dance 

Switch it up!

(Verse2)
Switch it up-Switch it up
Random rhythm of raindrops 
Nothing fancy—-plop, plop
Lightning strikes naturally 
It’s all good-fear not

No hassle, add a deep bass
Some kicks and one-shots
Vibe along, it hits the spot
Feel the rhythm, move your butts
Cataloged tabbed—-
“Forget Me Nots-Vibe Will Hit The Spot”

No basic style—
(Chorus)
Interlude

No Basic Style

I came across the page of Natalie (Caught in a Moment) https://soundcloud.com/missx-3 and instantly fell in love with her voice and music. 

The original song was a live-recording of Natalie's voice and piano. 
https://soundcloud.com/missx-3/peace-of-mind-theres-hope
I added a few things to make a duet version out of it. Here is the result, I hope you enjoy. Sound quality is limited due to live recording and the necessity to split it up in stems to re-mix it. Hope you don't mind.

Caught in a moment - vocals, piano, composition, lyrics.
BeSinger - vocals, guitars, lapsteel, strings, rearrangement.

Lyrics

I can read your mind
its the calm after the storm
it was breaking us
but will never reach our souls

theres a peace of mind
one I never thought Id find
so glorious
all my doubts have turned to dust

never seemed so bright
we're the a calm after the night
for that distant light
its so worth to face all fights

never seemed so bright
though I never thought Id find
so glorious
all my fears are made of dust

Theres hope!

Picture (c) Natalia Aguado (Peace after the Storm)

Peace of Mind (There's Hope) - Collab with Caught in a Moment

QUE FONT NOS DIRIGEANTS

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 
  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 
  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 
  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.
Original lyrics by The Beautiful Dark:Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom (Eclectic Collective)

The part that sounds like a bass in the middle section is actually tapping using an 8-string guitar. Naturally, no bass was used at all for this part. Lately, I've been exploring the potential of the lower strings, and tapping and slapping are part of that. Regarding the song's theme, I've been deeply contemplating the grandeur of the universe and humanity recently, and I composed this piece wanting to express that atmosphere through my guitar. I'd be delighted if you could feel a sense of floating and light-like speed within the song. Finally, thank you so much for reading this far. I think you're truly wonderful!

Interstellar Contact

Electro Nu Jazz at a Chill 85 bpm

The last of three songs, including Equinox and yet to release, Harvest Moon, written in past few weeks.

Ripples was inspired by gratitude — never underestimate the short- and long-term impact of kindness. Sometimes we never see the impact, the why something mattered and to whom. I still remember past kindnesses from people that to this day motivate or comfort me. They couldn’t have had the slightest idea — unless they had a crystal ball — to foresee how important their acts of kindness would matter to me later in life. So 🙏

Lyrically, a question is not asked, but is implied in the song:

Who dat knockin’ at my door?
Do you bring a blessin’ or a chore?

(Hat tip to New Orleans and survivors of Hurricane Katrina, August 29, 2005)

Composed digitally MIDI to DAW via VST instruments, all original, no AI, made by a human

………………………..
85 bpm

Variations of Bb minor & F

DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard 

VST E-INSTRUMENTS
Concert Grand 
Ambient Lead
Clarinet Solo 
Synth Upright Bass 
Deep Round Bass 
Dynamic String Ensemble 
E-PERCUSSION 
2-Step Remix Kit 
Latin Kit 

VOCAL audio recorded live microphone to computer on September 14, 2025. Water droplets recorded live using an iPhone on September 17, 2025.

………………………..

COVER ART is original CGI by SUNNYBECK using composites derived from AI-generated images rendered as original CGI, then retouched and designed in Photoshop.

Released on SoundCloud 
Friday, September 19, 2025, 3:33 AM ET
2025 All rights reserved

Ripples

Fruit

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Epilogue to a fantasy adventure

First tune of my broad hip hop collection

A Melancholic Orchestra

Kevin Puyrajoux - Where are you

Collection of light-hearted, joyful orchestral tracks capturing the magic and spirit of Christmas. From bubbly and adventurous melodies to inspiring and enchanting crescendos, these tracks bring warmth, wonder, and festive energy to scenes filled with snow, twinkling lights, and cheerful holiday celebrations. Ideal for family-friendly content, commercials, animation, Christmas-themed TV show episodes, and any content calling for enchanting delight and heartwarming joy of Christmas.

Christmas Evening

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Link to my all genre repost and artist support channel https://soundcloud.com/pablocambo

(Don't follow me here, best on my main page ;)

"Attacca"

Pablo Camberelli.

Recent comments

Blackbird

Ricardo da Silva

OMCB

Pablo Camberelli.

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