I love the overall build to the track ... very nice

Genuinely beautiful track Pablo 🔥🔥🔥

Such a lovely sonic treat. thank you for creating and sharing

Wonderful work on this track my Friend 👏🏻👏🏻🔥

A nice story and beautiful music to describe it. Respect! 👏🏻

MY GUITAR WEEPS IN A ROOM AT LAST

Songwriter : David Gates \ ISWC : T-070.066.390-6
Publisher : Kipahulu Music Co
Released : July 1972
_________________________________________

Vocal : Anh
(Recorded in 2005)
_________________________________________

The Guitar Man - Cover (Bread)

At The End Of The Dream- bE AnOthEr

Song about love as a shelter against inclemency of life (translated lyrics below).

By means of some weather sounds, I oppose precise dark parts to more colored ones, with serious work till 3:25 when I had fun jamming, so you can skip to 4:20 & enjoy great outro !!

Clarinet was borrowed from my sister for summer practice. Reed & keywork managing is difficult for a beginner, & home cohabitance was set on serious risk, but with painful effort I got something presentable, or so I hope, as not willing to repeat soon...

Pic: edited eyefish photo taken by my other sister during one of my hard summer rehearsals.

LETRAS / LYRICS

ENTRA SIN MIEDO / COME IN WITHOUT FEAR

Fuera hay truenos; / Outside there are thunders;
entra sin miedo. / come in without fear.

Fuera hay viento; / Outside there is wind;
entra corriendo. / come rush in.

Soy tu refugio protector; / I am your protective shelter;
entre mis brazos estarás mejor: / whithin my arms you’ll be better:
ven a buscar mi calor. / come to find my warmth.

Dentro hay fuego; / Inside there is fire;
entra a verlo. / come in to see it.

Dentro te espero, / Inside I wait for you,
entra sin miedo. / come in without fear.

ER22HC02 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Entra sin miedo (No clarinet was harmed)

Please enjoy my latest offering to you all. It is another seagoing inspired track. Over the years I have seen many deep ocean whales in their natural setting but only once have I seen a pod and it was awesome. There must of been at least twenty of them spread across the bow at distance. I immediately reported my sightings to the captain who immediately stopped engines.  He went on to explain that in this situation you have two choices you can go hard to starboard or port depending on our postion relative to the whales course or simply stop the engines and take in the view explaining the chances of seeing another pod this large is very remote. this all happened long before smartphones came along so we had no way of recording the event. This took place when I was nineteen and I am now 71 and it is a memory that has stayed with me all these years. So I say to all our fantastic young people .... You are at the stage in your life were you are creating your memories .... .don't waste a minute. Thank you all for the great support you give me.... love and peace..

Music.composition,arangement,mix and production ....Pablo

Calling The Whales

TOUR DE LA TERRE (around the earth) by ZITOU ITOU & CECILIA SPECIAL

the heart of winter
Thanks to Francesco(@francescocartocci ) for the inspiration and for the gorgeous guitar playing.
Our other collaborations:
@soundcloud.com/rosindust/sets/grazie-francesco

initial digital idea (video sketch)
https://youtube.com/shorts/ErjY15S-tYU?si=lupDHa8xz8s_38-c

il cuore dell'inverno  with Francesco Cartocci

Black Room (jewelry) - Fleursonseaux
All rights reserved - © Copyright

Black Room (jewelry)

Weeping Angel

Astronauts say that when they see the Earth from space, it changes their way of understanding life.
We will soon make a guitar version.
Photo: NASA

Beauty Blue

if you play this song reversed it's pretty much kinda  https://soundcloud.com/lil-spaceman/spacejump

cellphone recording.  keyboards and creaky chairs by andrew salvner (aka lil' spaceman)

this is the ending.  the whole thing has been on the youtubes for years.  it was a promo i made promoting my first series of cassette singles.

the last twenty seconds or so of cassingle

Unreal Facades

Music written in response to the sudden loss of a beloved pet. Sorely missed but always loved and remembered well.

Words - Before me, before it rained
We were together in time and now rightly pained.
Nothing I can do to change it
Nothing's gonna make it go away
Here in my heart you have a home to always stay.

Before me, the tides keep on changing
Before me, I'll keep rearranging again and again.

Time and time again we wake up then fall asleep
When will the sun come out and bring us all up from the deep.

B4ME

The Great Awakening
I wish you all HAPPY EASTER!
  Vocals: Winkandwoo
https://soundcloud.com/winkandwoo/the-great-awakening-vocal-stem-124-bpm
Lillithe: Music, Arrangement and Production

THE GREAT AWAKENING

PHOBOS / Paploviante Open Collaboration Offer
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 88
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

PHOBOS

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

TwigHead

Link to my all genre repost and artist support channel https://soundcloud.com/pablocambo

(Don't follow me here, best on my main page ;)

Calling The Whales

Pablo Camberelli.

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