Quite an expressive piece. Perfect for the season.

This piece of music is truly magical and delightful! Absolutely fabulous production!

Replaying for this year's holidays because this is wonderful music for the season, Pablo ❤️ Gorgeous song 👏👏👏

Really beutiful sweet sound, very well product !

Absolute delight from you on this track ! This is art 👏🏻👏🏻🔥

Related tracks: Let's Break Our Hearts Tonight

Now Christmas time is now passing and we are heading into a new year I would like to thank all of you who have taken your precious time to listen and support my music over the past year. I appreciate you all.

Music,arrangment,orchestration,mix and production :- Pablo

Christmas Passing

FULL INSTRUMENTAL!

“The Way” started with a piano melody and kept unfurling as I healed from the loss of a few loved ones last year…which was capped off with my beautiful family dogs both passing. The lyrics to this song took on their loss, but the whole thing is really an open entry from my own grief process through to happiness again.

Written, performed and produced by Jason Langvee
Mixed & Mastered by Uezurii (audius.co/uezuriiwav)

The Way [Instrumental]

Life is one big adventure. There are many challenges to overcome, many paths to take, many decisions to make. Pursue your goal even if it is difficult or precisely because it is difficult. And when you have achieved it, you will look for the next adventure.

DAW Cubase
Halion Sonic 7
Groove Agent SE
Retrologue 2
Padshop 2
Evo Elysium
Apollo
XPhonica
CRE8 Poly Engine
CRE8 Wave Engine
Colors LoFi Tapes
Taped Vibes
Kalimba
Halion Symphonic Orchestra
Iconica Sketch

115 bpm

Picture by Cilvarium on pixabay

adventure

Jellyfish Palace

Portal To Another World

A sentimental country-ish ballad with a big sad finish.
Dedicated to anyone suffering from memory loss. Thanks for listening.
Lyrics:
I can still remember
Felicia in December
Outside in the cold
Smoking Swisher Sweet Cigarettes
But she would always forget
If you're gonna inhale that shit
You know she always got sick
She'd chewed down the tip

It's like I told you on the phone
My mind is not all my own
All my memories are dissolving
Our nights in Arroyo Park
Out feeling that spark
That Datsun that would never start
My bad Cure haircut (disaster!)
My heart was beating faster
A sketch of a love scene
Painted behind
A gothic old master

I was selfish with my time
And now I seem to lead my life
Conducting orchestras in my mind
Oh, I don't know how this sounds
But sometimes I listen to the ground
To hear and feel the rumblings
I feel that you're coming around

All my memories are dissolving
Soon, I'll have no memories of this world
I'll have no memories of this world
So let's go out tonight
And shoot out the lights!
Let's break our hearts tonight
I'll have no memories of this world

I wanted to drop you this line
To thank you for the time
And thank you for being in my life
Thank you for being my life

Let's Break Our Hearts Tonight

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Written, performed and recorded by Neli CoKo, 2924, all rights reserved. 
Thank you for listening :)
Original photography by Vika Glitter https://www.pexels.com/de-de/foto/meer-dammerung-sonnenuntergang-strand-26310095/

Feel The Summer

Why entropy? Entropy is a measure of disorder and there are always more messy than tidy variations. Entropy is chaos. In art, we strive to bring order and symmetry and thus create an aesthetic beauty that the universe would never create by itself. So, out of the sea of ​​random combinations, the artist must create something meaningful. An artist always tries to bring order to chaos.

Entropy (For more than one guitar)

Automne

JIM ANDERS _ Jugend

LYRICS 
I heard her coming in at midnight
I said honey where you been
She said I've been to the movies
With Sue and my best friend Janine

She said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I said what was the movie
And she said I don't know
I didn't take no notice
It was just somewhere to go

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

Instrumental

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I said why was you talking
Is there something I should know
She said now honey don't be silly
But her face just let it show

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I heard her coming in at midnight

Fade




Coming in at Midnight

"For My Lady" is a song written by Ray Thomas that was released on the Moody Blues 1972 album Seventh Sojourn. It was also released as the B-side to the single "I'm Just a Singer (In a Rock and Roll Band)"
The lyrics to "For My Lady" are about the singer's desire for true love.The lyrics may have been inspired by Thomas' recent divorce at the time he wrote the song.

Music journalist Geoffrey Freakes described "For My Lady" as an "uncomplicated, uncluttered and blissfully romantic song" that is "supremely elegant." Moody Blues biographer Marc Cushman felt that "the melody and heartfelt vocal performance convey a sadness despite the positive nature of the lyrics. Tampa Tribune critic Ralph Harold described the song as "an elegant love song, almost Elizabethan, although somewhat gimmicky with a cymbal sound of ocean waves and a nautical harmonica and organ background.

At one point Justin Hayward plays a guitar note that had some listeners thinking that the guitar string broke. But according to Hayward that it was not a broken string but merely an emphasized pluck to accompany the lyrics "and slowly bow her head."                          Wikipedia

Mastered Track: Distrokid Mixea

For My Lady - The Moody Blues (Cover)

Cast of characters:

I have to thank Kenneth at K2 and the Three for contacting me about a collaboration. Without him (and his killer drums & bass) and Tex Mex Shaman (Stephen – fantastic sound on that guitar), I may never have known what one of my songs could sound like with proper playing and production. This collaboration was a lot of fun and a truly humbling experience for me. Thanks guys.

Joseph Shenton: composition, lyrics, vocals, acoustic guitar, lead guitar, harmonica, piano

Tex Mex Shaman( Stephen Watkins): Rhythm and texture guitars, production mix and master

K2 and the Three( Kenneth Karasek): Drums, bass guitar, and shakers

This song began with Ken and Joseph liking each other’s music. Ken invited Joseph to collaborate. He provided such a wonderful song, that maybe sounds better without drums, but we totally dig this version, as well! Ken asked Stephen to add something special, and for a fantastic third party mix down and master! This is the first collaboration with a couple of the Eclectic Collective collaborators.. we hope you all enjoy it!!

____

One Twist a’Whisper
Lyrics and Music by Joseph Shenton

Bang the drum
Call the ghosts out
It’s ten to one
N’ we’re under looming doubt

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

The cradle is tilted
Fires breath is getting hot
Pine needles are falling
Your poised to spill all you got

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

Skin on skin
Check to cheek
You pull apart quiet
To become the object seekers seek

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

Jump the line
Cheat the deck
The 'bound to be foolish'
Won’t hesitate for even a sec

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

One Twist a'Whisper

This song started with myself playing the melody on the piano and I developed it from there, a short wintery sounding track.

Plugins used:

Spitfire Audio Labs - Soft Piano, Frozen Strings, Christmas instrument pack
BBC Symphony Orchestra 

The Crow Hill Company Vaults - Celestatone

EZ Drummer 3



Snowfall

Archer 23’s “Carolina Wedding Day” is a radiant, emotionally rich celebration of love, tradition, and the singular beauty of a Southern ceremony. It’s a track that captures both the grandeur of the moment and the quiet, heart-stopping intimacy of committing your life to someone you can’t imagine living without.

Musically, the song leans into a romantic, cinematic palette—lush strings and gentle rhythmic swells that feel like the rise and fall of a Carolina breeze. There’s a softness to the arrangement that makes each note feel suspended in sunlight, yet enough movement to evoke the joyful energy of a day filled with family, vows, and new beginnings.

A vivid picture is painted: magnolia air drifting through the ceremony, soft footsteps on historic church floors, the shimmer of spring colors across Lowcountry landscapes. There is a keen sense of place, grounding the romance in the region’s distinctive charm—angel oaks, soft coastal light, and the unmistakable serenity of a Carolina afternoon. It’s a love song, yes, but also a portrait of home.

This is one of his most heartfelt songs. There’s sincerity in every note—an emotional clarity that makes the listener feel like they’re right there in the front row, watching two hearts step into forever. Completely devoid of melodrama, letting the quiet truth of the moment carry the weight of the song.

“Carolina Wedding Day” stands out as one of Archer 23’s most tender and evocative works—a musical keepsake of a day where everything feels blessed, hopeful, and beautifully inevitable. It’s the kind of track couples will return to for anniversaries, photo albums, and all the years to come.

Carolina Wedding Day

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Link to my all genre repost and artist support channel https://soundcloud.com/pablocambo

Christmas Passing

Pablo Camberelli.

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