Ce titre, produit par le Projet Musicus, est  réarrangé par moi dans le style combo-jazz-classique pour mon duo avec Marie-Christine Tremblay : MCDC.  Il met en vedette Tim Morgan au piano;  Olivier Mallette à la batterie;  François Moisan à la basse et moi à la guitare. Avec la très belle réalisation studio de Martin Larose du STUDIO SEPTENTRIO la pièce nous plonge dans une douce nostalgie propice aux Temps des Fêtes. Bonne écoute et Joyeux Noël!!

This track, produced by the Musicus Project, is rearranged by me in the combo-jazz-classical style for my duo with Marie-Christine Tremblay: MCDC.  It stars Tim Morgan on piano;  Olivier Mallette on drums;  François Moisan on bass and me on guitar. With the beautiful studio work by Martin Larose of STUDIO SEPTENTRIO the piece plunges us into a sweet nostalgia conducive to the Holidays. Happy listening and Merry Christmas!!

Père-Noël arrive ce soir

Here is an early demo version of our new song called "Trumped" ..... I wonder what this song is going to be about .......

The music is quite evolved already, but all of the vocals are missing and WIP, except for a few backing vocals sketches in the chorus.

Trumped - Instrumental

Maybe I’m the Fire is about embracing every wild, imperfect, and beautiful part of who you are — the spark, the storm, the madness, and the magic. It’s that moment you stop apologizing for being “too much” and start realizing that your fire is exactly what lights up the world around you. It’s confidence born from chaos, passion forged through pain, and power that can’t be dimmed.


LYRICS:

[Verse 1]
I dance through chaos wearing boots and glitter
Laughing while the world calls me a quitter
Yeah, I broke a few hearts just to see if they’d heal
But I never faked a thing I didn’t feel

[Pre-Chorus]
You said I’m wild like a warning light
But maybe you like that spark at night

[Chorus]
Maybe I’m the fire you can’t control
Burning through the rules you wrote in stone
You call it crazy — I call it soul
I’m not the storm, I’m the thunder’s goal
Maybe I’m the fire you can’t control

[Verse 2]
I’ve danced on thin ice, cracked it just for fun
Sang confessions to the morning sun
You say I drive too fast, don’t look both ways
But baby, I’m still here — must be grace or haze

[Pre-Chorus]
You said I’m wild like a warning light
But maybe you like that spark at night

[Chorus]
Maybe I’m the fire you can’t control
Burning through the rules you wrote in stone
You call it crazy — I call it soul
I’m not the storm, I’m the thunder’s goal
Maybe I’m the fire you can’t control

[Verse 3]
You found me barefoot in the pouring rain
Laughing at the lightning, screaming my name
You said I scare you — maybe that’s true
But you can’t look away when I’m burning through

[Bridge]
You wanted safe — I brought the flame
You said I’m trouble — I’ll take the blame
You wanted calm — I made it roar
Now you’re knocking on my fireproof door

[Chorus]
Maybe I’m the fire you can’t control
Burning through the rules you wrote in stone
You call it crazy — I call it soul
I’m not the storm, I’m the thunder’s goal
Maybe I’m the fire you can’t control

[Chorus – Final Lift]
Maybe I’m the fire, maybe I’m the cure
Maybe I’m the reason you’re not sure
You call it chaos — I call it more
‘Cause baby, you keep coming back for more

[Outro]
So turn out the light, don’t try to save me
If I’m insane, at least it’s blazing
You may be right — but I’m still shining
Maybe I’m the fire you keep finding



Maybe I’m the Fire

Your My Mystery

🎵 Title: In the Hall of the Mountain King (Hip-Hop Hybrid Adaptation)

🎼 Original Composer: Edvard Grieg — Public Domain
🎼 Adaptation: Michael Herter

🕒 Duration: 02:29
🎛 Genre: Classical / Hip-Hop / Hybrid / Cinematic
🎧 Mood: Epic • Dark • Tense • Aggressive • Rising • Magical

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📝 Description

What happens when you take one of the most iconic pieces of classical music and strip away the politeness?

Grieg’s original masterpiece is legendary for its ability to build tension. With this adaptation, the goal was to push that tension to its absolute limit—respecting the original score while injecting it with the raw, visceral energy of modern hip-hop and cinematic sound design.

This track bridges two worlds. The iconic orchestral melodies and the dramatic weight of a mixed choir are now driven forward by heavy 808s and punchy, aggressive drums. It is a sonic experiment in accelerating madness—moving from a stealthy creep to a massive, chaotic wall of sound.

It is familiar, yet completely new. Turn it up and feel the pressure rise.

🎼 Musical Details

Key: h-moll
Time Signature: 4/4
Tempo: flexible / accelerating

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► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

In the Hall of the Mountain King

In the Hall of the Mountain King (Hip-Hop Hybrid Adaptation)

This track is open to jam with. have fun. 

Crush

Follow @dweldnik & @bellatrix_rafnar
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Stream/Download : https://lewdfam.fanlink.tv/relationship-esoteric
⚡ Relationship - Esoteric on RE chart : i.imgur.com/HBHENR0.png #3 ⚡

[Dweldnik]
Today I made new language
While you bitch making sandvich
Past old days I cum on your face
You start to learning Whitespace
You writing code but don't see it
This not obfuscated I mean it
Your favourite keyboard buttons are Tab and Space
You understanding Whitespace

[Bellatrix]
I write to you an email to your job
I want to tell you honey you are suck
You reading my message by thinking what the fuck
You reading now Brainfuck
[Dweldnik] In the kitchen do you got what you ate
This is not ASCII chars this is UTF 8
Two plus two minus one bracket and dot
Good luck dear with brainfuck

Relationship - Esoteric

Only up
Lonely? Yup!
We walk alone
And pony up
The horsepower
We’re worth hours
Or days of your listening ways
We go only up
Into the last days…

This game is padlocked
But it’s a bad lock
Which I broke 
with my mad bops
Pop drops
Explode like pop rocks
Or mentos and coke
Want all the smoke?
Buttholes are closed
And clenched
When I walk into the room
Pussies are drenched
Wussies are wrenched
And screwed
Not chopped
This is hip hop
And I’ll cryp walk
In gym socks
Before I’ll ever
Give up

[pop]
[guitar]
[female]
Only up
Lonely? Yup!
We walk alone
And pony up
The horsepower
We’re worth hours
Or days of your listening ways
We go only up
Into the last days…

[rap]
[fast]

Split the seas
Then spun the two sides 
Like I was a Vietnamese 
DJ MC that sampled 
The police and got stung
Like a bee
Im in the journey 
To the top of the pops
And I’m soon to be 
A human beings
Best friend  
Besides pussy 
Oh why do I 
mention
These looney tense
Dimensions
Mooning for impressions 
On X and Ig 
Had sex with Heidi
Klum she’s some 
Poon plus she’s dumb
Umm I mean hey girl hit me up
Because I want to stitch you up
With my prick 
But yea I’m a dick 
A shave the hair off my pigs
To keep them well behaved 
Hegentic and afraid
Of me heehee 
I’m pretty wackiiiiiii
With flow like a fat gaiiiiiiii
Has rolls yea I’m that guy
My poles getting jacked I
Can’t complain  
Ran a train 
On all your relatives 
My problems executive
Functioning I’m really into 
Mumbling and blabbering
But reign it in to nab you kid
Take a stab at it
Like it’s bad fabric 
I’m a mad tantric 
Manhattened 
Man, n**,
I can’t live
I hardly
Can manage 
Sometimes
Without music
Because music
Undoes damage 
From havoc
Of daily life,
Traffic
Marital strife
Acid
Always being flaccid 
Flow is elastic 
Soldier of plastic 
Mold in bowl 
Yea I grow 
Like a soul 
Yikes I’m old 
But in bold 
And will take
You and the universe
To your toes.

[pop]
[guitar]
Only up
Lonely? Yup!
We walk alone
And pony up
The horsepower
We’re worth hours
Or days of your listening ways
We go only up
Into the last days…

Only Up! Ft. Gina Da Lesbian

This is not your typical holiday single. Through A Christmas Odyssey Part Two is a progressive rock journey that reimagines Christmas as more than nostalgia—it’s about rediscovering enchantment in the face of love, loss, and the passage of time. With soaring guitar solos, shifting time signatures, and atmospheric synth layers, the track blends the grandeur of prog rock with the warmth of holiday storytelling. This track explores how the magic of the season evolves as we grow older.

A Christmas Odyssey Part Two

Carpe Diem (Either Way)

ALFONSO LLORENTE: ELECTRIC GUITARS, BASS, DRUMS & SYNTHS

Yes, there´s always a light at the end the tunnel....

LIGHT IN THE TUNNEL (Alfonso Llorente)

Just another old one man band unsigned musician who sings and plays a little guitar, bass & drums and fools around on the piano; expert in writing songs that usually disappear with the wind, and in composing musical flops.  Folks say that I´m a composer, but I think they´re wrong: I just download the music I hear and feel in the atmosphere and give it back to the people. I don´t do a living from music; I ´m an attorney and horse breeder who gets noisy when I download the music I hear and feel.Thanks for checking out my page and listening the noise I´ve been doing for the past 50 and so years when I get musical.  I´m based in Bogotá, Colombia, and always open to do collabs.

LIGHT IN THE TUNNEL (Alfonso Llorente)

ALFONSO LLORENTE SARDI