Out on all streaming platforms within this week


https://open.spotify.com/artist/6OuL2lYm4d2WjT9622k58y?si=9oXA89jOQUyKj7iT7KcUwg&dl_branch=1

Metal Rock: None of your Affair

Song composed & created by The Boilerman
Eric created & plays: all distorted octave lead & rhythm guitar
Robert created & plays: all second half distorted lead guitar
Eric created & mix's: all drum, bass, ambient
Ozzy created & sings: all spoken word
Production by E.H.T Studios
Thank you, Robert, for putting your awesome lead guitar on here, it was fun!
Thank you for listening!

Please visit my friend Robert Grigg @soundcloud.com/robert-grigg

Prince Of Darkness

Prince Of Darkness, ft. Robert Grigg

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

Music, Lead and Rhythm Guitars, Bass, Drums Prog: Valentin Loisy
Lyrics, Vocals & Lead Guitar: Fred Offret

© all rights reserved

Enchantress Cadaverous - Trafalgar

Animals Ft. Siam Jem

It's been a while... The tracks will now be released under the name "No Name No Number", I preferred to change the title. EP "No Name No Number - Burn" is available on all platforms

Do It or Die

(Translation above)

Même pas peur !

À tous ceux qui me prennent
Pour la mère-grand du loup
Qui croient que je me traîne
Dès qu’arrivent des coups
Je leur dis, au passage,
Méfiez-vous de mon âge !
J’en ai sous la semelle
Toujours prête à l’appel.

Refrain :
Face à tous les tyrans
Comme aux p’tits commandants
Même pas peur ! (bis)
Face aux partis brûlants
De fous crétinisants
Même pas peur ! (bis)
Mais…
Face à l’amour ardent
Avec son grand cœur d’enfant
Même pas peur !

Quand je vois la dégaine
De tous ces gros marlous,
Je devine leur déveine
Qui ne vaut pas trois sous.
Y a des mouches qui les piquent
À la moindre critique
Ils se croient des modèles,
Qu’en laissant des séquelles.
(refrain)

À ceux qui se déchaînent
Éclairés par des fous
Tout perfusés de haine
Pour ceux pas à leur goût
Je leur brave un sourire
En pleurant leur empire
Aux mortelles chapelles 
Ma vie préfère le miel
(refrain)
Même pas peur (7 X)

Myckaël Marcovic, le 14 mai 2024

Not even afraid!

To all those who think I'm
For the wolf's grandmother
Who think I'm crawling
Whenever a blow comes
I tell them,
Beware my age!
I've got it under my belt
Always ready for the call.

Refrain :
Against all tyrants
Like little commanders
Not even afraid!  (bis)
Facing up to hot political parties
Of cretinizing madmen
Not even afraid! (bis)
But...
In the face of ardent love
With a child's heart
Not even afraid!

When I see the look
Of all these big louts,
I can guess their disgrace
It's not worth three cents.
Flies are biting them
At the slightest criticism
They think they're models,
And leave a lasting impression.
(refrain)

To those who go wild
Enlightened by madmen
All infused with hatred
For those not to their liking
I brave them with a smile
While mourning their empire
To mortal chapels 
My life prefers honey
(refrain)
Not even afraid! (7 X)

Myckaël Marcovic, May 14, 2024

Même pas peur

King&Queen (Original Mix)

Tin Pan Practice

Off and running don’t you have somewhere to go?
In another time it used to move so slow
Cut to summer and the sun is on your mind
And I don’t care I just think of it all the time

At least you see it now 
It’s another time around
Don’t turn my help down 

Your eyes sing songs again only they could  
It’s not just for right now, its for good
My hope is long gone now
But then again
We’ll have all summer to recover 
You’ll move on 

Made it something it’s not like I even know
So much spending without anything to show
It’s not the payoff that makes it so worth the wait
It’s not fair I watch the sweat form on your face

If you could see it now 
On your next time around 
You won’t turn my help down

If you could see it now 

Your eyes sing songs again only they could  
It’s not just for right now, no its for good
My hope is long gone now
But then again
We’ll have all summer to recover 
We’ll move on

Lip Gloss

Light bouncy tune about those wonderful moments in a new romance where you  are reading each others minds.

Reading My Mind

Abraham Cloud

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