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Last update: May 10, 2016


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2016

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techno

Luke Slater’s most well known pseudonym Planetary Assault Systems is back in the fullest swing with 'No Exit', a standalone EP following his famed 'Deep Heet' installment series. 'No Exit' unmistakably bears all the hallmarks of Planetary Assault System, from mind-tripping and floor-stirring hypnotic energy to the theme of pushing the outer limits of unknown territories.
The EP kicks off with the title track, at its first breath of rolling beat already infusing an ample dose of psychedelic madness, which only to be intensified with the layers of digital chime tones that are constantly multiplying and shape-shifting. “Undertow” on the B side continues with the signature warping and reverberating bells and bleeps but this time with enticing hi-hats and distorted bass, gradually all melting into one big sinister groove. The last track of the EP “Nanendi” might fool you in the beginning with its minimalistic beat, but as soon as the demure yet ominous veil of melody - beautifully moody and almost spooky at times - starts humming and howling, it’s well on its way to make a deep, haunting emotional connection while keeps the tension boiling. Without a doubt 'No Exit' EP is the one that shows the most distinctive core DNA of Planetary Assault Systems and much like his seminal album The Messenger, it’s a deadly unique, dazzling, and powerfully effective work that will stand the test of time.

Tracklisting: 
A: No Exit
B1: Undertow
B2: Nanendi

Planetary Assault Systems - No Exit - Mote Evolver

Phobos III

Discovery T 12 ,  Another stunning dance floor PRog KIller from Our Man Tripy .
137 Bpm  D Minor ,  Stomping with heavy baseline and terrific acid sounds takes to the Lunch of the Discovery Space ship , This your trip  on this track 
Please feel free to comment and repost ,YOUR COMMENT COUNT 10X 

Discovery T 12  by TRipy (Release date 21st  DEC JOOF )

https://talismann.bandcamp.com/

A1 GERMANY,  
A2 RUSSIA, 
B1 GREAT BRITAIN,
B2 AMERICA

bandcamp

TALISMANN - GREAT BRITAIN

Our collaboration with Ig Noise is released on his label Techno Legends Records  with some massvie remixes from:
Darmec,AIMA & Philipp Centro

Atie Horvat vs Ig Noise - Membrane EP - [Techno Legends Records] - Incl. remixers

Disruption Of The Abysm I


Release date (3LP, cd & digital format): 3rd of November

TRACKLIST
1. Ø [Phase] - Insectoid
2. Lucy - Sana Sana Sana Cura Cura Cura
3. Ctrls - x.y
4. Rødhåd - Haumea
5. Planetary Assault Systems - The 808 Track (Parts 1 and 2)
6. James Ruskin - No Trace
7. Surgeon - Fixed Action Pattern
8. Inigo Kennedy - Arcing
9. Karenn - Pace Yourself

INFO
It was early 2007 when Inigo Kennedy inaugurated Token. Since that Identify Yourself 12” the Belgian label has gone from strength to strength, integrating both Kennedy and Ashley Burchett, aka Ø [Phase], into becoming integral cogs in the Token machine. In between releases by Grovskopa, Oscar Mulero and Go Hiyama, both Ø [Phase] and Inigo Kennedy dominated Token’s output, but it wasn’t until Burchett’s watershed Binary Opposition that Token received the shower of praise it deserved. Following this, label founder Kr!z issued three remix 12”s of that release which, including Token regulars, took in a profound cast of producers to reprocess “Binary Opposition” by the way of Sigha, Peter Van Hoesen, Planetary Assault Systems and Ben Klock. It was here Token stamped their authority on contemporary techno.

Since then Token has grown exponentially, bringing into their fold artists like Xhin, Mark Broom and Rødhåd, while Ctrls, formally one half of Northern Structures, has seen his solo career flourish on Token with the release of five records to date, and he joins Inigo Kennedy and Ø [Phase] as a label stalwart. Additionally this year, Orphx and Ancient Methods debuted their relentless Eschaton collaboration on Token, and Christian Wünsch’s Spherical Coordinates dalliance with Oscar Mulero has gained even more momentum with a second release called Kinematics Equations. Now, seven years after that debut Kennedy record, Token present Aphelion, a nine-track CD and triple vinyl grandstand of new and exclusive material from label regulars and like-minded artists whom Token founder Kr!z specifically commissioned for this milestone release.

The penultimate record before Aphelion was a second Token 12” by Rødhåd, another artist adding to the cultivation of the label’s sound and roster, and for this compilation the Berliner supplies his cosmically inspired “Haumea”. Joining the Dystopian founder on Aphelion are three of the UK’s most influential techno artists: Surgeon, James Ruskin and Luke Slater under his Planetary Assault Systems alias who provide Token with solo material for the first time after previously appearing on the imprint in remix form. Entirely new names to grace the label via Aphelion include Stroboscopic Artefacts founder Lucy, and Blawan and Pariah's Karenn project, while label faithfuls Inigo Kennedy,  Ø [Phase] and Ctrls naturally commit three Token defining productions.

Casting one’s eye over Token’s back catalogue and it’s clear to see the label is a staunch advocate of absolute techno, remaining steadfast in issuing quality material that remains true to classic strands of the genre regardless of its popularity flux. In that respect, Aphelion - a word used to describe the point in orbit when a planet or comet is farthest from the sun - provides a simple analogy that the magnetic force of Token, unfazed by the shadows cast by popular opinion, will proudly shine light on their artists and given styles. 

“We started in an era where our genre was very unpopular,” Kr!z explains. “And in the end that seemed a big advantage for us, because when everyone was giving up, we started our mission.” Regularly hosting label nights in prominent clubs around the world, Token has become a label supported by a wide-ranging body of artists like Âme and Ben Klock to Efdemin, Truss and Ancient Methods. With the label now branching out into album and compilation territory, Token’s duty to techno may not yet be accomplished, but it’s been a job well done.

www.tokenrecords.com
www.facebook.com/tokenrecords

Aphelion

Karenn - Pace Yourself

The Elephant's Psychedelic Journey

Knod AP - Koks Auf Hawai Bootleg

Disruption Of The Abysm III

Checkout my latest remix - it's for the Swiss duo Strobetech releasing soon on BrettHit's label HitMuisk

Strobetech - Darkness Will Beat (Atie Horvat Remix) - soon on [HitMusik]

14anger - Hasta 
Tripalium Records - Digital Mutant Series 005

01. 14anger - Hasta (Original Mix)
02. 14anger - Saliva (Original Mix)
03. 14anger - Coal (Original Mix)
04. 14anger - Hasta (Dekode Remix)
05. 14anger - Saliva (Keepsakes Remix)

Mastering : Datalab Mastering

More informations :
@tripalium-corp
http://tripaliumcorp.com - http://14anger.com
https://www.facebook.com/tripaliumcorp - https://www.facebook.com/14anger

14anger - Saliva (Keepsakes Remix)

Dax J_Escape The System EP_ ARTS COLLECTIVE 004

A1. Escape The System
A2. Tripin
B1. Apocalypse
B2. The 5th Dimension

Vinyl Release Date - June 2015

http://www.residentadvisor.net/dj/daxj
https://www.facebook.com/pages/Dax-J/108457863056?ref=hl

Dax J_Escape The System EP_ ARTS COLLECTIVE 004

VARIANCE 1000

VAR1000

138 - 86 Dead Skunks

Vinyl & Digital: https://struk-tur.bandcamp.com/album/rasza-vega-ep 
Stream: https://open.spotify.com/album/2YFF1pDHHDLs3GsPUtldWq?si=2kM0L9bgR3iPdqBzsABBxA

Blacksmith

Felix Gømez - Love Brejcha

Arthur loves music, Arthur loves you ⸬ opening set for Midland & Benufo recorded live at Verboten New York ⸬(http://www.verbotennewyork.com/) ⸬ lose yourself in @F2t4 media curations ⸬ j.mp/Floor4 ⸬ vital and vetted content for the global clubber

Original Photo : C Squared Photography
Album Art : Marcos Milos

Mastering & Intro Vocal FX Credit  : Marcos Milos (Mid/Sideband Compression)

FLOOR⁴ #F2t4 Resident Mix-Series
http://soundcloud.com/f2t4/sets/floor

http://twitter.com/_F2t4
http://youtube.com/F2t4TV/
http://F2t4.tumblr.com

FLOOR⁴ #F2t4 #Techno #House #TechnoMusic #HouseMusic #DeepHouse #Minimal #Progressive #Acid #TechHouse

▶︎❤︎⟳

27th FLOOR : Arthur [Live at Verboten NY]

Thanks for all the listens and comments, esp. from people who have known us for a while.  

https://twitter.com/TheLockOfficial

https://soundcloud.com/releasethepen 

Buyyyy

The Lock - Your Words (Feat. Stylicia) [Machine Soul Records]

Pilldriver - Apocalypse Never

Killing The Scum

Raw M.T. graduates from Mörk to the Lobster Theremin main label with three thundering granite slabs of techno and house. 

The spirit of US house genres raises it's head once again, fuelled by a raw, scorched-earth production aesthetic coming from the deepest lair of the Italian producer. 

One Last Shot is a race-against-time, hyper-filtered acid techno epic. Thundering drum-work that rises from the ashes and and slams it's feet into the acid puddles of the bubbling 303. 

Sky makes it's appearance in it's Rough Mix form, coveting a much crunchier sound than the mysterious clean version and coming wrapped in analogue fuzz, with all arps set to kill and hats crushed into the ceiling. 

Lastly we get Richard's Revenge, a heaving, bleeping Chicago-meets-Detroit beatdown number that threads cosmic modular shots in a among through the drum-crushed haze. When those soaring strings hit, you know what's happening.

BUY RELEASE

LT018 // Raw M.T. - Richard's Revenge

Taken from Neville's new EP 'The Watcher' — out 11th January via The Nothing Special. 

PREMIERE: Neville Watson 'The Watcher'

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/wolfsheim-the-sparrow-and-the-nightingales-12/

Wolfsheim are a synthpop duo from Hamburg, Germany consisting of Markus Reinhardt (music) and Peter Heppner (lyrics and vocals). The band was founded in 1987 by Markus Reinhardt and Pompejo Ricciardi and was named after Meyer Wolfsheim, a fictional character from F. Scott Fitzgerald's novel ‘The Great Gatsby’.  Ricciardi soon left the band and was replaced by Peter Heppner, a childhood friend of Reinhardt's. Together they produced their first demo tape, “Ken Manage”, in 1988.

After making a second demo tape, “Any But Pretty”, in 1989, Wolfsheim applied at various labels until they caught the attention of independent record label Strange Ways Records. They are best known for their debut breakthrough single, "The Sparrows and the Nightingales”, the first single to be released on Strange Ways in 1991. The band's musical style takes cues from the 1980s New Romantics, new wave, synthpop, and darkwave. The track's sombre synths were produced by Carlos Peron of Yello. Reinhardt says the lyric was inspired by ‘The Great Gatsby’, "in the 'onomatopoeic tension' between predator and security."  Over six minutes, the narrator describes being lost, unsure of where his life is heading, using highly metaphorical language. On the flip is a brand new remix by German producer Ancient Methods, a pseudonym of Michael ‘Trias’ Wollenhaupt, who provides a driving, EBM-leaning, amphetamine-laced club ready cut.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Designer Eloise Leigh has updated the record's original design with two sparrows
enclosed in a blood moon circle against a deep black purple backdrop. Each copy comes with a black and white photo postcard notes by Carlos Peron and the song's lyrics. This release comes in time to celebrate the single’s 25th anniversary.

The Sparrows And The Nightingales (Ancient Methods 'Ode To The Night' Remix)

Gunnar Haslam - Athabaskan Languages - Delsin Records (dsr-c6) 
a1.	Gunnar Haslam - Athabaskan Languages
a2.	Gunnar Haslam - Sarsi
b1.	Gunnar Haslam - Sirenik
b2.	Gunnar Haslam - Hellegat

A year after his last outing on the label, Gunnar Haslam is back on Delsin with four more tracks of idiosyncratic techno. Before Haslam has also released on LIES and Mister Saturday Night, and each time he does he finds new life and excitement in this most tried and tested form. 

Opening up this EP with the title track, Haslam cooks up a spangled brew of erratic synths and spinning hi hats and ties them together with a heavy rubber kick drum. Dynamic and restless, it is a perfect tune to freak out the floor. ‘Sarsi’ is then completely different, with a rippling synth line growing ever more intense as sombre chords stretch out behind. It is a beatless and emotionally forlorn cut that still manages to take you somewhere special. 

On the flip, ‘Sirenik’ gets back to deep dance floor business with a scale-climbing bassline and prickly hi hats all moving at an inviting pace. Scurrying alien sounds, distant dub chords and bouncy drums flesh things out and make for an emotional roller coaster before ‘Hellegat’ closes thing out in frenzied, Millsian style. As mad synths dart about like balls in a lottery machine, a creepy sense of tension builds behind and physical drums punch you down low. Each track here is different from the last, and each track here is a refreshing proposition from one of the most interesting guys around.

Buy @ Delsin Shop

Gunnar Haslam - Athabaskan Languages (DSR-C6)

DKMNTL031 // Robert Hood - Paradygm Shift Volume 1
a. Robert Hood - Form
b. Robert Hood - Lockers

http://shop.dekmantel.com/release/5143/paradygm-shift-volume-1

Dekmantel is thrilled to announce an exciting new project by the impeccable Robert Hood. Over the course of three EPs and one album, the Detroit legend presents Paradygm Shift. The first EP is scheduled for the 22th of February. Hood: ‘‘The idea behind Paradygm Shift is similar to a shift in our focus. We can become so complacent; we are so comfortable with our surroundings, I think this is the time for electronic music to find a new mindset.’’

Hood is thrilled about his new adventure on the Dekmantel label: ‘‘I’m glad to partner up with them on this project. I have a very good relationship with Dekmantel. I remember the first time I met them, how laidback these guys were. I performed in this illegal bunker, a dj-set, and the atmosphere was just amazing, awesome and open-minded. It seems like a natural progression to collaborate on this project now. We share a mutual responsibility not to let fall things just in place, but to make things happen. Dekmantel is about making things happen, and so like minds think alike.’’    

Inspiration for Paradygm Shift came from a shift in Hood’s own focus. ‘‘I have been busy with my Floorplan alias and reintroducing Monobox over the years, but at the same time I felt it necessary to reiterate Robert Hood as an electronic music artist who is bringing minimalism back in the forefront, and not to get lost in the melody. I want to get back to the simple repetitive programming that I’m known for, and to me it was returning to that, but shifting the listeners’ focus and not staying on this plane like we are used to.” 

This approach clearly manifests on Paradygm Shift Volume 1, the first EP that kicks of the series with great anticipation. Two tracks that have ‘Rob Hood’ written all over it: minimalistic beasts, bursting from energy and meticulously crafted by the hand of a master producer. ‘Form’ slowly but surely creeps upon you, a slow starter, but in the end the techno funk-finesse will roar like a Detroit car engine. ‘Lockers’ follows a slightly more melodic path, keeping the momentum by delivering body shaking, pulsating techno, deep and timeless just the way we like it.


DKMNTL031 // Robert Hood - Paradygm Shift Volume 1

DK - b1 (AA02) Acid Anonymous

The third release by WarinD you can find her raw and spatial side.
Cod.19 represents the spatial side of WarinD, accompanied by remixes Anthro and Danilo Incorvaia, Anthro does a work by producing a raw linear drive with space sounds, Danilo Incorvaia does a work of speeding up the track by adding an almost acid synth that will accompany the second half of the track.
5 Seconds Raw is the raw part of WarinD, full of a kick raw in the main pause track. Empyrean remixed the track by adding a rich drum and progression.

WarinD - Cod.19 (Danilo Incorvaia Remix)

"The Invisible Man" by @daxj will be released on March 4th through @monnom-black. Info: bit.ly/DaySible

Info

Dax J - The Invisible Man

Ayarcana - Jakob

It's a free track. Don't try to release it under your name !
All rights are reserved by my own knees and fists!

Why it's unnamed and free ?

We disagree with the label on the mastering quality. quality was tragic. So I decided to terminate the contract with this label. I respect my fans and they should not pay for poor quality!

P.S. : Johny, as I said that's not your fault.

Original: J.Blind - Flow Of Time
 

Rusk - Untitled Remix [Free Track]

Written, produced and remixed by Richie Hawtin


Cybersonik: Machine Gun (Circuit Breaker Remix) (1992) PRO12

Track 1 from Djax-Up-397. 
Check the video: http://youtu.be/maRhMSzBRwY

Acid Storm

[FODE02]
https://fallondeafears.bandcamp.com/album/apotheosis

https://www.facebook.com/anokthus/

[FODE02] anokthus - She indulges

I want to play a game 
——————————————————————
23 -- 11 -- 19 -- RADION -- AMS
23 -- 12 -- 19 -- HÖR -- BERLIN
08 -- 01 -- 20 -- RED LIGHT RADIO -- AMS
21 -- 02 -- 20 -- RADION -- AMS
09 -- 04 -- 20 -- CLUB & VICE -- AMS
16 -- 04 -- 20 -- TECHNO TRIBE LIVE -- AMS

CANCELLED / CORONA
02 -- 04 -- 20 -- PARADISO -- AMS
18 -- 04 -- 20 -- BLAST GALAXY -- AMS
30 -- 05 -- 20 -- MILITARY BUNKER -- ITALY
04 -- 06 -- 20 -- CAFE CENTRAL -- BRUSSELS
05 -- 06 -- 20 -- KIOSK -- BRUSSELS

BACK AT IT AGAIN
15 -- 07 -- 20 -- STRANDED FM -- UTRECHT
30 -- 08 -- 20 -- DE REUNIE -- AMS
06 -- 02 -- 21 -- MAXI RADIO -- LEIDEN
03 -- 04 -- 21 -- OPEN SOURCE RADIO -- NIMMA
18 -- 11 -- 21 -- RADIO WEESPER -- AMS
——————————————————————
Not Your Average Blog. 
——————————————————————
- All the tracks i've posted or liked ARE NOT MINE (except for when Broken Wave or Sophie Blom is explicitly named in the track)
- I DO NOT OWN ANY RIGHTS to them
- I will act IMMEDIATELY on any inconvenience
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