Uffie - ADD SUV (Armand Van Helden Club Remix) (slowed + mild reverb)

Cocoon Recordings keeps on celebrating the arrival of the new year and with our second release in 2014 we present RAR's first 12" for Cocoon Recordings. "RAR" is the current project joint of RAMPA and RE.YOU who made large waves last year with releases like"Everything" by RAMPA on "Keinemusik“ - one of 2013s top tunes!
 
2013 saw also RARs first work for Cocoon Recordings with their "Cocoon Compilation L" contribution "Yeah Yeah Yeah" (feat.: Meggy) which turned into a heavy clubhit, too. 
 
Since then the two joined the Cocoon ArtistBooking department and their first tour is about to start in a couple of days. Their new Cocoon Recordings release is a cool teaser for what to expect life-on-stage from RAR and features three berlin-morning-flavoured minimal house tunes. Imagine yourself sunday morning at 7am in the Panoramabar and Ricardo Villalobos drops "Do We" by RAR. If you ever eyewitnessed one of these nights and wish to get back there here's your soundtrack to do so.

RAR - Do We

Out November 25th on 3LP & digital.
Pre-order: https://lnk.to/WATERGATE20

The iconic club by the Spree celebrates 20 years with a mammoth 20 track compilation of new and unreleased tracks exclusive to the compilation. From Sasha to Anja Schneider, Henrik Schwarz and Adana Twins, right through to the ascendent names such as JAMIIE, Kristin Velvet, JOPLYN and Biesmans, the compilation is an exhilarating snapshot of some of the artists who have shaped Watergate’s sound; both via the label and through laying down unforgettable sets at the club over a two-decade period. 
 
The highlight heavy compilation charts a course throughout all the deep, dark, euphoric, tech and even pop-laden corners of house music. Henrik Schwarz navigates a classic course via the vibey ‘You Need Attitude’, while JOPLYN brings soaring melodies and arresting vox with ‘Lima’. Biesmans is in characteristic sleek form with the sparkling nostalgic-soaked business of ‘Basic Bro’, before emerging stars Mia Mendi contribute a driving electro jam ‘Astromech’. 
 
The iconic Anja Schneider is an essential addition. The Berlin icon brings her A-Game with the big piano chords and gospel vocals of ‘Can’t You See Me No More’ before handing the baton to Extrawelt who comes strong with a delicious micro house serenade ‘Rover’. Sasha weaves a trademark masterful beast with ‘Wolf Cider, a dark and twisted weapon that’s packed with plenty of groove and low-end attitude. First premiered during her excellent Boiler Room session in 2019, Kristin Velvet’s ‘Wanted Competition’ is a propulsive gem that reinforces her position as one of the most exciting breakout producers of the last two years. 
 
Adana Twins are always on-point and they don’t disappoint with ‘Nacht’ a deviant, distorted house tool the belongs in every DJ’s back pocket. Matthias Meyer & Ryan Davis enjoy a superlative history on Watergate Records and share another ace ‘Genki’, a shimmering, drama-laden piece that morphs into a tougher psy-laden finish. New Watergate Agency signing DJEFF crafts an uplifting string-laden ace with ‘Cloud 7, showing off his impressive musicianship along the way, while Hyenah make an essential contribution with the funky key-driven houser ‘Going in Circles’. Club resident JAMIIE shares the wicked ‘Echoes’, which is pacey and hypnotizing in equal measures and brought to life by colourful arpeggios and a latticework of key patterns. The project rounds out on a stunning note with ‘Tone Trails’, a lilting slice of electronica by Watergate stalwart Marco Resmann & Lee Jones, which is inflected with organic guitar and dreamy melodies. 
 
The release will be presented as a triple gatefold vinyl using a special ink-spot color effect and will feature a collection of the compilation’s key tracks, while all tracks will be available digitally.

Matthias Meyer & Ryan Davis - Genki

🛒 Buy: 
https://wilsonrecords.bandcamp.com/album/house-anthem
https://www.deejay.de/Fabio_Monesi_House_Anthem_WLS031_Vinyl__1146747
https://www.juno.co.uk/products/fabio-monesi-house-anthem-vinyl/1086778-01

🎧 Artist:
✦ Fabio Monesi 
https://soundcloud.com/fabiomonesi
https://www.instagram.com/fabio_monesi
https://www.facebook.com/fabiomonesiofficial

💿 Label:
✦ Wilson Records
https://soundcloud.com/wilson-records
https://www.instagram.com/fabio_monesi
https://wilsonrecords.bandcamp.com

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ℹ️ INFO ℹ️ 

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Fabio Monesi ─ House Anthem (Vocal Mix) [WLS031]

Grace Prequel

Gabriel Ananda & Cio D'or - Lauschgoldengel

Plush - the new single, out December 17th

Taken from mix LP Tiga Non Stop OUT NOW - http://bit.ly/RH2G14

Tiga - DJ, singer, producer, radio maverick, man of eight talents -- unleashes his brand new single 'Plush' December 17th via Different Recordings / PIAS.
Taken from his non-stoppable new mix CD Tiga Non Stop, the single was co-produced by Matthew Dear, starting as a freeform jam session and ending as something that works equally well as an underground club anthem and literally everybody's track of the year. It also features what Tiga is privately calling his greatest vocal performance to date.
"'Plush' was inspired by 80s dance TV shows like Pelvic Gold and The Bandana Patrol, as well as my undying love and respect for the city of Detroit," says the Montreal musician from his home in Montreal. "It's the first of what I know will be many collaborations with Matthew Dear, a sort of musical friendship bracelet that will bind us unto eternity."
As is the custom in contemporary dance music, Tiga handpicked and handpaid UK legend Jacques Lu Cont and German duo Ame (Kristian Beyer & Frank Widermann) to create two remixes of the new track. Drawing on his alleged stint as Madonna's choreographer, Lu Cont pumps up the tempo for the biggest rooms you could possibly imagine. Meanwhile Ame aims for a more minimal, hypnotic approach, sure to enthrall the geniuses who frequent Germany's hottest underground dance holes.
One of the most inexhaustibly creative and exhaustingly revered musicians in electronic music, Tiga has consistently garnered as much critical acclaim as anyone could reasonably hope to garner. Two decades deep into his career and going for it like each decade could be his last, he remains a pioneer of the electronic underground.
"This song comes 100% from a universe 1000% my own. I don't mind being thought of as 'The Different Guy,' so long as all the right people love me. And they do, because it's their right to be right all night, a'ight?"

Follow Tiga on Facebook - http://on.fb.me/V9ENUB

Follow Tiga on Twitter - http://bit.ly/TSoDKD


Plush

Buy on iTunes

Tiga - Plush (Ame Remix)

...The 2nd and Deeper remix for Alico vs. Cagri!!  

Alico vs. Cagri - Les Mondes Engloutis (Psychemagik 5am Mix Snippet)

Get your copy: https://cutt.ly/fhBkbW3

Ten Walls debut album 'Queen'

The long awaited debut album from the highly talented dance music producer and artist Ten Walls called 'Queen' available from the mid of March in a double CD package and in the end of the month also in digital format. The author created a continuous story full of different colours and a great mixture of different genres including flavours of Broken Beat, Dub or even New Jazz. 
 'Queen' is an organic album. CD1 is more for listening, slow and light, including few songs as well. CD2 sounds more like dance music. One can also hear a lot of genres there, moving from one to the other. This album as one piece, just divided into two physical CD's. 
 The package of the album looks like a book - a piece of art. The book includes photos, reflecting each track. 'I have pictured these musical pieces in my mind, as it's natural for the artist to exceed the competence and search for additional forms that would supplement your work, making it single piece of art.' - adds Marijus (Ten Walls).  The combination of arts is a very important thing to be noticed, each of them has it's space, place and role in the album. Poetry and lyrics, photography / visual arts and music, altogether they make 'Queen' more that just a music album. 
 Ten Walls also made collaborations with very wide and different spectrum of musicians during the creation of his debut album 'Queen'. Conductor Ricardas Sumila, legendary piano genius and artist Petras Geniusas, good old friend Vytautas Sondeckis added some Cello masterpiece, bass guitar Domas Aleksa, drummer Marijus Aleksa, singers Monika Liu, ALX and Jonatan Backelie, Marijus' spiritual friend and teacher Andrew and nonet performers.
 Ten Walls debut album 'Queen' is available in double CD package from the mid of March and in digital format from the 27th of March.

Queen CD-2

Still Waiting

Ten Walls - Still Waiting

Today sees one of London’s most exciting new talents, ABSOLUTE. (aka Anthony McGinley) announce his debut mixtape Wonderland, due for release on May 7th via Skint Records/BMG. Alongside the announcement, tickets for ABSOLUTE.’s headline show at London’s Islington Assembly Hall on Saturday 19th June are on sale now. 
 
Buy tickets for Islington Assembly Hall here: https://skint.lnk.to/AbsoluteLivePR  
 
Wonderland is a whirlwind ride through dance music as heard through ABSOLUTE.’s ears: emotive house, hard-edged techno, divine disco, and euphoric rave bring the party, while more cerebral downtempo and textural ambient tracks wind things down. It’s party music for a time without parties, all shot through with McGinley’s message of hope and equality for all.  
 
Speaking on the Mixtape, ABSOLUTE. explains: “Writing this album brought me back to life, I was writing music that helped me feel certain ways, freedom and connectedness to something I and many others were missing, longing hard to be around people, or needing a dose of raw euphoric rave energy which gave some release at the sheer desperation to dance and feel joy. Even if just for a short time, to feel transported to 90’s UK raves or New York’s underground gave me some life, and I hope it does for you too. Welcome to Wonderland…” 
 
The mixtape album came to fruition as a result of the recent lockdown where ABSOLUTE., and the rest of the world, was forced to a standstill. Anthony was determined to turn his frustration into art and participated in a creative workshop that helped open his mind to new ideas, taking his music in exciting directions. The title of the mixtape takes its name from Wonderland Arena, a now obsolete rave space in East London that played host to live performances from the likes of Frankie Knuckles, The Prodigy, and Carl Cox during the halcyon days of acid house and early rave, and that is now converted into apartments where Anthony currently lives and works. 
 
ABSOLUTE. Is a project that has steadily gained momentum over the last couple of years, deftly choosing the right path for long term success rather than quick gains. Coming from the vibrant LGBTQ+ club and rave space where he promoted influential events in London, Anthony wanted to make sure foundations were solid before making the break into the live arena with this incredible body of work. He’s DJed at a wide array of parties and festivals from Glastonbury and Creamfields to Fabric and Razzmatazz but performing live has always been the goal. As lockdown came into effect he was packing his equipment to go on the road supporting dance legends 808 State on a 10 date UK tour.  
 
Despite a total shutdown of the live sector during the pandemic, Anthony still managed to perform his debut live set for Radio 1’s virtual Ibiza weekend during the summer and has just announced a headline live show at Islington’s assembly for March next year in partnership with underground gatekeepers Percolate. 
 
Alongside his musical accomplishments, Anthony is a passionate activist for human rights and has a longstanding track record of work supporting issues including climate, race, and LGBTQ+ justice. After attending the first Extinction Rebellion action in London, McGinley wrote “Rave Against the Machine”, a track that sampled a speech by Greta Thunberg which resulted in XR later inviting him to programme the music line-up of their International Rebellion at Trafalgar Square, while at Glastonbury, he played at Greenpeace’s Rave Tree.

Piano Theory

Management: terry@turbomgmt.co.uk
Bookings: laetitia@decked-out.co.uk

With hardcore support from Pete Tong, Annie Mac, Gerd Janson, Tiga and The Blessed Madonna, who correctly noted that he has “the hardest working hair in show business,” ABSOLUTE. has raised himself above the rabble of contemporary dance music with stone-cold hits “Follow ur <3’,”Ride”, “Don’t Ya Want it’, “Papi’s Pumping Piano” and an official remix of Kylie’s anthem-of-the-decade ‘Padam Padam’ that will ensure free Fuji water in his green room for the rest of his life. As the London-based DJ/producer is a virtual lock to earn the kind of clout that will allow him to scrub the internet of all biographical detail, it seems wise to revisit his early days and career-to-date while we still can. 

As a child, ABSOLUTE. was enthralled by dance music, to the extent that he took the money his father had given him to buy clothes and spent it on a single turntable. While initially furious, once his dad heard the music, he calmed down and said, “Son, that is a low-slung floor-filler, and I have no choice but to respect it.” Later, ABSOLUTE. honed his DJing skills by using the lone deck to beat-match to Pete Tong’s BBC Radio show, a fact that will take on eerie significance if you read this bio backwards. 

A teenage ABSOLUTE. found his chosen family among club kids and drag queens in East London queer spaces, eventually going on to promote and curate spaces like these himself. "For whatever reason, the people in the queer scene hadn’t found liberation in pub trivia nights held at Wetherspoons breeding pits," he says. “So they had to create their own world instead. At this point, my politics are actually less progressive than the British Airways twitter account, so things seem to be moving in the right direction."

These experiences led to ABSOLUTE. to notice that queer spaces are largely dependent on the viability of human existence. As such, his nascent activist streak led him to sample climate icon Greta Thunberg on the track “Rave Against the Machine”, despite the fact that the 40-and-over conservatives who regularly challenge Thunberg to debate and/or wrestle on social media make up a huge part of the acid house market. The track led to a collaboration with the Extinction Rebellion collective, for whom ABSOLUTE. curated the “Rave Against the Machine” queer stage at the activists’ event in London. Unfortunately, the stage was promptly shut down by police. While many of the cops had no opinion on the political message, they were reportedly pissed that the event was overshadowing an after-hours the local station had been promoting.

To the extent that there is a habitable future for anyone at all, ABSOLUTE.’s is looking bright. With official remixes for icons Fever Ray and Tony De Vit, and a mass of original music including EPs on Shall Not Fade, DJ Haus’ Hot Haus, New York Queer stalwart Chrissy’s new label Maximum Airtime, a Radio 1 Essential Mix live from Glastonbury and named 6Music ‘Mix of the Year’ by The Blessed Madonna and a recently completed fourth U.S. tour. “Whether my music helps inspire the advance of cold fusion technology or I end up DJing the Emerging Artists Stage of the Great Pacific Garbage Patch, I’m going to keep bringing the same BIG NEON ENERGY intensity to everything I do. 

So the next time someone tells you there’s no absolutes, give them a knowing grin and say, 'There’s just one, honey. Just one.’"