Buy on Bandcamp

Soprasound - Dum Dada

EYES OF MINE is a new series of club tracks by George FitzGerald. 

'Fig. 1.' is out NOW 

Digital: http://smarturl.it/EOMBeatport
Vinyl: http://bit.ly/1YcCeNC




EYES OF MINE - Fig. 1.2

Kölsch - Grey

Bringing a deep, vintage piano loop to a stripped-back and lean instrumental, this is another notably bouncy and polished release that underlines Jethro Heston's ability to craft atmospheric, classic and captivating dancefloor heaters. With an endless call to love and Balearic sensuality, the London producer adds this inventive and studied cut to his ever-expanding repertoire.

Desire

+++ Just dropped: Bicep - Meli (Bek Rework) -> https://soundcloud.com/bek-1/bicep-meli-bek-rework-1

I'm a big a fan of the british Bicep boys for a long time. Their debut album is great and this piece of music has been released shortly before the album. In it's original version it's a decent breaks track that will let you float away. I tried to keep this feeling, but added some different 4/4 drum elements to make it a bit more playable in the club. Hope you like it! Feel free to drop comments and share it!

Update: Changed a few details October 1st.

This Rework is unofficial!

Check the whole Bicep album here:
https://www.beatport.com/release/bicep/2048907

Like Bek on Facebook:
www.facebook.com/BekNews
www.instagram.com/dj__bek

Follow on insta

Bicep - Glue (Bek Rework)

Just been throwing a few acapellas over the top of some of my favourite tunes at the minute for a mix I'm working on. Thought this would be a good way to end. What you think? Work well together? Let me know.

All of my mixes are available on my mixcloud page including my deep melodic house and techno mix which this track features in. 

https://www.mixcloud.com/A-R-D/

Thanks

ARD

Finally Glue - Bicep / Kings of Tomorrow ARD Mashup

Available on Spotify & Apple Music: https://smarturl.it/strec001

Premiered by Annie Mac on Radio 1 — 5th October 2018
Annie Mac's Hottest Record in the World - 12th October 2018

Prayer

Prospa - Prayer (BBC Radio 1 Annie Mac Rip)

BICEP - Glue   (Prod. LuvHurtz)

String Theory

Love Regenerator 1

CP-1

1964

Management: terry@turbomgmt.co.uk
Bookings: laetitia@decked-out.co.uk

With hardcore support from Pete Tong, Annie Mac, Gerd Janson, Tiga and The Blessed Madonna, who correctly noted that he has “the hardest working hair in show business,” ABSOLUTE. has raised himself above the rabble of contemporary dance music with stone-cold hits “Follow ur <3’,”Ride”, “Don’t Ya Want it’, “Papi’s Pumping Piano” and an official remix of Kylie’s anthem-of-the-decade ‘Padam Padam’ that will ensure free Fuji water in his green room for the rest of his life. As the London-based DJ/producer is a virtual lock to earn the kind of clout that will allow him to scrub the internet of all biographical detail, it seems wise to revisit his early days and career-to-date while we still can. 

As a child, ABSOLUTE. was enthralled by dance music, to the extent that he took the money his father had given him to buy clothes and spent it on a single turntable. While initially furious, once his dad heard the music, he calmed down and said, “Son, that is a low-slung floor-filler, and I have no choice but to respect it.” Later, ABSOLUTE. honed his DJing skills by using the lone deck to beat-match to Pete Tong’s BBC Radio show, a fact that will take on eerie significance if you read this bio backwards. 

A teenage ABSOLUTE. found his chosen family among club kids and drag queens in East London queer spaces, eventually going on to promote and curate spaces like these himself. "For whatever reason, the people in the queer scene hadn’t found liberation in pub trivia nights held at Wetherspoons breeding pits," he says. “So they had to create their own world instead. At this point, my politics are actually less progressive than the British Airways twitter account, so things seem to be moving in the right direction."

These experiences led to ABSOLUTE. to notice that queer spaces are largely dependent on the viability of human existence. As such, his nascent activist streak led him to sample climate icon Greta Thunberg on the track “Rave Against the Machine”, despite the fact that the 40-and-over conservatives who regularly challenge Thunberg to debate and/or wrestle on social media make up a huge part of the acid house market. The track led to a collaboration with the Extinction Rebellion collective, for whom ABSOLUTE. curated the “Rave Against the Machine” queer stage at the activists’ event in London. Unfortunately, the stage was promptly shut down by police. While many of the cops had no opinion on the political message, they were reportedly pissed that the event was overshadowing an after-hours the local station had been promoting.

To the extent that there is a habitable future for anyone at all, ABSOLUTE.’s is looking bright. With official remixes for icons Fever Ray and Tony De Vit, and a mass of original music including EPs on Shall Not Fade, DJ Haus’ Hot Haus, New York Queer stalwart Chrissy’s new label Maximum Airtime, a Radio 1 Essential Mix live from Glastonbury and named 6Music ‘Mix of the Year’ by The Blessed Madonna and a recently completed fourth U.S. tour. “Whether my music helps inspire the advance of cold fusion technology or I end up DJing the Emerging Artists Stage of the Great Pacific Garbage Patch, I’m going to keep bringing the same BIG NEON ENERGY intensity to everything I do. 

So the next time someone tells you there’s no absolutes, give them a knowing grin and say, 'There’s just one, honey. Just one.’"