кутурук

Simon Frank - Reduce

Taken from SBKT041: NET GALA - 신파 SHINPA
Release Date: 25th June 2021

Written, Produced by NET GALA
Mixed by Kim Kate
Mastered by Raphael Valensi
Cover by Kynan Puru-Watt
Photo by Bakya

A regular at Seoul’s ‘Cakeshop’ and member of LGBTQ collective Shade Seoul, NET GALA’s SVBKVLT debut is named after Shinpageuk (신파극), a form of theatre from 20th century Korea. In contemporary context, Shinpa is a synonym for ‘tears and overwhelming emotions,’ but when it was first introduced to Korea, Shinpa was used to express progressive political views, cover social issues, and later the melodramatic domestic tragedies. There is a vast gap between the past and current context of Shinpa, and as such there has been a lot of mistranslation or misconception between the two.

After their first EP [re:FLEX*ion] (NBDKNW – 2019) - , NET GALA spent time researching Shinpa, finding parallels between the work they were making and the traditional theater style. The emotional, dramatic nature of Shinpa echoed the exaggerated affection of ‘pop’ – in which NET GALA searches for the impact on one’s own narrative and emotion. The ‘mistranslation’ applied to the terms history is reflected in the changing course between the two EPs – how one can reinterpret or warp one ‘lost’ cultural concept into another.

From the stretched-out ‘The Ha Dance’ sample combined with traditional Korean percussion and 808s on ‘Shpiral’, to the sample of a Korean lesbian protester struggling to claim her existence through the blasting drums on Dodomzit, ‘신파 SHINPA’ is NET GALA’s interpretation of the Shinpageuk. The EP is packaged with remixes from Amazondotcom, ZULI and Menzi further reinterpreting the original work.

신파 SHINPA

NET GALA - Shinpa Bonui

NET GALA - Reclaim It

Taken from SBKT041: NET GALA - 신파 SHINPA
Release Date: 25th June 2021

Written, Produced by NET GALA
Mixed by Kim Kate
Mastered by Raphael Valensi
Cover by Kynan Puru-Watt
Photo by Bakya

A regular at Seoul’s ‘Cakeshop’ and member of LGBTQ collective Shade Seoul, NET GALA’s SVBKVLT debut is named after Shinpageuk (신파극), a form of theatre from 20th century Korea. In contemporary context, Shinpa is a synonym for ‘tears and overwhelming emotions,’ but when it was first introduced to Korea, Shinpa was used to express progressive political views, cover social issues, and later the melodramatic domestic tragedies. There is a vast gap between the past and current context of Shinpa, and as such there has been a lot of mistranslation or misconception between the two.

After their first EP [re:FLEX*ion] (NBDKNW – 2019), NET GALA spent time researching Shinpa, finding parallels between the work they were making and the traditional theater style. The emotional, dramatic nature of Shinpa echoed the exaggerated affection of ‘pop’ – in which NET GALA searches for the impact on one’s own narrative and emotion. The ‘mistranslation’ applied to the terms history is reflected in the changing course between the two EPs – how one can reinterpret or warp one ‘lost’ cultural concept into another.

From the stretched-out ‘The Ha Dance’ sample combined with traditional Korean percussion and 808s on ‘Shpiral’, to the sample of a Korean lesbian protester struggling to claim her existence through the blasting drums on Dodomzit, ‘신파 SHINPA’ is NET GALA’s interpretation of the Shinpageuk. The EP is packaged with remixes from Amazondotcom, ZULI and Menzi further reinterpreting the original work.

NET GALA - Dodomzit (A Radical, Cynical Tool)

Koreography

Indoor Labor

Avant Garde Challenge

The name of the song was tornado so Tatsumaki was an obvious choice for the picture.

Samples: Art of Love - Looking through the night

Frenssu - Tatsumaki

SQ111

Jam "Robot Tears"

Jam "Worm"

Spotify: spoti.fi/3WM03kx

iTunes: apple.co/3hmzORr
Amazon: amzn.to/3MovIna
Bandcamp: bit.ly/EG-Bandcamp

Licensing: contact.Tri.Tachyon@gmail.com

Instagram: bit.ly/ТТ-Inst
YouTube: bit.ly/TT-Tube
Twitter: goo.gl/9CMtZM
Facebook: goo.gl/i580XK

Dedicated to Tadayuki Sakai

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Simon Frank - Reduce

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