04. - capable of death in grocery stores

pshy is an example of the total faggotry of the entire community. while having a better technical understanding of music production than people like yem, he fails to understand the main reason for emotional vent music: growth, not regression. many songs suck the souls out of a human's body, poison them, and re inject them back. this happens if a human is to surrender themselves to a toxin. this is how addictive tendencies fester. it has to do with "respect", fear, and egos. many producers will react with a sense of "respect", which, in reality, is just an exacerbated fear response of their ego to roll over for them. nearly the entire community is like this.

whereas pshy is a walking (or more likely sedentary) wastebin, yem is just purely retarded. it is much more of a choice for someone like pshy plus the rest of the group he is in (you know who you are).

capable of death in grocery stores

STATUS [SUPER SLOWED]

zonedout - fade coral (prod. phntmzn bR)

Depression Is A Routine

PRE-ORDER

Thegn - Depression Is A Routine

Marco Colocci is an Italian producer and sound engineer based in Berlin. Learning how to play the contrabass and music theory has initiated the growth of his interest in the techniques of field recording and sound design, as well as his overall passion for electronic music. After self-releasing music during his teens, and later producing for Taiwanese artist Sabiwa from Chinabot, under the moniker Queimada he now presents a debut record coming out on Gin&Platonic.

Built around a concept proposed by Harvard professor E.O. Wilson, Eremocene depicts a future state of miserable epoch into which human species is slowly but steadily accelerating. Characterized by the existential & material isolation that comes from having calamitously extinguishing other forms of life on Earth while intrepidly fulfilling our immediate needs, the future labeled as The Age of Loneliness sees our identity completely transformed.
On the record, Queimada explores precisely the conflict between the tempting ease and a pang of unconfessed guilt in an attempt to capture the ironical relationship they epitomize. The album represents an encounter between different techniques of granular synthesis and field recording. The encounter between the unstoppable and destructive, altogether resulting in a disruptive anthem of the intensifying burden of the postmodern times.

Produced by @queimada77
Mastered by Wim Dehaen
Artwork by Jiri Macku

📉

Queimada - Reveal

[FL014] FunctionLab CNY greeting release - GG Lobster - 動亂星 Stars of Turmoil EP

"Everything I do comes from romance, if I can't be romantic, then I won't make music anymore. "GG summarized in a post when "Punk Karaoke" was released.

Throughout the entire "動亂星 Stars of Turmoil EP", the Gabber / Hardcore influence cannot be erased, but this is already the result of GG's efforts to suppress this influence to the minimum. The sensory stimuli pursued at the DJ set were not all brought into his personal release. "動亂星 Stars of Turmoil EP" is concerned with what is happening now, not the cyberpunk ideas, the fantasy of the stars and the sea, nor is it a thing of the past.

Each track has a clear expression goal: "榮耀 Glory" uses a lofty melody to tells about GG's love for certain people and things, not only for the ambition he is putting into practice, but also for those who work as hard as he but People who have not yet made a name for themselves; "犬子來拜 Adoration of Sons" expresses his dissatisfaction with the current situation around him and unilateral provocations against some rogues in a restless voice; "動亂星 Stars of Turmoil" uses a lot of rhythmic patterns of traditional Chinese lion dance, and his emotional foundation is built on Encourage the FunctionLab team and the entire Hangzhou music scene; "香港 Sweet Harbour" focuses on the expectation of love between person to person, with the characterization of delicate melody as the lead.

"My temper is still very strong, but now I feel that fighting with music is a more effective and smarter way." GG sees this EP as a successful self-positioning rescue and a safer emotional release. If you want to make a distinction between his musical career, maybe style and technology are not the most important boundaries, and the change of mindset is the real watershed. Although in music, he has reconciled with it, but in his life, the rebellious attitude could not be changed. Don't roar lyrics is only a partial concession, and the music still carries his sharp opinions, those passionate opinions.

"Let those assholes hear the aggressiveness in my heart and the ambition of FunctionLab and I, and let those who are smug and arrogant about their small achievements hear, there must be a winner or loser one day. "In addition, more is unruly and open love. This is the fate of GG Lobster, and it's what he is. Those extravagant lyrics that don't care are now internalized in his heart, leading him and guiding him.

"I hope you can hug your companions after listening, especially those who are still with you while doing things like moth fluttering fire with you." This is the most sincere, the most meaningful suggestions from GG Lobster about this EP. 

released January 20, 2020

Mixing by GG Lobster
Mastering by GUAN
Artwork by GG Lobster
Photo by Limbo Limbs

GG Lobster - 香港 Sweet Harbour (Zean 群龍無‘手’ Remix)

taken from 'Break-in'

Often mislabelled with the rather shallow ‘post-club’ hashtag, Strachkvas has been patiently alienating himself from the scene’s status quo. His sounds grew into the claustrophobic and grotesque realms of his debut release - Hedonic Treadmill (G&P003). More than two years has passed by with the treadmill rolling on non-stop - as Strachkvas reshapes his live performance with constant updates of new material, and occupies himself by mastering the arts of fine dining. Now, the producer, visual artist, and importantly our beloved friend with whom we have partied through countless nights, is finally back after the long hiatus from officially releasing music, bringing not one but two fresh releases for 2020. Gin&Platonic are pleased to continue the mutual collaboration by putting out one of the two upcoming EPs - ‘Break-in’.

Regardless of the past years, the Ostrava born-and-raised Strachkvas re-visits his primal environment - the club, and he does so with precision and a recognisable amount of contempt. The dancefloor-ready triptych ‘Break-in’ invades the innocent listeners with a mesmerising eponymous first track, holding them hostage until the abrasive lead single. ‘Fake’ may liberate them temporarily, thanks to seductive (yet menacing) vocals by M - a ‘Sound in New Media’ masters student minoring in neuroscience, interested in ending class war, becoming a pop star, the icey-sea, and hot sauce on popcorn. According to M, ’Fake’ is meant to become the next queer dancefloor anthem, and it is all about being seen. M’s lyrics here are taken from a tweet they wrote in response to having a difficult time dating as a non-binary person, when everyone treated them like their gender was fake. The third and final track, named after an infamous chemical tanker ‘Cumbrian Fisher’, eventually devours the listener into gloomy streams of contaminated waters, transforming the dancefloor into a polluted ocean-bottom, poorly lit by glimpses of sunrays that dimly pass through the aquatic surfaces covered with large oil spills and goo lumps.

Produced by Strachkvas
soundcloud.com/strachkvas

Vocals on 'Fake' by M
soundcloud.com/m-wingren

Mastered by Wim Dehaen
soundcloud.com/wimdehaen

Artwork by Jiri Macku & Matyas Malac
jirimacku.tumblr.com
matyasmalac.com

🤡

Break-in

Purchase on Bandcamp

Strachkvas - Break-in

part of the "Die Tomorrow" VA from Etang Brulant.
FREE DOWNLOAD / PAY WHAT YOU WANT. 
ALL PROCEEDS GO TO FIGHTING THE FASCISTS.

INECTIVE FLESH

Rinse FM Podcasts

Swan Meat with YOUR SICKLY SPIRIT - 12 November 2020

XTENDED RELEASE TAKEOVER (01/29/21) - SNUFKIN

@djwurm
https://www.instagram.com/gaspard_hers/

Cover art:
www.instagram.com/______collector/

BEDROOM Mixtape 45 / Dj Würm

Thegn - Depression Is A Routine

Absurd TRAX