Tell me why people let go, why the day has to die, why life is greater than books.

Electronic Noise.
Creepy Horror Flick Sounds.
Toons and Tunes.
Crucial input and inspiration:
http://soundcloud.com/lyndsie-alguire
https://soundcloud.com/slowcodes
http://soundcloud.com/spinecut

Gigs/Shows:

Bio:
For Montreal-native Leveq, it’s all about the journey. Whether it’s the wandering groove of a bassline, the storied pilgrimage of his DJ sets, or a tangible exploration of cities around the world, Marc’s inspirations and mission are one and the same: movement. An early love of music and an immersion his hometown’s electronic music community geared him from the dancefloor to the decks in 2011, developing his own personal brand of minimal and techno that reaches elements of house, dub, and deep, tripped-out vibrations. Continually energized by the creative culture in his native city, Marc is quickly making a name for himself among the city’s local heroes, collaborating with and playing at events like Blackbox and Grey Area, and underground venues like the StereoBar, Le Salon Daomé, Bar Passeport, Inspecteur Epingle, and St. Laurent mainstay Laika, where he played regularly. It is in nature, though, that he finds his steadiest groove, if his recent gigs at outdoor festivals like Solstice and Landscapes in Northern Ontario are any indication, his own journey is only just beginning.

Words by Emma Robertson

Slow Codes is music full of personality and contrast, with an extensive discography that reveals beautifully balanced soundscapes.  There is a life story told through art.  Thematic twists and turns dare to be dissonant, yet stay sincere throughout.  In listening, we hear a presence and sense of self that paints a portrait from an artist who knows that what they do is meant to be. It’s a production and possession conducted with all of their being. Despite a prolific repertoire, there is continuity through songs to tell tales straight from the heart.  There may be no purer expression than that, regardless of medium.

 

The honest vulnerability and aggression of Slow Codes is equal parts private journal entry and formal production.  It is impossible to talk about the person without the music.  Almost entirely self produced and performed, Dustin layers his vocals over loops, samples, synths, guitar, bass, and drums to weave a narrative of shadowed beauty.  Shyness is heard in frequently filtered vocals, the tool to expose a devil may care attitude full of deeper thoughts and feelings.  He pursues his vision of expression, and seems hellbent on achieving release through music.  

 

Slow Codes has a wide variety of inspiration and influences.  Dustin professes his admiration for the work of Bowie and Visconti, but sonically stays true to jilted, post-modern guns a la Trent Reznor, Marilyn Manson, or Maynard James Keenan.  From Slow Codes extensive repertoire, you hear many strains. Radiohead, Deftones, Massive Attack, Portishead, The Pixies, Rammstein, Sneaker Pimps, Depeche Mode, INXS, Duran Duran, Joy Division, Linkin Park, The Beastie Boys, Butthole Surfers, Primus, KMFDM, Bauhaus, Skinny Puppy, Ministry, The Cult, Killing Joke, Revolting Cocks, Gwar, Siouxie, Placebo, The Tea Party, Our Lady Peace, The Chemical and/or Dust Brothers, Rob Dougan, Stabbing Westward, and so many more others subtly or unconsciously manifested. 

 

There is a signature and underlying sound, formings a natural pocket of frequent experimentation where Dustin feels most at home.  It also reveals a contradictory and complex soul, upon closer inspection.  There are oppositional themes of lightness and dark, humour and despair, or speed and pacing.  The ability to explore these dualities signifies musical maturity.  Often brutal synth riffs and pulsing industrial drums round out vast wall-of-sound choruses, with a sense of space to complement engaged intensity.  The songs are progressively arranged and thoughtful.  Collaborators include his friends as frequently as professional musicians, easily adapting to his egoless approach.

 

Slow Codes is inseparable from Dustin as an artist, and a shining example of a passion project.  A labour of love, a way to create, and full of confessional overtones as if reading another’s diary.  Dustin is not scared to share, if you’re willing to listen.  His is a fusion of melancholy and deep personal expression, juxtaposing gothic noir with lighter levity.  While seemingly serious, there’s also sneaky humour to be found throughout which further endears one to his persona.  Make no mistake -  this is a rare and precious trait.  Essential in an era obsessed with disposable and plastic over-productions, this is a living rebellion through personal music that means something.  Dustin inspires those who would be prolific in their own way.  It is an ongoing, living testament that was already adjusted to a world turned upside down.  Perfect for us as imperfect people.

David E. Flick has been doing electronic music for over 25 years has toured the United States, and has been involved in  various bands spanning from Industrial Rock(VooDou/PigFace), IDM(Asymptote),Experimental(Entropy/The Dream Surgeons).David  Flick has also collaborated/remixed such notable artist such as Dead Voices on Air, PigFace, and Android Lust.
All songs are arranged/performed/edited by Flick. Vi11ain is an exploration of Downtempo, Hip-Hop, Techno, Dubstep, EBM/ Industrial and Beat based music. Vi11AiN has been a standard on the Chimera Central label released CD's and  video game scoring on Steam.. 
Track creations consists of Sound-Design, Sampling, VST-plug-ins, Heavy  Editing, Cut/Slice, MIDI composition,and Improvisation In Ableton, Reason. And FL Studio.

ThermiteBBQ is following