OKVLT https://soundcloud.com/o-k-v-l-t
Officium & Tzii - Inland Chase
WATCHING MYSELF FORGET WITH NO RESISTANCE
OKVLT009
Release date : June 30th 2021
C60 tapes with risoprinted cover
https://okvlt.bandcamp.com/album/watching-myself-forget-with-no-resistance

☽ Mixed and mastered by Tioma Tchoulanov
☽ Artwork by Gaëtan Bizien
☽ Edition of 70 hand-numbered copies
☽ 20 ex. comes with 12ml black magic potion

Listen  "Inland Chase" with no resistance and get into the universe of Officium & Tzii upcoming release on OKVLT. 
Tribal piece so dear to the aesthetics of the label, Officium and Tzii, sublimate a ritual music with industrial aftertaste, in a haunted and altered universe.
__________________
French musicians Alban Mercier (https://soundcloud.com/officiumofficium  https://soundcloud.com/endedforlife) and Eric Desjeux (Tzii) team up after years of friendship for a 9-tracks collaborative album. The duo’s first recording attempt is a highly evocative and melancholic album based on the pair personal archives, techniques and souvenirs. A collection of twisted voices, haunting synths and percussions combining Tzii’s composition skills with Officium’s field recordings, chant and bleak approch of sound.

“WATCHING MYSELF FORGET WITH NO RESISTANCE” is an intimate research on perception, memory and inward visions : sometimes violent, yet poetic and definitely elegiacal.

[PREMIERE] Officium & Tzii - Inland Chase [OKVLT009]

og flight

Live at Arkaoda Berlin 22.06.23

Silhouettes above rubbles
Tuming into pillars
Monotonous mannequins
Walk away with stamps

Grains of a copy, of a shade
Cloning fragments of tedium
Clustered roots, source-clumsy
Growing into visage

Mumbled echoes from the mist, through the tunnels of revival. The graininess interplay with a subdued mellifluence. A haze of longing sighs and reverberations - threshold between the lane, where distant voices yield to light.   

Night Foundation, the electronic solo project of visual/sound artist Richard Vergez and the founder of the label - Noir Age, explores existential soundscapes, utilizing analogue hardware including vintage synthesizers, found percussion, tape effects, and manipulated wind instruments. 'Change Your Mind' holds the resilience and heralds the breath of new horizon.

Change Your Mind

Night Foundation - Possession

This last episode of “Chien de Temps” revolves around a tormented and nostalgic plot which sometimes breaks up on experimental motifs with rough and shattered contours which aspire to be close to the celestial light.
More Info here : https://lyl.live/show/chien-de-temps

CHIEN DE TEMPS #15 w/ Why Pink? - LYL Radio (29/03/24)

[GD004]
PREORDER : https://ghostdancetapes.bandcamp.com/album/carmentran

Duration 18'51"
Release June 12th 2024

From the still incandescent log, a souvenir can be reconstructed.
It is sometimes possible to feel spiritual entities through the sound spectrum.

There is no singer in the room, but a transmitter playing voices of many beings from different ages.
During this absence, heavily fuzzed guitars, dusty pads and flickering basslines enter into a quietly sharp communication.
Overhead, symphonies of enchantment and distant flutes mingle with the soft murmur of the wind.

We remember the boy who jumped over the flames
We reminisce the disguises and rituals
We recall the copper horn singing with the drums

Written, produced and edited by Brahim Lumière & Guillaume Lamorte

GD004

GD004 | Carmentran - Carmentran [PREVIEWS]

Video by Mariia Kulyk (https://www.instagram.com/kulykmariiaa/) for the track "Peace Park" from the release "Loose Ends" by Ukrainian-based artist Revshark aka Slava Dyadyun
https://youtu.be/hxCV2TV9ds0

система | system presents the release "Loose Ends" by Ukrainian-based artist Revshark aka Slava Dyadyun:

"The material for the album was created in 2022, the first year of the full-scale military aggression of the Russian Federation in Ukraine, and this greatly influenced the sound and style of the release. Field recordings and sound effects of drones, power generators, and armored vehicles are mixed with wide pads and slow guitar passages, sometimes dark and mystical, filled with noise inserts, and sometimes dreamy and hopeful. The record is completely imbued with a cocktail of moods of these times - uncertainty, a sense of stopped time, as well as nostalgia for a carefree past."
*UA
система | system презентує реліз "Loose Ends" українського артиста Revshark.
Revshark aka Slava Dyadyun:
"Матеріал для альбому був створений в 2022 році, в перший рік повномасштабної військової агресії РФ в Україні, і це дуже вплинуло на звучання та стилістику релізу. Польові записи та звукові ефекти дронів, електрогенераторів та бронетехніки змішуються з широкими педами та повільними гітарними пасажами, іноді мрачними та містичними, заповненими нойзовими вставками, а іноді мрійливими та обнадійливими. Запис повністю пронизаний коктейлем настроїв цих часів - невизначенності, відчуттям зупиненого часу, а також ностальгії за безтурботним минулим."

credits:
All tracks were composed, produced, mixed, and mastered by Slava Dyadyun (aka Revshark).

all rights reserved

Loose Ends

Revshark - Peace Park

Moving his first steps through the freed spaces of Macao, gone-but-not-forgotten squat center for experimental art practices in Milan, primordial OOze involves one of the early members of the Saturnalia festival crew and engine behind the mind-altering happenings and artifacts of Communion. Crafting soundtracks for chemical dreams as xàr num and twisted underwater dances with the trio Cortex of Light, he’s also one of the mind behind A.R.X. (Ambient Rave eXperience). With mixes aired on NTS, Kiosk, LYL Radio, Rinse FM, Noods, Mutant Radio and tracks released on Artetetra/Communion, Comic Sans, Eska and Pho Bho, in its mutable shapes the OOze has spread over the years in spaces and happenings like Jazz is Dead (IT), Nextones (IT), Codex Club (DE), Cosmic Gathering (DE), Dromoscope X (DE), Outernational Days (RO), Nyege Nyege (UG), Danzas Obsidiana (PT), Club Cocoon (BE). Superimposing ancient echoes and flash-forward insights, his mixes are as various as the moments in whom they happen or by whom they’re inspired: from ecstatic drifts beyond the wall of sleep to storms of percussions and noises spiralling close to the speed of light.

https://linktr.ee/ssubterraneos

IG TAGS @ppsychic.nomad @communion_records @ambientravexp SOUNDCLOUD TAGS @oozeprimordial @comunioneuniversale

Falsa Propaganda 011 w/ primordial OOze (12.05.24)

улетаю

This is the very early stages of a lengthy piece. This is a fragment of a raw, unmixed sequence I have begun building for this piece. The finished will have much more movement, and dynamic changes as well as the rest of the piece. I just wanted to give a taste of what I am working on. This is the beginning of a work in progress.

American Requiem. (unedited, and unfinished fragment)wav

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

Infinite depth to darker atmospheres.

abyssalseries@gmail.com

[PREMIERE] Officium & Tzii - Inland Chase [OKVLT009]

Abyssal

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