with OLIVIER MARBOEUF 
moderated by MAX JORGE HINDERER CRUZ 

Olivier Marboeuf is an artist, poet, curator, and producer, whose recent work with audio and soundscapes is centered around the “politics of frequency.” Marboeuf, whose biography and research interests are largely connected with the Caribbean, confronts us with what he calls the “dimensions of sonic resistance” of the communities of the African diaspora. For our understanding of this dimension of sonic resistance, listening and un-listening are just as pivotal as speaking and de-speaking. In his audio essay he will examine the act of speech as well as collective speaking and listening – essentially, the possibility and impossibility of speaking and listening. 

Politics of Frequencies is the first step of an artistic research around Creole conversation as a cacophonic listening space that translates the paradoxical situation of a need to speak while protecting one's word, to speak in ‘de-speaking’. And thus, to produce a sense in a collective gesture of repetition, accumulation and saturation. A sense that calls for presence and remains inaccessible and opaque for those who want to stay away. A sense that requires both the ear and the mouth to travel in the entanglement of the voices and the hospitality of the frequencies. 

Learning to Listen is a podcast format that explores different forms of listening – both listening and not listening – and the knowledge that can be drawn from them. The focus is on learning and unlearning to listen and engaging with internalized mindsets. The main aim of Learning to Listen is to initiate didactic processes intended to help us understand why certain sounds, songs, and narratives are heard and others are not, and to interweave auditory events with anti/decolonial education. The individual episodes are conceived as heterogeneous audio essays; the invited guests have free rein over their concept and realization. 

Language: English 
Available at Apple Podcasts, Soundcloud and Spotify 

Recorded between August and September 2021 in Port-au-Prince (Haïti) and Saint-Denis (France). 

Concept: OLIVIER MARBOEUF
Texts and Lectures: ROSSI JACQUES CASIMIR, OLIVIER MARBOEUF
With Voices of: SHELO FRANCOIS (PLEB MIZIK), STEEVE PIERRE LOUIS, DARENS JABOUIN, JEFF RON, ALAN SANDARSEN (JUSTICE), DAVID AND JAMES PETER ÉTIENNE (MIMETIK NEG)
Translation: LIZ YOUNG
Sound: VICTOR DONATI

LEARNING TO LISTEN #3 | English, French, Haitian Creole

Jesse Jameson - Changed
The Rise   2024
Produced by JsseJmsn100

The Rise

Changed

PAWN

If I could, c’est le moment où le déni tombe et où la vérité remonte à la surface. Après une rupture, après avoir fait semblant de ne plus rien ressentir… peut-on vraiment pardonner à celui ou celle qui nous a blessé·e ?
Ce morceau RnB évoque ce paradoxe intérieur : quand le cœur bat encore, mais que la fierté garde la mémoire des douleurs.
C’est la suite émotionnelle de mon premier single "M’éloigner", qui parlait de prendre de la distance pour se protéger. Ici, la question est différente : « Si je pouvais te pardonner… est-ce que je le ferais vraiment ? »
Cette chanson m’a aidée à affronter ce que je refusais de voir. J’espère qu’elle trouvera écho en toi, à sa manière 💜

If I could

disco king one

Summer Love is all about long nights, warm vibes, and that feeling you never want to end. Whether you’re on the dancefloor, at the beach, or just cruising with friends, this track is built to keep the summer energy alive.

Summer Love

Love ❤️ is in the air. And I’m shouting it out to you MY LOVE.

My Love_Raymond Theard Featuring NOLO_QZPJD2000011.mp3

life like a rockstar

Hear Me Now

luvsixty - dough

When the days become noticeably shorter and Halloween approaches, it is once again the season of ghosts and spirits. During this time, they try with all their might to invade the world of the living. Only a few of us dare to confront these spirits. One of them is Mathilda Friday. Highly gifted, ridiculed and a freak. This song tells her ghostly story. Welcome to Villa Orizzonte. 
The cinematic video on our YouTube channel: https://www.youtube.com/watch?v=lCp_D16AvAw

Aeoline - Villa Orizzonte (A Friday Tale Of Ghosts)

Die Akademie der Künste der Welt (ADKDW) bewegt sich jenseits der eurozentristischen Doktrinen der Kulturgeschichte. Sie initiiert, produziert und organisiert Veranstaltungen in unterschiedlichen künstlerischen und diskursiven Sparten. ADKDW [•rec] ist das Archiv der Gesprächs- und Diskursveranstaltungen. Die Sprache jedes Mitschnitts, der als Podcast-Folge erscheint, ist die der jeweiligen Veranstaltung.

The Akademie der Künste der Welt (Academy of the Arts of the World, ADKDW) operates beyond the Eurocentric doctrines of cultural history. It instigates, produces and organizes events in various artistic and discursive fields. ADKDW [•rec] is the archive of its talks and panel discussions. The language of each recording, which appears as a podcast, is that of the respective event.