LEARNING TO LISTEN by ADKDW

Learning to Listen

DistroKid Wheel of Playlist

with DANIELLE ALMEIDA 
moderated by MAX JORGE HINDERER CRUZ 

Danielle Almeida is a singer, educator, and researcher. For her project Diaspórica she has spent over sixteen years researching Afro-Latin American female singers who have been written out of history or forgotten and their song forms – the result is an extraordinary repertoire of songs. In her audio essay she will interpret a selection of these songs, interweaving recorded live performances with the biographies of the singers and reflections on the racist and sexist mechanisms implicit in the hegemonic narratives of cultural history.
Learning to Listen is a podcast format that explores different forms of listening – both listening and not listening – and the knowledge that can be drawn from them. The focus is on learning and unlearning to listen and engaging with internalized mindsets. The main aim of Learning to Listen is to initiate didactic processes intended to help us understand why certain sounds, songs, and narratives are heard and others are not, and to interweave auditory events with anti/decolonial education. The individual episodes are conceived as heterogeneous audio essays; the invited guests have free rein over their concept and realization.

Language: English | Portuguese
Available at Apple Podcasts, Soundcloud and Spotify

General Direction, Presentation, Production, Research and Texts: DANIELLE ALMEIDA
Musical Direction and Arrangements: SAMUEL CARTES
Editing, Mixing and Mastering: FLÁVIA FONTOLAN
Vocal Training: DIEGO MAURILIO
Audio Capturing: GUSTAVO SANT’ANNA (Estúdio Arsis),
P. SOULJA (Estúdios Casa PretaHub)
Translation: KARLA MENDONCA DOS SANTOS DANY
Speaker: NOELLE O'BRIEN-COKER
Production and Audio Design Learning to Listen: KENO MESCHER

LEARNING TO LISTEN #1 | English

LEARNING TO LISTEN #1 | Portuguese

with CHIMURENGA (NTONE EDJABE) 
moderated by MAX JORGE HINDERER CRUZ 

Ntone Edjabe is a DJ, curator, and journalist. In 2002 he founded the cultural platform Chimurenga, which includes the magazine The Chronic, the online Chimurenga Library, the Pan African Market in Cape Town, and the radio project Pan African Space Station. In his sound collages, Edjabe interrogates the audible as well as our understanding of music and audio consumption and the conditions governing it.
Learning to Listen is a podcast format that explores different forms of listening – both listening and not listening – and the knowledge that can be drawn from them. The focus is on learning and unlearning to listen and engaging with internalized mindsets. The main aim of Learning to Listen is to initiate didactic processes intended to help us understand why certain sounds, songs, and narratives are heard and others are not, and to interweave auditory events with anti/decolonial education. The individual episodes are conceived as heterogeneous audio essays; the invited guests have free rein over their concept and realization.

Language: English | French 
Available at Apple Podcasts, Soundcloud and Spotify

Featuring solos by FRANCO LUAMBO MAKIADI, PEPE FELLY MANUAKU,
BANSIMBA BAROZA, DIBLO DIBALA, DALLY KIMOKO, FLAMME KAPAYA, SARAH SOLO, JAPONAIS MALADI, KIMBANGU SOLO 
Commentary: RAY LEMA 
Production and Audio Design Learning to Listen: KENO MESCHER

LEARNING TO LISTEN #2 | French

with OLIVIER MARBOEUF 
moderated by MAX JORGE HINDERER CRUZ 

Olivier Marboeuf is an artist, poet, curator, and producer, whose recent work with audio and soundscapes is centered around the “politics of frequency.” Marboeuf, whose biography and research interests are largely connected with the Caribbean, confronts us with what he calls the “dimensions of sonic resistance” of the communities of the African diaspora. For our understanding of this dimension of sonic resistance, listening and un-listening are just as pivotal as speaking and de-speaking. In his audio essay he will examine the act of speech as well as collective speaking and listening – essentially, the possibility and impossibility of speaking and listening. 

Politics of Frequencies is the first step of an artistic research around Creole conversation as a cacophonic listening space that translates the paradoxical situation of a need to speak while protecting one's word, to speak in ‘de-speaking’. And thus, to produce a sense in a collective gesture of repetition, accumulation and saturation. A sense that calls for presence and remains inaccessible and opaque for those who want to stay away. A sense that requires both the ear and the mouth to travel in the entanglement of the voices and the hospitality of the frequencies. 

Learning to Listen is a podcast format that explores different forms of listening – both listening and not listening – and the knowledge that can be drawn from them. The focus is on learning and unlearning to listen and engaging with internalized mindsets. The main aim of Learning to Listen is to initiate didactic processes intended to help us understand why certain sounds, songs, and narratives are heard and others are not, and to interweave auditory events with anti/decolonial education. The individual episodes are conceived as heterogeneous audio essays; the invited guests have free rein over their concept and realization. 

Language: English 
Available at Apple Podcasts, Soundcloud and Spotify 

Recorded between August and September 2021 in Port-au-Prince (Haïti) and Saint-Denis (France). 

Concept: OLIVIER MARBOEUF
Texts and Lectures: ROSSI JACQUES CASIMIR, OLIVIER MARBOEUF
With Voices of: SHELO FRANCOIS (PLEB MIZIK), STEEVE PIERRE LOUIS, DARENS JABOUIN, JEFF RON, ALAN SANDARSEN (JUSTICE), DAVID AND JAMES PETER ÉTIENNE (MIMETIK NEG)
Translation: LIZ YOUNG
Sound: VICTOR DONATI

LEARNING TO LISTEN #3 | English, French, Haitian Creole

with TROPICAL DIASPORA (DJ GARRINCHA, DJ DR. SÓCRATES) 
moderated by MAX JORGE HINDERER CRUZ 

DJ and producer GArRinchA (São Paulo, but Berlin-based since the 1990s) and cultural researcher DJ Dr. Sócrates founded the event platform and record label Tropical Diaspora in 2008. Tropical Diaspora Records produces vinyl records and views production as a means of empowerment, as a way of supporting artists and raising awareness of past and present stories of the African and neocultural diaspora – imposed by enslavement, economic causes, and the flight from war and poverty. DJ GArRinchA and DJ Dr. Sócrates will present some of the label’s productions and talk about the founding of the label, which itself is in a state of diaspora. 

Learning to Listen is a podcast format that explores different forms of listening – both listening and not listening – and the knowledge that can be drawn from them. The focus is on learning and unlearning to listen and engaging with internalized mindsets. The main aim of Learning to Listen is to initiate didactic processes intended to help us understand why certain sounds, songs, and narratives are heard and others are not, and to interweave auditory events with anti/decolonial education. The individual episodes are conceived as heterogeneous audio essays; the invited guests have free rein over their concept and realization. 

Language: English
Available at Apple Podcasts, Soundcloud and Spotify 

With contributions by ABEOKUTA, BANDO, DOCTOR NATIVO, EL SANTO GOLPE, EL V AND THE GARDENHOUSE, FORRÓ DE CABEÇA, GEKAH, HÖRÖYÁ, LA DAME BLANCHE, LA FANFARIA DEL CAPITAN, LA RUEDA, LOS MADE IN BARCELONA, OGUNHÊ, RAPADURA, RENATO GAMA, REGIS MORENO, RIOSENTÍ, SKA MARIA PASTORA, SUPER SPANISH COMBO, TRANSILVANIANS 
Production and Audio Design Learning to Listen: KENO MESCHER

LEARNING TO LISTEN #4 | English

Recorded In a abandoned asylum .

Don’t stop moving . 


Never stop for no one .


Artist:David A. Castillo .

Composer:David A. Castillo .

Dackeri-Oh my love , U just don’t know

Solo

Photo de profil de jmtprod69
jmtprod69
#jmtprodWeekEndInstrumental #jmtprod #jmtprod2k22 #frenchproducer #hiphopbeats #hiphopcultures #producer #darkbeat #trapmusic #newmusic #musician #artist #instrumentals #trap #trapbeat #french #rap #Sound #sounddesign #Ukraine #flstudio #flstudio20 #flstudiogang #lacanau

Eureka-Trap

Eureka - Trap

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❖关注 ：苏星婕

❖歌曲上架平台： 
➸QQ音乐 | https://y.qq.com/n/ryqq/albumDetail/0032H3sy2R5zDK

❖Photo By Envato Elements

苏星婕 - 听悲伤的情歌「听悲伤的情歌 看离别的戏，我突然就好想你」(4k Video)【動態歌詞/pīn yīn gē cí】

作词：不要再胖了
作曲：不要再胖了
演唱：苏星婕
编曲：舒心
混音：阿良
监制：秦耍耍
OP：秦笙文化
【未经著作权人许可不得翻唱翻录或使用】
『酷狗音乐人•星曜计划』

听悲伤的情歌
看离别的戏
我突然就好想你
听窗外的风声
看下雨
失去灵魂失去了你
听悲伤的情歌
看伤人的戏
我还是会想起你
你当初狠心离去
我们后会无期
听悲伤的情歌
看离别的戏
我突然就好想你
听窗外的风声
看下雨
失去灵魂失去了你
听悲伤的情歌
看伤人的戏
我还是会想起你
你当初狠心离去
我们后会无期
夕阳洒下回忆
风带走了你
自由全部还你
痛苦给自己
熟悉街道拥挤
身旁没了你
还是爱你
爱你死心塌地
听悲伤的情歌
看离别的戏
我突然就好想你
听窗外的风声
看下雨
失去灵魂失去了你
听悲伤的情歌
看伤人的戏
我还是会想起你
你当初狠心离去
我们后会无期
晚风勾起回忆
你会在哪里
爱过不必在意
对错的委屈
窗外又下起雨
像我在哭泣
还是爱你
爱你死心塌地
听悲伤的情歌
看离别的戏
我突然就好想你
听窗外的风声
看下雨
失去灵魂失去了你
听悲伤的情歌
看伤人的戏
我还是会想起你
你当初狠心离去
我们后会无期
听悲伤的情歌
看离别的戏
我突然就好想你
听窗外的风声
看下雨
失去灵魂失去了你
听悲伤的情歌
看伤人的戏
我还是会想起你
你当初狠心离去
我们后会无期

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听悲伤的情歌

苏星婕 - 听悲伤的情歌「听悲伤的情歌 看离别的戏，我突然就好想你」(4k Video)【動態歌詞/pīn yīn gē cí】#苏星婕 #听悲伤的情歌 #動態歌詞

Claridad

2024 02 09

Cash Makers

Tryna Ruin My Life (Prod. AC Draco Beatz)

This Unexpected Love: The Soundtrack

Tonye Garrick, Flav & Jamaul, The Vision - Unexpected Love

секта

Un hymne pour ceux qui tombent, mais se relèvent.
"Heureux et valeureux" est une marche intérieure, une déclaration motivante, un message de force dans les tempêtes.
La voix est droite, portée par une rythmique entraînante. Pas de détour : ici, on parle au cœur, on pousse à l’action, on dit les choses.
Sur une prod cadencée, ce morceau scande l’espoir comme un mantra. Une vibration positive pour avancer malgré les doutes, et choisir la lumière — à chaque pas.

Heureux et valeureux

Mid tempo a la JImi track w plenty gutars

Baby Of The Universe

I Need An Island

Buy on iTunes

Presents a compelling metaphor of love as a war, which effectively conveys the struggles and triumphs often experienced in relationships.

Love is War

my soul

Untitled by BlackRed JB

This is my last single released in 2025. After a year of hard work, I'm pleased with the results. I'm glad that "Untitled" is the final release for this year. Releasing this single doesn't mean I'm disappearing; on the contrary, I'll be very active on social media, showing you the material I'm working on for 2026. I hope each of my projects is even better than this year's. Keep your fingers crossed for me and wait for what I hope will be some great things.

Produced by BlackRed JB
Written by Jakub Borzyszkowski
Mixed & Mastered by BlackRed JB

© 2025 BlackRed Family

Instagram: https://www.instagram.com/blackredjb
Facebook: https://www.facebook.com/people/BlackRed-JB/61572871829194/?mibextid=wwXIfr&rdid=EGl4e1RT0ZyQxNOO&share_url=https%3A%2F%2Fwww.facebook.com%2Fshare%2F1DUermbERy%2F%3Fmibextid%3DwwXIfr
X: https://x.com/BlackRedJB
Tik Tok: https://www.tiktok.com/@blackredjb

If you want to start releasing your music as an independent artist, visit Distrokid using my link and get a 7% discount on subscriptions: https://distrokid.com/vip/seven/9072836 and if you are a student you can get a 50% discount: https://distrokid.com/student/9072836

Want new music-making equipment? Head to the best music store Thomann: https://www.thomann.de/de/index.html?offid=1&affid=4463

Untitled

Lions Pride [Dark Electro]

luvsixty - dough

first light

#لو_تسمح_يا_هوي  #قوله_ان_الشوق_دا_في_قلبي_نار  #مين_في_الدنيا_دي_يتحمل_بعد_حبيبه

لو تسمح يا هوي - كامل ايهاب  | Law Tesma7 Ya Hawa - Kamel Ehab

Divine TiminG [prod. nerfjayy]


"iGen" by "Mala Society" fuses raw energy with slick rhythms, mirroring the pulse of Gen Z. Mixing Afrobeat, reggaeton, and trap, the album speaks to a restless spirit, a generation pushing boundaries and rewriting rules. Every track reflects the thrill and tension of self-discovery in a world constantly online, capturing the vibe of those shaping the future their own way.

iGen

Bandcamp

09 - All That We Give (BONUS TRACK)

Runes Pt. I - Bogean

'Whatever You Like' by Dev Dilemma available on all streaming platforms.
Linktr.ee/DevDilemma

Whatever You Like

Tarandino Soulbrothers.wav

Jelly Deals

“Fly High” is a dreamy tropical–progressive house blend with melodic rap and floaty vocals. It’s all about freedom, drifting through sunlight, and letting go of gravity. Airy synths, gentle plucks, and groovy basslines carry a feeling of weightless joy — like dancing inside a daydream. Made independently with heart and imagination, it’s a bright, euphoric ride through clouds and vibes.



Spotify: https://open.spotify.com/artist/6qDBA5AvblPOqNlyQ5kupd?si=-5z_ijfITkS_5e9lwK7K9A

FLY HIGH

L4R4X - Cold Unknown

Trap Queen

Pack It Up

Thee Influence is Self-Explanatory, one man on a journey for happiness and understanding. Making thee impossible happen in his world through adversity. Healing souls so something like Jesus but  nothing less than a God

I Remember (By:Juice Thee Influence)

Somaphore: www.somaphore.com
Simon Says: https://soundcloud.com/simonsaysuk
Will Sid Smith: https://soundcloud.com/willsidsmith/
Follow Somaphore on Facebook: https://www.facebook.com/somaphore/

In The Dark

Simon Says & Somaphore - In the Dark (feat. Will Sid Smith)

Juan Magan - Lo Que Quiero Es Que Todas Me Coman La Bora (JM Gonzalez Mashup 2018)

Eu Tô Bem

Lecciones de Amor - Sesión de la película  'El Dador De Recuerdos' con David Hoffmeister y traducción al español de Marina Colombo. 

El mensaje de esta película y la lección para todos nosotros es que aunque los sentimientos son intensos, a veces la alegría es intensa y a veces el dolor es intenso, no son los sentimientos en sí mismos los que son el problema. El primer problema al que nos enfrentamos es ocultar y reprimir las emociones en el inconsciente porque no puedes liberar algo que has reprimido, no puedes liberar algo que has negado de awareness￼. Hasta que no puedas ponerte en contacto con tus sentimientos y dejar que esos sentimientos tomen conciencia no puedes sanar spiritually￼. 

En las sesiones de este retiro online de fin de semana, nos sumergiremos en la experiencia de lo que realmente significa dar. Al dar no hay pérdida, escasez o falta, sino que lo que se da se recibe. Reconoces que ser y tener es lo mismo, ¡eres lo que estás buscando! Dar trae felicidad y un sentimiento de verdadera satisfacción y abundancia.

Esta es una invitación sincera de David Hoffmeister y la comunidad de Living Miracles a quienes sientan unirse en este recorrido interno hacia la verdad. Únete a nosotros en este transformador retiro en el cual tendremos 4 sesiones interactivas con enseñanzas, música, meditación y una sesión de cine consciente con comentarios espirituales muy reveladores.

Grabado el 18 de julio de 2020 en Chapala, México

PRESENTADORES DE LIVING MIRACLES
Las sesiones de este retiro serán facilitadas por David Hoffmeister, Marina Colombo, Ana Cecilia Gonzales Vigil, Ana Urréjola, y demás amigos. Ellos te estarán guiando a través de este fin de semana para que profundices en tu conexión con Dios, dándote todas las herramientas y el apoyo que necesitas para este camino hacia el Amor.

David Hoffmeister es una demostración viviente de que la paz es posible. Su comportamiento gentil y su expresión articulada y sin concesiones son un regalo para todos. Es conocido por su aplicación práctica de las enseñanzas no duales necesarias para experimentar la Paz y la Unidad. ¡Su claridad sobre la función del perdón en el despertar espiritual y su uso radical de mirar películas de forma consciente para la liberación del juicio es verdaderamente esclarecedor!

https://circle.livingmiraclescenter.org/ucdm-retiro-el-regalo-de-dar

________________
English

Lessons of Love movie session 'The Giver' with David Hoffmeister and Spanish translation by Marina Colombo.

"Lecciones de Amor" sesión de cine "El Dador De Recuerdos" con David Hoffmeister

Die Akademie der Künste der Welt (ADKDW) bewegt sich jenseits der eurozentristischen Doktrinen der Kulturgeschichte. Sie initiiert, produziert und organisiert Veranstaltungen in unterschiedlichen künstlerischen und diskursiven Sparten. ADKDW [•rec] ist das Archiv der Gesprächs- und Diskursveranstaltungen. Die Sprache jedes Mitschnitts, der als Podcast-Folge erscheint, ist die der jeweiligen Veranstaltung.

The Akademie der Künste der Welt (Academy of the Arts of the World, ADKDW) operates beyond the Eurocentric doctrines of cultural history. It instigates, produces and organizes events in various artistic and discursive fields. ADKDW [•rec] is the archive of its talks and panel discussions. The language of each recording, which appears as a podcast, is that of the respective event.