Geeked up

Download / stream: https://bit.ly/TimewarpRmx

Timewarp

Timewarp (Dimension Remix)

From Live at Blackheath Halls 19/09/13, released 04 Oct 2013

Alto Sax - Nathaniel Facey
Alto Sax/ Clarinet - William Scott 
Tenor Sax/ Clarinet/ Flute - Leo Aarons-Richardson
Tenor Sax - Claire Furlong
Bari Sax/ Bass Clarinet - Greg Sinclair
Trumpet - Tom Dennis, Mike Soper, Lily Carassik, Alaric Taylor
Trombone - Ross Lumbard, Rosie Turton, Hannah Dilkes, George Wrench
Electric Guitar - James Kitchman
Keyboards/ Piano - Elliot Galvin 
Double Bass - Louis Thomas 
Drums - Liz Exell

The full live album can be streamed and downloaded for here: https://emmajeanthackray.bandcamp.com/album/live-at-blackheath-halls-19-09-13

Johari's Window feat. James Kitchman/  Nathaniel Facey [LIVE]

CLV - Ｅｎｄｌｅｓｓ Ｈａｌｔｓ
Track 3 from "Ｓｌｅｅｐｅｒ"
WFWM #0057
https://freshwatermedia.bandcamp.com/album/--18

CLV - Ｅｎｄｌｅｓｓ Ｈａｌｔｓ

Argentine Discourse

christoph kummerer - electronics
martin stepanek - electronics

recorded live at Rhiz, Vienna, 15.1.2008

gapless recording:
https://soundingfunctions.bandcamp.com/track/live-at-rhiz-1512008

get it!

burn those idle cycles - Live at Rhiz, 15.1.2008  p5

Released also on vinyl.

Album Wojtek Mazolewski Quintet "Polka" uzyskał status Złotej Płyty w Polsce, ale jego historia wciąż się rozwija. Oto przedstawiamy pierwszy pakiet remiksów i reinterpretacji oryginalnych utworów z bestsellerowej płyty.

Dobór artystów nie jest przypadkowy, jak przypadkowy nie jest wydawca - U Know Me Records. Na płycie, która ukaże się na winylu, usłyszeć można wszystko to co świeże w polskiej muzyce: od klubowej elektroniki spod znaku RYS z rewelacyjną Justyną Święs, po hiphopowych innowatorów (Holak z Weną) i rapowych weteranów (Metro i O.S.T.R.). Dołóżmy do tego doświadczonych Enveego, Daniela Drumza i Hatti Vatti oraz Misię Furtak z Twardowskim oraz zupełnego debiutanta (zwycięzce naszego, otwartego konkursu na remiks) Yoshiego Swxdn i mamy z pewnością jedną z najbardziej zaskakujących składanek remiksowych w historii naszej fonografii.
Warto nadmienić, że mastering całości popełnił Marcin Cichy ze Skalpela, a intrygującą oprawę graficzną płyty stworzył Mateusz Holak. Obok tej płyty nie da się przejść obojętnie! 

Wojtek Mazolewski Quintet - SUNDAY (Envee Saturday Mix) [UKM 044]

Shakatak vs dj amrich-bitch to the boys..soulful sexy mix 2011

In 1972, Orchestre Abass released two incredible singles on Polydor. These records - featuring Samarin Banza, Haka Dunia and other afrofunk masterpieces - were powerful enough to knock any music head out, but it wasn’t until the discovery of some unreleased material by the band that the seeds for this project were planted. 

It all happened in 2008 in Ghana. I was going through some tapes that had previously been the property of PolyGram one of the major record companies based in west Africa. In the late 80s political instability and curfews had paralysed the music industry forcing Polygram to close their Ghanaian subsidiaries leaving all of their recordings behind. These recordings had been packed in boxes and left vegetating in an Accra warehouse for three decades until I came along. To my surprise all of the tapes looked unharmed and I was particularly relieved to hear that the Orchestre Abass tape was in an excellent state of condition. I began fiddling around with the idea of releasing an album of the band and that plan got an additional boost with le “coup de grace” which had landed in the form of an ultra rare tune called Honam discovered in Sotoboua, a small northern Togolese town in the middle of nowhere. That find completed this selection.

I had previously discovered some similar music in Northern Benin and in Nigeria and I started picturing an area that spread all the way from Northern Ghana to Northern Cameroon, an area I dubbed ‘The Islamic funk belt’ due to the fact that Super Borgou de Parakou, Napo De Mi Amor, Uppers International and Hamad Kalkaba just to name a few - all from that ‘belt’ - were groups made up of musicians with an Islamic background. This can be felt and heard in the music and particularly in the singing since many of the musicians had attended koranic schools and the languages used in the songs often had Arabic elements fused in - Orchestra Abass was one of them. 

With their heavy, organ-led sound combining with the deftest of musical touches, these records were the work of a rhythmic powerhouse and we are honoured to be in a position to present the recordings of Togo´s funkiest Band.

Unfortunately Malam Issa Abass, the founder, guitarist and organ player of the band, was killed in 1993 by a grenade thrown into his bedroom and to help me reconstruct the biography of the band I tracked down Thon Komla, one of the band´s songwriters and Abderaman Issa, the guitar player of the band. 

All the music was licensed directly from the various composers of these songs. The vinyl is pressed on 180 High Quality Virgin Vinyl and the gatefold contains previously unseen pictures and a detailed biography of the might band.

Orchestre Abass Master

Get the Record

Haka Dunia - Orchestre Abass

Track 12 from the album "Into The Infrasounds"

Loose Nukes feat. Karl Denson

How does one go about describing this onslaught on a tune? 
It's like muthafugin lo fi meets miami bass meets phonk meets some crazy language I don't understand = really good NEXT level isshhh...  ahhhh
@deepcloud-1
@urwaxx

Out Now

*Premiere*  DPCLD - Ne Ostanavlivaysya - We Hate Breaks VA (Out Now!)

Giyo -  "Hello Gecko"
Written, performed, recorded, mixed and mastered by Giyo.
Artwork by Giyo

https://giyomusic.com/music
https://giyo.bandcamp.com/
https://www.facebook.com/Giyo.Olly.Guy

Just wanted to say that the sax and other brass isn't sampled. I used Jam Origin (Midi guitar plugin) to control a Kontakt saxophone patch.

A few people have messaged me asking where I get my samples, I just wanted to say here that I don't sample.
I either play the instrument myself or try and use the best emulator I can. I never sample other music to make my own.

I have occasionally built complex sampler instruments in ableton from a single instrument note but they always lack full expression and control.
Using my guitar as a midi instrument gives me a better feel for velocity as I'm not great on the keys, and a faster way to use vibrato: bending the string instead of reaching for a mod wheel.

The only time I use samples of any kind is from vocal sample packs (if it's not my voice), which I process, repitch, resample etc. until they're as unrecognisable as possible.

If anyone's interested I could maybe make a video about some techniques I use and the sound design process. For instance; making a normal acoustic guitar sound something resembling a sitar.

Cheers

Hello Gecko

Native EP

All Blue

FREE DOWNLOAD:
https://hypeddit.com/track/v2zeiu
SUPPORT:
https://soundcloud.com/deportment
https://soundcloud.com/phreekedits
PHREEK EDITS DEMOS:
maslowunknown@gmail.com

DJ Cam - No Competition (Chopped, Randomized & Extended)

accpnt

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