From Live at Blackheath Halls 19/09/13, released 04 Oct 2013

Alto Sax - Nathaniel Facey
Alto Sax/ Clarinet - William Scott 
Tenor Sax/ Clarinet/ Flute - Leo Aarons-Richardson
Tenor Sax - Claire Furlong
Bari Sax/ Bass Clarinet - Greg Sinclair
Trumpet - Tom Dennis, Mike Soper, Lily Carassik, Alaric Taylor
Trombone - Ross Lumbard, Rosie Turton, Hannah Dilkes, George Wrench
Electric Guitar - James Kitchman
Keyboards/ Piano - Elliot Galvin 
Double Bass - Louis Thomas 
Drums - Liz Exell

The full live album can be streamed and downloaded for here: https://emmajeanthackray.bandcamp.com/album/live-at-blackheath-halls-19-09-13

Johari's Window feat. James Kitchman/  Nathaniel Facey [LIVE]

Le Secret

Le Secret (feat. Kitio Batola)

Máquina Lunar winds through shadows and complexity, standing in contrast to the clarity of Máquina Solar. Like adulthood layered against the simplicity of youth, its restless tension carries the feel of night, shaped by the darker hours of San Francisco.

Máquina Lunar

Bounce

-Live Improv and Freestyle-
VIOLIN
RC-300
VOICE

ONLY

Rest in Peace to all the victims of police brutality.

I can't breathe

The B-side from a new 45 by BROWNOUT

La Raza b/w Arabeesh
Limited 7” / 45rpm single / first 200 units on pearl-white vinyl / standard black also available

An instrumental original that, as the title teases, has some Arab flare.  The recipe for this cut seems to blend a dash of Cairo Jazz Band with and a pinch of desert-psych funk groove, in turn creating a full, slow-burning groove that is sure to mellow and get heads nodding.

Shipping on Dia De La Raza! Oct. 12, 2016.

KPT-110 La Raza b/w Arabeesh

Brownout - KPT-110B - Arabeesh

Earlier this year Sun Glitters did a great remix for my "lineage" release. I returned the favor on is new "Mouth - Tight EP" Available here: http://sunglitters.bandcamp.com/album/mouth-tight-ep

Sun Glitters - Mouth - Tight EP - 03 Mouth (Shigeto Remix)

GODS DIRTY WORK

Nubya's 5ive

Fly Free

Being the humble guys that they are, Surprise Chef aren't going to admit they have something very special going down. However, there must be some magic in their studio, or maybe in the fact they all share a house and have formed close bonds, or perhaps from absorbing the DIY ethos of running their own record label that has culminated in such a unique and enchanting sound.

'Daylight Savings' is the follow-up to the group's debut album 'All News Is Good News’. That album earned the band a much - deserved following across the world and triumphantly marked their arrival onto the international stage. Their new album was recorded in Spring 2019, almost exactly a year after they recorded ‘All News Is Good News’. It was the weekend that daylight savings time started in Australia, and the studio was filled with the smell of the towering

Jasmine bush on the exterior back wall of the house. The record is subsequently filled with the optimism that comes with the impending warmer months and longer days in Australia. Recorded in their own
home studio in Melbourne, the production approach for 'Daylight Savings' is a big step up from their debut. Engineer, Henry Jenkins,
created enormous-sounding space within this record, using a great deal of creative analogue recording techniques and working in an expansive recording environment. The results are a sound that emulates the
massiveness of the late-60s Capitol Records.

‘Daylight Savings' was written collaboratively by the whole band and features the core Surprise Chef rhythm section. It expands upon where their debut left off with a leaning more towards 70's jazzfunk than soul
and a stronger focus on the rhythm section. There’s the epic drama, ebbs and flows of a vintage David Axelrod or Alain Goraguer cinematic production, plus the influence of El Michels Affair and Melbourne bands
Karate Boogaloo and The Putbacks, yet it still sounds uniquely Surprise Chef. You get a sense of that rare attribute of being both a contemporary band and a band you expect it won't be too long before other producers start sampling them.

Johari's Window feat. James Kitchman/ Nathaniel Facey [LIVE]

ejthackray

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