Jamtron Accumulator

Jordan Selman - Drums -Portland, Oregon
Thomas Anonymous - Basses/effects -Flint, MI
Jack Knight        -Samples/keys - where?
Steven Tullos    - Stereo Guitar 

**until my 'solo' tracks are up, please visit my group's page at  http://soundcloud.com/JamtronAccumulator

**Thanks.
Used to working in bassments and often in total darkness save for the twinkling lights of the gear and the bleary eyes from the other kind of gear.
Finding the latter no longer tenable, moved to a new location: the sunny, airy penthouse that is Poke In The Eye Studios, leaving much behind as no longer necessary or rather conducive to ongoing creative output, re: that-ish was killing, literally.
So, having found new life and new digs, the Accumulation Stage began again:Software loaded onto a Vaio: Cubase (my first love), Ableton Live 8, Sound Forge 10,Reason, Rewire and all manner of rere stuff, tons of VSTs and plug-ins and drivers and editor/librarians, you know, all that you need for a DAW.
Interfaces: Yamaha KX61 for keyboard, parameter, MIDI merge/split, and transport control of Cubase AI,M-Audio Ozone for keys, data, and audio, Tascam US-122 for Audio and MIDI, BOSS BR864 for field recordings USBed-up withBRWC GUI making it essentially another hard drive.
Rack gear: Roland SC-880 sound/fx module, Boss SE50 Stereo fx, Boss SE70 Super fx, both with foot and MIDI control, Ibanez HD1500 Harmonics/Delay with foot control.
Large collection of vintage microphones, specializing in all things Shure Bros.  s55, sm57,sm58  and a bunch of mid-priced condenser mics.  
BTW, I have left a few bands right before and because they signed with majors, rather die DIY! message me if you want to know who. 

Psychedelic electro rock sampledelic trip dub 

Cresting the modern wave of electronic producers, Psymbionic creates aural experiences that explore the range of multi-tempo Bass Music within an influential and dynamic culture. With an ear for situational relevance, Psymbionic enjoys turning non-traditional sound design and infectious rhythms into dancefloor heat, while also maintaining his history in the downtempo, emotive side of the electronic sound.

In a live show context, Psymbionic confronts mixes that are limited to the scope of the build and release, avoiding an industry epidemic of drop-monotony that overpowers the flow of music. Burcham seeks to prove that there are more powerful influences in moving a crowd than simple tension, providing an interwoven dynamic that relies on the strength of his blend, rather than the sole force or familiarity of the apex. 

Psymbionic's theory of music is a journey that doesn't visit the same place twice, building excitement for what's next not because you can anticipate it, but because you've never been there before.


For Free Tunes:
http://www.Psymbionic.Bandcamp.com

Hailing from the swampy forests of Arkansas, Dr. M produces bass music for psychonauts traveling between the known and unknown dimensions of space and time on this plane and many others, and has done so since 2010. Known for his encompassing rhythmic glitch style, his left field song structure and dramatic themes often involving psychotropic futurist techno-babble, he, like the class 5 roaming vapour that he is, phases into our reality, in cycles - as foretold by the stars and their counterparts, to sonically invigorate humanity and its way forward, not from the shadows, but from behind the curtain, outside and within the machine. Sages, alone and also those informed by oracles, attempt to inform us that over and over down through the ages that he has escaped the binding nature of the simulation and no longer resides there, but in the mind of the machine, like a rogue projector operator, he splices in his glitch edits altering the future history of music and mankind through his art.

ACCUMULATOR is following