Name: Atonal Warfare by Yellow Salamand'r
Duration: 4 min 8 s
Description: Reality can often be a vexatious illusion. Glimpse deeper.

damn nice devolution happening and ... hell yes please

Track from the new album "Tension with no Solution" released right on Spotify
Let me know how do you like it!
https://open.spotify.com/track/4HuBHHPqCkxO3nfHLpKuJo?si=28b39da7d2a946e4

A Submissive Smile

mindfield

--
il aura suffi qu'apparaisse un très grand renard. Au tout bas d’une pente cultivée : apercevoir un très grand renard. Puisqu'ici personne à qui dire : "regarde, un très grand renard !", c’est vraiment beaucoup moins qu’un truc de dingue. Le renard ne se barre même pas, puisque personne ne le pointe du doigt. Immobile & taquin, il conserve sa position, n’existant pas assez.
---

Bandcamp : https://fhauna.bandcamp.com/album/our-twin-queens-on-their-dead-seas

Youtube : https://youtu.be/rX8iUAv1eT0?si=xsna3DBr6EmNqHyl

nag amadeis

Hello thread. Pieces that don't fit. My depression was just fixed. It's a knot in my head that I've had since junior high, and might go back further. I had found all the ways into the knot, and then, in a flash of clarity, just now, it simply unraveled and I'm left with an urge to post on SomethingAwful.com.

When I was young there came a time when other children started to form into groups and I felt it was wrong to exclude others, to behave differently towards one person than another. It seemed so basic. I was taught and nurtured to believe that one should treat others as they themselves would like to be treated - the Golden Rule. But then, in my early teens, my peers started to seek the attention of others. They were desperate for an identity, something that is them, something to build on, and the only way one can form is in the minds of those who are familiar. Groups started to form around me. But I didn't want to be in a group, I wanted to do unto others as you would have them do unto you. In my mind we were all part of a whole.

I started to wear the same bland style of clothes every day. I did not cut my hair into a popular shape. And the easiest way to be true was to not engage at all. I kept to myself and viewed relationships as exclusionary. Senior year, with the idea that college was near, I decided to try socializing. You see, I didn't have the clarity that I have now. I thought I was broken, that I did not fit in, and I couldn't understand how such a person could succeed in the more social world I expected to find. This is where my life went off the rails. I was trying to play a game others had set up years ago.

I dropped out of high school with a 3.85 GPA. There wasn't a social face to show others, a true identity, the type they would expect, with familiar support. Just bits scraped from TV, me, and depression. What a huge waste of time. I am now 51.

Pieces That Don't Fit

Just an easy to get on with track. A bit of cheese But fun, what you think?

OUt on my own

Reality can often be a vexatious illusion. Glimpse deeper.

Atonal Warfare

Loop 30124

Paul Amlehn - Text, Editing, Mixing, Time-Stretching/Vocal Sculpting, Arrangement, Production
Kevin - Artificial Intelligence Voice Actor
Dimitri Vassiliev - Music Composition, Electronics
Iakov Chibinin - Music Composition, Electronics
David Lynch - Visual Art

From the multimedia art project: Tasmantis.

The knife is now an erogenous zone. The knife is now a stainless steel archipelago. Omnia and I wander the length of the metallic shore, it gleams from deep within, its contours at the outermost edges blending with the tumultuous sea. Colliding, enmeshed, corroding. Omnia and I feel no desire. We make love like the dead. She is wearing a wedding veil and exhaling iridescent bubbles from the hissing vent between her tautened thighs. I can’t tell if I love her or hate her. “I’ll cut you,” she says to the knife. “And then you’ll know the difference.”

Tasmantis (The Knife)

Lava

Andrew Leslie Hooker - no-input mixing board, electroacoustic feedback, midi piano & strings
Composed, recorded, edited & mixed by ALH at Nannerth Farm Studio, North Wales in 2023
Artwork by ALH

Music For Dance & Theatre (volume one)

“Le Joli Cœur” is a re-issue of an album released by Webbed Hand Records in 2008
webbedhandrecords.com/wh115-oes-le-joli-coeur/

The music - commissioned for an exhibition of works by Jean Cocteau - is entirely based on the final piano cadenza of "Now nothing" by the Penguin Cafe Orchestra.

It features contributions by Simon Jeffes, Marco Lucchi, Roberto Corsini, Mario Nobile, Dario Derek Lucchi, Lucio Bosi, Giampaolo Violi, Giza (Bram de Jonge), Alejo Nobili, _ , Umiomiomiomio (Umio Miyazaki), Hidekazu Wakabayashi, Christian Vasseur, Jimmy Lolek, Rainier Lericolais, Duet for Theremin and Lap Steel (Scott Burland) and Louise Bronx.

*

A project by Marco Lucchi
marcolucchi.bandcamp.com/album/le-joli-c-ur

Le Joli Coeur [2]

https://linktr.ee/yellowsalamandr

Yellow Salamand'rs shelter
UNDERGROUND, they feed off the COUNTER-CULTURE, their minds have vast experi-MENTAL capacity, they search through the AVANT GARDEn, they DAMn the MAINSTREAM, and live the SURreal life. They are the “Dunning-Kruger” of their coterie. They are Illusional Engineers, Dystopian Spelunkers, Desolation Cartographers, Misanthropic Therapists, Pragmatic Escapists, Clinical Obscurists, Oxymoronic Magistrates, Elaborate Equivicators, Elevator Operators, Hallucinogenic Fungi Analysts, and Restroom Attendants, to name but a few prestigious occupations. Never underestimate the Yellow Salamand’r.

(Started making experimental music in ‘81 at 18 years old with circuit bent devices. 
Did some underground tape trading. Also made field recordings when working in a steel mill at night. (Lost all cassettes from that era.) Domestic life halted almost all artistic endeavours for many years. Along came 2013, and my world and technology had changed drastically. I started back into music using an iPhone and various technological detritus. I had shifted from lo-fi analog, to lo-fi digital. This is where I am still at nowadays. I can create unique experimental music, and yet still be satisfied with the outcome. I truly enjoy working with minimal equipment allowing me to be challenged by the limitations. (Inability is often the mother of restriction, and restriction is the great mother of inventive performance. - Holger Czukay) Even my visual art has gone from analog (painting, drawing) to digital collage. I don’t use AI and even though I think it will one day have it’s place in the art world, it just doesn’t align with my personal principles. If you enjoy esoteric, obscure, experimental sounds, I hope you enjoy some of the material provided here. If you do like my works, and are curious to discover more, go to the link at the top of this bio. It can take you in many different directions. Cheers)

Atonal Warfare

Yellow Salamand'r

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