My remix for Raimondo Gaviano's (aka Svart1) new release "Circondati dai Petali da soli moriamo" (Surrounded by petals we perish in solitude)

Mask Of The Slave ‎– MS-070
Digipack CD, limited to 250 copies
Distributed worldwide by Sun & Moon Records
Realized June 2021 

Buy
https://www.sunandmoonrecords.com/
https://maskoftheslave.ro/mirgilus/
https://coldspring.co.uk/

Track 8

Original Version:
https://soundcloud.com/senmove/173catastrofe

SenSen - 173th

20240211

Andreas' orchestral musings (listen here: https://on.soundcloud.com/6DcQotEVL1dtwric8) inspired me to dust off a couple of old favourites, amongst them the Moog MurF, to try and come up with some pulsating, filtered low end guitar as well as a bunch of more hissy, trebly improvs. Recorded quite a few takes and selected those bits that complement his gorgeous, sweeping, cinematic track. A fair bit of editing in Logic Pro ensued, adding and subtracting, until the pacing & the mix felt right, with enough room to add to for the next stage, the third track.


Hope you enjoy it and inspires some of you to add your part on top of this!


More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Ago (disquiet0637 - Andreas Kitzmann & encym)

"premonitions" by @alenakoroleva [fom10]
CS/DL : f-o-m.bandcamp.com/album/premonitions

“Whenever I go, I can't help but notice signs of a looming change. I eavesdrop on conversations of creatures big and small, and like me, they seem uneasy and uncertain about what's to come. Something is in the air, dark clouds gather, winds are shifting course. Amidst the confusion and restlessness, the voices of non-human and human worlds blend in a worrisome symphony. This piece is an ode to anticipation, to the beauty of different forms of life on the brink of the sixth mass extinction. Joining in the chorus are the American toad, northern winds, an old kettle, Mr. Cat, tawny owl, crickets, domestic chickens and pigs, trumpeter swans, honey bees, truck horns, cormorants, seagulls and other elements and critters.” — Alëna Korolëva 

Something is afoot, the Tkaronto/Toronto-based artist and curator, Alëna Korolëva tells us in her new soundscape composition “premonitions”. American toads and water beetles set things in motion before the long-form piece journeys through a multitude of field recordings and non-human voices in a quasi-cinematographic fashion. Korolëva layers and manipulates sounds from the real into a sonic chimaera which mutates concrete ambiances into vaporous surrealities through the modes of collage. A storm blankets the soundscape, things grow quieter. Distant parallels with Luc Ferrari’s "musique anecdotique" come to mind, yet here the piece materializes in an acoustic docu-fiction of some sort, that takes the form of a waking dream. Various scenes, ranging from the mundane to the uncanny, unfold in eardrums exposing an underlying sense of earthly melancholy. A weight lurks throughout while winds, pigs, chickens, and mechanical apparatus weave into a strange agitated tapestry. A kettle whistles, a cat meows – Korolëva sprinkles the gloom with touches of humor and audible senses of home. Trumpeter swans are joined by a trumpeter human; Chayka Chekhov responds to the avian songs in a interspecies dialogue – echoing Jim Nollman’s “Playing Music With Animals”. Environments cascade into a finale droned out by truck horns. Their ringings and animal cries swell in a somber abstraction bearing the weight of a presentiment. “What does the future hold?” we ask ourselves throughout the album as we dissolve in imbrications of positionings, emanating from one another like stacking dolls. Poly-layered, “premonitions” engages in play, in negotiation with the disparate spaces and voices of a troubled world as if it created harmonious discord to decipher the ominous clouds gathering in the horizon.

C30 — limited edition of 60 
duration: 28’56’’ — piece repeats on both sides 
recorded, photographed, and composed by alëna korolëva 
trumpet improvisation by chayka chekhov 
mastered by mathieu bonnafous 
tape production by headless duplicated tapes 
published by forms of minutiae — fom10 — 2024

CS / DL

alëna korolëva — premonitions [fom10]

Nebel Lang - Why Should I Stay?  

1. (situate)
2. like riddles
3. filled with sound

--

Something must have happened in my life.
Pondering questions like riddles, calm and collected.
Wondering where all the hours went,
I once had spent here,
looking at myself a bit puzzled.

Something must have caught my attention,
immersed into a different assignment, perhaps.
This precious time in between,
that is now filled with sound and ripe reality.

--

https://nebellang.bandcamp.com/album/why-should-i-stay

Recorded in August 2023

Photography by Patrick Smith
instagram.com/paddyjw

Field recording in "(situate)" by giddster
freesound.org/people/giddster

Text collage

--

Available now on Bandcamp

(̶s̶i̶t̶u̶a̶t̶e̶)̶ ̶i̶s̶ ̶a̶ ̶s̶h̶o̶r̶t̶ ̶p̶i̶e̶c̶e̶ ̶t̶o̶ ̶h̶e̶l̶p̶ ̶t̶h̶e̶ ̶l̶i̶s̶t̶e̶n̶e̶r̶ ̶e̶s̶t̶a̶b̶l̶i̶s̶h̶ ̶t̶h̶e̶ ̶v̶o̶l̶u̶m̶e̶ ̶f̶o̶r̶ ̶t̶h̶e̶ ̶e̶n̶t̶i̶r̶e̶ ̶w̶o̶r̶k̶.̶

Why Should I Stay?

filled with sound

Nebel Lang - Why Should I Stay?  - Filled With Sound

Felt by Pete Kvidera, taken from the new album "Wind Shapes"

Pre orders start Friday 5.4.2024, release date 12.4.2024

Format: Digital / CD

Pete Kvidera -  Felt

A gaze turned into sound — “in your eyes” by instagram.com/moonspire.music x instagram.com/rhyllum blends cinematic ambient and quiet emotion, where longing and light meet.

other platforms: https://go.ambiqo.nl/mr-inyoureyes

moonspire, rhyllum - in your eyes

Where Water Flows - Part Two

Will Over Matter

The first track from the forthcoming album Cantus, Descant latemusic.ffm.to/cantusdescant

WAVs

Stations II

You will find here just excerpts of my releases, for their full length visit my Bandcamp page.

Nebel Lang - Why Should I Stay? - Filled With Sound

a certain space