loved this one friend.....the gentle techno touch was a welcome change and added another dimension to your work!

Very impressive and enjoyable techno pop. Great sci-fi atmosphere. Cool video, too!

Reminiscent of a Mike Oldfield style of a female vocal artist's delivery ...A wonderful impression of your diverse skills! 💯😎😎🙌🏻❣❣❣❣💘

fantastisk drømmeaktig pop-låt dette her, minner meg litt om Kim Lightyear

Music/Lyrics/Arrangement/Mix: Achazia.

I made a video: https://www.youtube.com/watch?v=gIMJDqY_TCE

Intro
The night is here and moon is high.
There is something that flares up the sky.

Verse
No matter what the circumstance.
I find myself in wonderment.
I'm lying underneath the stars.
With everything that's come to pass.
I travelled far through many years,
and no one knows what lies ahead.
I'm lying underneath the stars.
In my new design of scars.

Prechorus
The night is here and moon is high.
There is something that flares up the sky.
A sphere that moves in a blinding light.
There is something that just passed me by.

Chorus
We are questionably, probably,
just another object on an object on an object
I am undoubtely, what you see
What else could I truly be?

You are eventually, possibly,
just another object on an object on an object
You are undoubtely, what I see
What else could I truly be?

Verse2
In the greater scheme of things.
There is no use for kings and queens.
Many truths and many lies.
Has shaped the past and all our lives.
No matter what the circumstance.
I find myself in wonderment.
I'm lying underneath the stars.
With everything that's come to pass.

Prechorus
The night is here and moon is high.
There is something that flares up the sky.
A sphere that moves in a blinding light.
There is something that just passed me by.

Chorus
We are questionably, probably,
just another object on an object on an object.
I am undoubtely, what you see
What else could I truly be?

You are eventually, possibly,
just another object on an object on an object.
You are undoubtely, what I see
What else could I truly be?

What else could I truly be?
What else could I truly be?
What else could I truly be?
What else could I truly be?

Objects

Red Carpet Procession - Music by REKHA - IYERN [Fe] |  Live V-Synth Jam | Electro Space Pop

The King and Queen are now finally walking down the elegant-extravagant Red Carpet to officialize the vital ties, the surrounding connections, the obligatory motions here-on from this day forward...and all eyes indeed are on them...a splendid celebrity high-fine, status-star-procession...it carries on, as today is the day of all days, it's the marriage day, the match of all astral matches...sacred vows fully embraced, a majestic unforgetable soul to soul, now about to be etched in stone, for all near and far to realize...yes, this couple destined to be, from the very start, will rule like good royal nobles do...only to execute their eminent duties for the good of their people. Hope you all enjoy this heart to heart Red Carpet Procession my lovely distinguished guests of honour XOXOXO-REKHA

Music Performed & Recorded, Composed & Produced, Mixed & Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA


M: RCP Procession BU 2

Trailokya

RED CARPET PROCESSION

Red Carpet Procession - Music by REKHA - IYERN [Fe] |  Live V-Synth Jam | Electro Space Pop

(Written by Terry Reeves)
Terry Reeves: Vocals, Acoustic Guitar
Hans Albers: All other instruments, Arrangement & Production

I think it’s important to say that a lot more women than you think have had one or multiple miscarriages. It’s just that it is a subject not often talked about because of the very personal pain that the couple go through. The unborn life has no contact with anybody else except the mother and the emotions are often only remembered by the mother and father.
When Jo and I were expecting our second child we were very excited and looking forward to having another Reeves in our growing family. I will never forget the day that we were told we were going to lose the baby and once told, left sitting in an open A & E waiting area having to cope with all our raw emotions and the prospect of the impending loss amongst the rest of the other patients.
Jo had to go through a painful operation to terminate the pregnancy and it is a day she will never forget. We were a family of three planning being a family of four having now to plan being a family of three recovering from an invisible loss and explain it to our young son.
It was an extremely difficult time but we were fortunate that after a few years we did have two more children. Jo tells me that although it is difficult to explain the connection she had with the unborn child that the presence of life inside her will never be forgotten.
I felt I couldn’t let this moment in our lives pass by without acknowledging our unborn child in some way. The rollercoaster of emotions we shared at that time from euphoria at increasing our family to devastation and bereavement at our loss were felt intensely only by Jo and myself played it’s part in forging the strong bond we have had throughout our relationship. (Terry Reeves)

Two giving chance for more to love
Sharing excitement of a life that grew
Future moments by imagination
Holding tightly to a dream, not knowing who

The moment will always be there

No blessing from a hand of friendship 
Could change the feeling of love untried
A desperation of disappearing contact
Sixteen weeks of wonder with a life inside

The moment will always be there
Will always be there x2

Will always be there x3

It’s hard to share the tears of life unborn
Expectations waiting, true feelings strong
Growing three to four into a family together 
Not knowing where to be or why we belong

The moment will always be there
Will always be there x2

Many questions asked reasons who or why
Emotional growth but no name it’s true
An everlasting memory impossible to share
Changing 4 back to 3 kept just between two

The moment will always be there
Will always be there
Will always be there
Will always be there

FOUR TO THREE - CRIPPLE CLUB & HANS ALBERS

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

Soft Power

As is usually the case after completing an album, I tend to return to my style of emotive piano melodics.  "Reflect" was completed in one evening, after sitting at my controller keyboard exploring different phrases, until finally coming up with something that resonated with me. There are countless evenings like this that I never end up with anything at all worth recording. Just meandering with fingers randomly playing unmemorable motifs. Something I'm trying to learn with these types of tracks is to stop when I have a sense that the feeling is conveyed. Even if it ends up only 2-3 minutes long. I hope you enjoy it and helps you reflect on good times. 

I want to thank all the wonderful people in this SC community that have supported and expressed their enjoyment of my music. It's a hobby(turned passion) that has so much more significance when I get to read the gracious feedback that I'm so fortunate to receive.

I look forward to sharing more material from my new album “Focus”. I also have a new Blink Twice single coming next week that should satisfy those electro heads out there. And much more to come in 2023 most definitely. Cheers!

Mood Exhibit - Reflect

the image is a still from my video for muterialism https://www.instagram.com/p/CmPIAVHgfqQ/ and the track is on the way to being a still from it too !

still

480BC

Abyss Of Salamis - Άβυσσος Της Σαλαμίνας

THE ROAD TO TRUTH

This tune was performed by The Tremeloes in 1967. Performed by me on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #490 by The Tremeloes

Why Do You Keep Making Paper Airplanes

Hello everyone :) I am Gry. 
Nearly all my songs are originals (See description on songs). I do everything myself from composing the song, arrange it, mixing it and I also play the midi piano and sing! :) I am using Propellerheads Reason DAW. I love it!!!!!

I wish I had much more time to do music, but fulltime job and daily duties requires a lot as well! :)
For now I am happy to do music as a hobby and I have no further ambition than beeing blessed to do some composing when time and chatting with the guys on Songstuff.com on my friends here on Soundcloud.com. 

I am open to collaborations and I also respond genuine messages on my Soundcloud PM. 
My musical referances and inspiration comes from artists like Sigur Ros, Anathema, Clannad, Loreena McKennit + a few Norwegian artists.
I also get inspired from books and movies that also have these fantasy/medieval feel to it. (ex. Lord of the rings)

The artwork on my songs is my own. 

Also check out my youtube channel: https://www.youtube.com/user/achazia74

Objects

Achazia (Veiled Harmonies)

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