Daniel Salaghi
Instagram; https://www.instagram.com/daniellsalaghi
SoundCloud; https://soundcloud.com/danielsalaghi
Spotify; https://open.spotify.com/artist/3ELNkb7O1dlc2mfO1hysXI?si=k8YNzn7JRAeVfY14NIR9-w

Bafu - Genesis Sequence (Daniel Salaghi Extended Mix)

It Came From The Static

massacre (w/ aeneas)

"Mrak" is my contribution to the "Glitch With Friends: Compilation Vol. 1", being inspired by the "Glitch With Friends: Samples Vol. 1’" sample pack, which was released back in April, 2019.

This is an 8-track compilation produced entirely using samples from the mentioned sample pack.

The compilation features many familiar faces from 'Samples Vol. 1' as well as some newcomers, like myself. There were no instructions given for this project other than - "use only samples we created", and as a result there is a wide variety of musical styles and sensibilities on display here, illustrating the sonic range of the samples and the producers themselves.

Please like and share if you enjoy, and make sure to check out the whole compilation! Thank you! <3

https://www.glitch.cool/
https://glitchdotcool.bandcamp.com/album/glitch-with-friends-compilation-vol-1
https://open.spotify.com/album/3uGmTizLxkcRPUstNNZ2dD

Glitch With Friends: Compilation Vol. 1

Mrak

Two years without you, @ Boro Brodnik, my beloved friend, my brother, my eternal, darkest muse. 

I love you forever, beyond space and time, I miss you terribly every day.
This track is for you - as I am keeping the promise I gave to you - to continue developing my artistic self, to take care of my body and my soul - and to enjoy this journey as much as I can, for as long as I have it.

It is a special remix, the original track is created by someone who is also as precious to me. @qrias, live on, create, and take care. Much love, forever. 🖤

Original track: https://soundcloud.com/q-rias/qrias-emotional-distress
The artwork is a Self-Portrait of Brodnik: Zahoranskeho, Praha, © Brodnik 2012

Bandcamp Download

qrias - Emotional Distress (Heavyhearted Remix) - Dedicated To Boro Brodnik

∘
Exotic Goods are available for purchase on Bandcamp:
https://enilylbmessa.bandcamp.com/album/exotic-goods
This is a charity release - all profits will be donated to organizations that support the Amazon rainforest.


cover art by Jem Doktor
( https://instagram.com/tjhhem_ddocktor?igshid=1dzzur75vswl2 )

mastering by Avum ( @avum1 )

tracks by:
@poztman
@datacode23
@madblaxer
@llun
@haera_bas
@ninetimese
@andmedpin
@dilmeier
@whertywhere

Buy on Bandcamp

poztman - as without, so within

Hyperglitch is an emerging genre that is informed by glitch, idm and experimental music that came before it, but is distinct from them. It uses new techniques, explores new concepts, and has a new aesthetic. “Hyper” in this sense doesn’t mean more, or faster, or louder, it’s meant in the “hypertext” way; as in: deeper and more interconnected. Hyperglitch is the evolution of glitch. It’s what happens when a generation of artists grow up surrounded by glitch, entrenched in the digital world. Their fluency and usage/exploitation of glitch has deeper roots and is more natural and nuanced than someone born outside of this environment. 

My hope is that by helping to define the genre through this series, it will help other artists within the subgenre to find each other, and help us all develop our work and leave the past behind (or at least the parts that are holding us back). I also hope that by casting a wide net it will dissuade others from creating a formula for the genre and freezing it in time (although I’m sure some of that is inevitable). I also want to stress that Hyperglitch is new. Some of the ideas have been circulating for years, some even as far back as the early 2000’s, but their current formulation and the combinations employed by these artists are something I have never heard before (even though I have been imagining the emergence of something similar for a long time). I hope this series will illuminate the thread that I think connects these artists, and will hopefully inspire other artists to join in and create their own Hyperglitch music. 

The first album in the series is Reason by Seskamol. It is an incredibly cinematic album that intercuts dissociative ambiences with harsh, fast and hyper-detailed percussive sections. Seskamol’s understanding of rhythm and percussion seems to have moved past the need for any groove or pulse, but instead of using the pallets of electro-acoustic music, or breakcore, he mangles the two with new and more refined techniques. Similar to the raw expressions of noise music or blast beats, but reinventing them through the drum programming of breakcore with modern sound design. The result is what I imagine it would be like to wake up in a post apocalyptic wasteland, an eerie calm and then the blasts of music from an aggressive and violent time before the collapse bombarding you from a radio passing through stations, or the blasting stereo system of a renegade gang vehicle passing you. The album oscillates through feelings of desperate anger and the disabling apathy of a particularly strong depression. By passing through it with Seskamol, we know we aren’t alone. 

- Woulg ( www.woulg.com )
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seskamol - destiny - [audio.visual.music.video.] - [2020] 
4K - youtu.be/rTgDlQe1_NM 

www.seskamol.com 
soundcloud.com/seskamol/ 
youtube.com/seskamol/ 
instagram.com/seskamol/ 
vimeo.com/seskamol/ 
patreon.com/seskamol/ 

www.glitch.cool

Summit

"Larger than the will of any individual, the totality of modern human society is simultaneously one constituted by our actions yet also a gestalt entity obeying an emergent logic of its own. Constellations of processes and events act in discordant symphony largely blind to each other, while together they constitute a distributed machine serving solely itself at the price of human abjection. Conceivable solely as an abstraction, but concrete to the very core of human objectivity, this totality is profoundly human in origin but absolutely alien to our needs. Its very shape is contingent upon the trajectory of history from which it emerged, a trajectory which is now dislodged and savagely dragged along as the totality cycles itself blindly forward in time, obeying nothing other than the immanent logic of capital. Ignorance of totality matters not to it, as those who possess knowledge of its contours are no less objects to its continual unfolding. 

The horizon of its trajectory offers a fractal vision of futures such as ecological collapse, mass refugee crises, escalating pandemics, genocide, and more. Like the shards of a kaleidoscope, these morph in and out of each other, their causes and consequences all intertwined with the horrors of this perpetual unfolding of global capitalism. To grasp this all as a human is to accept it, for there is little else one can do." (Man From Sol)

https://soundcloud.com/man-from-sol

Gestalt Logic Constellation

Contingent Abjection Process

We’re very proud to present you our “10 Years” anniversary compilation.
Abstrakt Reflections / 2010 – 2020 / Release #100

Featuring: Valance Drakes, Flint Kids, closeyoureyes, Ivan Shopov, Amotken, Zohell, Blockdata, Metalogue, Man From Sol, c0ma, Hypercube, Lokom, Zeuge, Michael Valentine West, mōshonsensu, ZZY, Broken Thoughts & Vladimir Belayev.

https://www.abstraktreflections.net/releases/va-10-years/

Man From Sol - Brain Forest

Flint Kids - Haumea

'When non-frequency-politics listens to the clock, it does not hear the uniform tic tic, tic, but it hears tic - toc - fuck the clock.'

Gestalt Logic Constellation

Force Inc. / mille plateaux