Musique / Music performance : Christian Levitan
Paroles, chant, mixage, mastering et jaquette / Lyrics, vocals, mixing, mastering and artcover : Lukowig

Paroles / Lyrics :

Je n'ai pas osé
sur tes lèvres déposer 
le plus doux des baisers
je n'ai pas osé
t'embarrasser

Je  n'ai pas osé
tendrement t'enlacer
réchauffer tes mains glacées
je n'ai pas osé
de peur de te tracasser 

Je n'ai pas osé
à ton cou me pendre
t'attirer dans mes méandres
je n'ai pas osé 
t'embrasser

Je n'ai pas osé

Je n'ai pas osé [Levitan and Lukowig]

This is the Full Effect Band from Harrisburg, PA.  Tone-B (Guitar), Aaron Hughes (Bass), Jimmie Harris (Keyboard), Sterling Ingraham (Drums), Harry Miller (Sax), various trumpet players, Greg Wolfgang (Vocals), Bob Wolfgang (Vocals), Jeff Falcone (Vocals).

Tone-B Various Band Rehearsals 2000.  Always and Forever (Cover Song).  Full Effect Band

Produced & Mastering by ZüNiX....
Software used
DAW Ableton live 11, Vahalla Reverb , reFX, Sylenth1, 
Hardware
TB 303

🔴Space Rider🔴

"L'émotion la plus brute, la plus immédiate c'est de donner l'envie de danser aux gens..."Dj Mehdi

Oxalis

CrankItUp

we are unity

Sternenfahrt is the second concept album by German electronic artist Sturmfrau – a sonic odyssey through space, time, and memory. Rooted in coldwave, early 80s Berlin synth sounds, and dreamy post-punk textures, the album tells the story of a young woman who leaves Berlin to follow alien visitors across the stars.

Each track marks a moment of her transformation – from longing and isolation on Earth to transcendence among celestial beings. With vintage synths, poetic German vocals, and surreal cosmic moods, Sternenfahrt is both intimate and vast.

This is music for those who dream beyond the orbit.

Berlin, 3_33 Uhr

This started out as a little experiment with four 303s playing in the round. Then all of a sudden I made a screamy lead I liked and improvised a melody by sliding around a Phrygian scale with my laptop trackpad!

A little bit of inspiration was thanks to the amazing music of Greg Hunter (Dubsahara), not to mention great Berlin school artists like Klaus Schulze.

There is a lot more I could do with this track but this is it for now at least.

acid entity - The Halls of Eternal Bewilderment

The part that sounds like a bass in the middle section is actually tapping using an 8-string guitar. Naturally, no bass was used at all for this part. Lately, I've been exploring the potential of the lower strings, and tapping and slapping are part of that. Regarding the song's theme, I've been deeply contemplating the grandeur of the universe and humanity recently, and I composed this piece wanting to express that atmosphere through my guitar. I'd be delighted if you could feel a sense of floating and light-like speed within the song. Finally, thank you so much for reading this far. I think you're truly wonderful!

Interstellar Contact

The Undead Knight

Trippin To 69

I am a hobbyist who likes to make Goa trance and acid techno, preferably with bits of darkness and ambience and usually on the more experimental side. I am a new artist who is constantly learning and evolving.

acid entity - The Halls of Eternal Bewilderment

acid entity

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Ferdinand Gerhards

SDPI

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