s/o @goomar


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Artwork by Huté : www.instagram.com/hute.fi/
Arranged & Produced by Foksu & La Cantina (except feature parts)
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Mastered by DJ Cerk : www.facebook.com/DjCerk/
Executive Producer Paul Eduard Koenig
A&R Fabian Bühler, Michiel De Vleeschhouwer
Digital Distribution Patrick Gerner

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Ralph Myerz & The Jack Herren Band - Here Is Love FREE DOWNLOAD

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Ponta Preta - Get On My Ride

Falling in love and having someone running through your mind all day and night

Up All Night

A blend of lo-fi and boom-bap, golden-hour grooves with thick drums and soulful samples

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HUBBLE (2014)

Larry Heard is the reason why i bought my first studio equipment back in 1988. He inspired me to make my own house music resulting in my first record deal with a Detroit label back in 1991 :-)

Now it all comes full circle: Larry remixing one of my tunes!

Here is a low reso preview. Release will be end of October/beginning of November.

Enjoy
Gx



GERD - PALM LEAVES (LARRY HEARD AKA MR. FINGERS REMIXES) OUT NOW ON CLONE ROYAL OAK

Alkalino - That's Right

First freebee of the year!! Have a happy one all! X

Chewy Rubs - Get Everyone Dancing - 2019 - Alpine (FREE dL)

Buy link: https://ivanconti.bandcamp.com/album/katmandu

Following on from his 2019 solo album Poison Fruit, Azymuth’s drummer Ivan ‘Mamão’ Conti returns with ‘Katmandu’. Though it was recorded and mixed in the same sessions, ‘Katmandu’ was mysteriously omitted by Mamão from the Poison Fruit album, either accidentally or on purpose, he’s not quite sure. What is for sure is that it’s one of the most potent poison grooves of them all.

This EP is the second in a series of limited edition dance 12”s celebrating 25 years of Far Out Recordings and is housed in a special sleeve which uses the label’s original semiquaver logo from 1994.

Katmandu

PREMIERE: Ivan Conti - Katmandu (Jazzanova Remix)[Far Out Recordings]

Lily White, a track taken from the critically acclaimed debut album by Nimbus Sextet, is remixed by Ghostchant. Ghostchant, a natural instrumentalist who channels the line between hip-hop, RnB and Soul and whose previous collaborations include Four Tet, Submotion Orchestra and Gold Panda. 

His talent is obvious as he wonderfully manipulates Anthony Thomaz’ vocal whilst also managing to capturing a lot of the original versions tone and colour. Slowing the tempo somewhat shreds a new hazy light into the track adding a down-beat texture to the previously episodic arrangement.

Nimbus Sextet - Lily White (Ghostchant Remix)

www.acidjazz.co.uk

Formed back in the heady days of 1987 at the start of the ‘acieed’ explosion, Acid Jazz was the first of the groundbreaking new indie labels and paved the way for the likes of Mo Wax, Wall Of Sound and Talkin' Loud…

Initially a simple bedroom operation established by Eddie Piller and Gilles Peterson, within three months of the first 45 release (Galliano’s Frederic Lies Still), the label had grown rapidly, acquired premises in London’s east end and laid out a unique manifesto of alternative club sounds – jazz, street-soul, funk, latin, reggae and jazz poetry all put in an early appearance. Galliano, Chris Bangs, The Night Trains, The Last Poets, A Man Called Adam and Snowboy & The Latin Section were amongst the first wave of label signings and they all appeared live at groundbreaking jazz themed nights at London clubs like the WAG in Soho and Camden’s legendary Dingwalls.





By ’89, Peterson had left the label to establish his own Talking Loud imprint and Piller soon moved the operation to Denmark Street, London’s original Tin Pan Alley, into the former EMI music office. The next wave of signings included D Influence, Jamiroquai and The Brand New Heavies. Chart success quickly followed as the label spread its numerous tentacles around the world. The sound of the label became the name of choice for the scene that had established in its wake and by the early ’90s, Acid Jazz was booming out of a succession of speakers from Sweden to Singapore, Hamburg to Hobart, Shibuya to Sheffield and everywhere in between. International tours followed as the label expanded through the 90′s, gradually increasing their musical influences to include daisy-age hip hop, garage psyche and trip hop.





By the mid-90′s Acid Jazz had revived the careers of legends like Terry Callier, Brian Auger and Gregory Isaacs, established three subsidiaries (Focus, All Seeing Eye and Roots to cater for progressive indie, drum and bass and roots and culture respectively) and signed yet another wave of successful independent artists which included the likes of Corduroy, Mother Earth, The Humble Souls, Goldbug and a dozen more.





In 1994, the label took the plunge and opened the first ‘non-house’ based night club in London. Based on the site of the Bass Clef, a down-at-heel and eventually semi-derelict jazz club in Hoxton – perched precariously amidst the second world war bomb sites, derelict buildings and culture-free zone, the club was credited with paving the way for the whole Hoxton/Shoreditch explosion of the late nineties. Indeed, the club was rarely less than full seven nights a week hosting events from the likes of Goldie’s Metalheads, Talvin Singh, Coldcut, Ab-ashanti, Athletico and the label’s own Magic Bus. The Blue Note closed its doors at the end of the decade and Acid Jazz went back to what they do best: releasing records.

Jumping forward to 2014 and we find the label firmly ensconced in their office at the top of Brick Lane and after celebrating their 25th Anniversary the label is as vibrant and vital as ever. The current roster includes the critically acclaimed, prog folk fusions of Matt Berry, new indie hopefuls Dexters, the soul meet the Streets stylings of New Street Adventure and ex Bluetones lead singer Mark Morriss, whilst the highly acclaimed Rare Mod series has discovered and released previously unknown works by everyone from The Riot Squad featuring David Bowie to the Small Faces Steve Marriott.

In short after over a quarter of a century Acid Jazz remains one of the UK’s most important independent labels.


Nimbus Sextet - Lily White (Ghostchant Remix)

Acid Jazz Records

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