ANOTHER SURE SHOT MULTI TRACK REMIX OF ONE THE DEEPEST, MOST PROLIFIC AND PROFOUND ARTISTS OF THE 70S & 80S.

GIL SCOTT HERON - ANGOLA  *KON REMIX SNIPPET

Athens of the North are proud to present Renée Geyer's modern soul masterpiece, 'Be The In The Morning' cut loud by Jukka at the Timmion Cutting Laboratory. Including the super rare Australian version 1976 version you probably did not know about. 

Ath12001A - Renee Geyer - Be There In The Morning 77

mighty ryeders - evil vibrations (ubiquit reissue, originally 1978)

Lowrell - Mellow Mellow Right On - Victor Humboldt Reedit!
Slow and mellow disco from Lowrell got a reedit from Victor Humboldt, hope you like it!
Feedbacks welcome!!!! 

Lowrell - Mellow Mellow Right On (Victor Humboldt Moody Reedit)

BELLA-FIND A WAY(BOSSA EDIT) METROPOLITAN JAZZ AFFAIR visit djfunk80.com in london 

BELLA-FIND A WAY(BOSSA EDIT) METROPOLITAN JAZZ AFFAIR

The 3 Faces Of Snowboy

Girl Overboard

Snowboy feat. Anna Ross - Girl Overboard

Soulpersona & Princess Freesia - You did it again

Rare version longue du classique du Bus "Earth, Wind & Fire - Brazilian Rhyme"
Cadeau de Noël 2011 de OUÏ Love le Bus by Lespaule.

Earth, Wind & Fire - Brazilian Rhyme (Rare Long Version Mix)

R&B that soothes the ear & puts you at ease....

112-swing out sister-butterfly

Taken from the forthcoming compilation album Martin Freeman and Eddie Piller present Jazz On The Corner.

When Acid Jazz founder Eddie Piller asked Martin Freeman (The Hobbit, Sherlock, The Office) to do a jazz radio show they could hardly imagine the response. From around the world emails and tweets inundated the show and they swore to themselves that they couldn’t leave it there. 

Now, two years on this compilation of their favourite jazz has arrived. From the rolling hard bop of Lee Morgan and Art Blakey, via screaming soul organ, jazz funk original acid jazz onwards to the post modern spiritual jazz of Kasami Washington, this is an incredible journey.

Released in March on double CD and Vinyl with deluxe gatefold packaging this is the album that will launch Acid Jazz’s 30th Anniversary celebrations.

Tracklist
Side 1 
Mose Allison - If You're Going To The City
Les McCann - Sad Little Girl
Lee Morgan - Psychedelic
Eddie Harris - Listen Here
Harold McNair - The Hipster
Side 2 
Art Blakey's Jazz Messengers - Kozo's Waltz	
Joe Gordon - Terra Firma Irma	
Blossom Dearie - Now At Last 	 
Blue Mitchell - Mi Hermano	
Side 3 
Jimmy Smith - A Walk On The Wild Side 	 
David Axelrod - Get Up Off Your Knees	
The Brand New Heavies - Sphynx	 
Marlena Shaw - Look At Me, Look At You 	 
Charles Williams - Trees and Grass and Things 	
Side 4
Geogrey Stoner - Bend Your Head Down Low	
Blacks & Blues - Chains 	 
Leon Thomas - Just in Time To See The Sun 	
Norman Connors- Mother of The Future 	
Kasami Washington - The Rhythm Changes 	 

Release date - March 23rd 2018
Pre-order LP/CD here - http://smarturl.it/JazzOnTheCorner

The Brand New Heavies - Sphynx

09 Quiet Night (Nicola Conte  Out of The Cool  Version

www.acidjazz.co.uk

Formed back in the heady days of 1987 at the start of the ‘acieed’ explosion, Acid Jazz was the first of the groundbreaking new indie labels and paved the way for the likes of Mo Wax, Wall Of Sound and Talkin' Loud…

Initially a simple bedroom operation established by Eddie Piller and Gilles Peterson, within three months of the first 45 release (Galliano’s Frederic Lies Still), the label had grown rapidly, acquired premises in London’s east end and laid out a unique manifesto of alternative club sounds – jazz, street-soul, funk, latin, reggae and jazz poetry all put in an early appearance. Galliano, Chris Bangs, The Night Trains, The Last Poets, A Man Called Adam and Snowboy & The Latin Section were amongst the first wave of label signings and they all appeared live at groundbreaking jazz themed nights at London clubs like the WAG in Soho and Camden’s legendary Dingwalls.





By ’89, Peterson had left the label to establish his own Talking Loud imprint and Piller soon moved the operation to Denmark Street, London’s original Tin Pan Alley, into the former EMI music office. The next wave of signings included D Influence, Jamiroquai and The Brand New Heavies. Chart success quickly followed as the label spread its numerous tentacles around the world. The sound of the label became the name of choice for the scene that had established in its wake and by the early ’90s, Acid Jazz was booming out of a succession of speakers from Sweden to Singapore, Hamburg to Hobart, Shibuya to Sheffield and everywhere in between. International tours followed as the label expanded through the 90′s, gradually increasing their musical influences to include daisy-age hip hop, garage psyche and trip hop.





By the mid-90′s Acid Jazz had revived the careers of legends like Terry Callier, Brian Auger and Gregory Isaacs, established three subsidiaries (Focus, All Seeing Eye and Roots to cater for progressive indie, drum and bass and roots and culture respectively) and signed yet another wave of successful independent artists which included the likes of Corduroy, Mother Earth, The Humble Souls, Goldbug and a dozen more.





In 1994, the label took the plunge and opened the first ‘non-house’ based night club in London. Based on the site of the Bass Clef, a down-at-heel and eventually semi-derelict jazz club in Hoxton – perched precariously amidst the second world war bomb sites, derelict buildings and culture-free zone, the club was credited with paving the way for the whole Hoxton/Shoreditch explosion of the late nineties. Indeed, the club was rarely less than full seven nights a week hosting events from the likes of Goldie’s Metalheads, Talvin Singh, Coldcut, Ab-ashanti, Athletico and the label’s own Magic Bus. The Blue Note closed its doors at the end of the decade and Acid Jazz went back to what they do best: releasing records.

Jumping forward to 2014 and we find the label firmly ensconced in their office at the top of Brick Lane and after celebrating their 25th Anniversary the label is as vibrant and vital as ever. The current roster includes the critically acclaimed, prog folk fusions of Matt Berry, new indie hopefuls Dexters, the soul meet the Streets stylings of New Street Adventure and ex Bluetones lead singer Mark Morriss, whilst the highly acclaimed Rare Mod series has discovered and released previously unknown works by everyone from The Riot Squad featuring David Bowie to the Small Faces Steve Marriott.

In short after over a quarter of a century Acid Jazz remains one of the UK’s most important independent labels.


The Brand New Heavies - Sphynx

Acid Jazz Records

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