FBM 🔊

Get this track now: https://antarikshrecords.bandcamp.com/album/acid-in-the-jungle-after-midnight

It was February 2021. Mortal time.
Antariksh Records had just released Radiant Energy EP by Madhav Jolly (Sentient). Over the next few mortal weeks, the interstellar airwaves were dominated by the Radiant Energy of rave and techno emerging from India, Earth. Sentient beings, spirits, and metaphysical ether - all immersed in the cosmic unity of rave. The sentient beings thus demanded seven worthy cosmic knights to unite After Midnight and recreate the sounds of rave, forged using mystical acid and jungle wizardry. Thus unleashing upon this gross materiality, the tunes of dance, the churning electro hum of the seven elements, the rave falling upon mortal ears from the heavens of electronic music. The Marbreaks Mix comes from Mumbai-based producer Marbman (aka Aalhad Joshi) who revisits the label after his acclaimed split EP on Antariksh Records with Glasgow-based music producer Kleur.

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Sentient - After Midnight (Marbreaks Mix) [Antariksh Records]

T4T LUV NRG presents the title track from Eris Drew's forthcoming debut album "Quivering In Time", weeks ahead of the full album's release on October 29, 2021. Mid-tempo breaks, throbbing bass and applied tremolos are the foundation for Eris's song about finding hope amidst chaos.     

Available for pre-order!!! https://erisdrew.bandcamp.com/album/quivering-in-time

About the album... 
In 2020, after the release of Trans Love Vibration (NAIVE, 2018) and Transcendental Access Point (Interdimensional Transmissions, 2020), Eris moved from her hometown of Chicago to rural New Hampshire and recorded the nine beautiful songs featured here. Her first album feels something like her DJ sets, with stacked layers of vinyl samples and turntable manipulations serving as a fast-moving foundation for hand-played keyboard riffs, walls of percussion and sampled, scratched and strummed guitar tones. On each song for the album Eris expresses the anxiety and hope of her present. She wrote, recorded, and mixed the album as she stared into the forest through her studio window, collapsing present and past into future, her memories and body literally quivering in time.

The songs are cast with Eris’s experiences and intentions. The plucky progressive Loving Clav is in the form of an evocation (“good times come to me now....”), while the tracks Time to Move Close and Show U LUV express Eris’s longing for togetherness. The hardcore Pick ‘Em Up (“...and it might be a different story”) and organ-heavy Ride Free are funky odes to psychedelics, hard dancing and the subjectivity of real lived experience. The twinkling house of Howling Wind and the tempo-shifting bop of Sensation capture the mystery of the forest cabin where Eris spent most of the last 15 months. Two booming hip house dubs round out the album, Baby and Quivering in Time, each an itchy track about hope and personal resilience. As with her prior work, Eris’s approach to music making is unique and genre-dissolving. Ultimately, her special sound is a metaphor for her main message, which is that every person deserves to be themself.

Eris Drew - Quivering In Time

OUT NOW: https://lowincomesquad.bandcamp.com/track/li-ingle015-swooh-electric-zoo

Swooh - Electric Zoo (LI$INGLE015)

Intended as a DJ tool for non commercial use. 

https://acidwaxa.bandcamp.com/track/orinoco-flow-irish-wedding-remix

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Orinoco Flow [Roy of The Ravers' Irish Wedding Remix] ACIWAX65

LAST REMAINING VINYL COPIES 
https://acidwaxa.bandcamp.com/album/2-late-4-love-2023-edition

Taken from the 2015 cassette/download album 2 Late 4 Love (ACIWAX04) Written and produced by Roy Of The Ravers/Sam Buckley. Compiled by Micheal Patterson. Mastered by Stephen Bishop. The track title 'Emotinium' is borrowed and used with kind permission from our pal Andy Jenkinson (aka Ceephax) Thanks peace to god (Tadao Kikumoto)!

2 Late 4 Love

VINYL/DL

Roy Of The Ravers - Emotinium [Acid Waxa]

DFA no doubt owes a very large part of its existence to the incredible, indelible Liquid Liquid, so it is with great and humble honor that we release this 12” from the New York no wave legends, a double a-side package featuring sorta-new versions&nbsp;of classic Liquids tracks.

This torrential take on “Bellhead” was recorded and produced by James Murphy and Tim Goldsworthy in 2004 and originally appeared on DFA”s “Compilation #2.” It’s an all-timer percussion workout, bursting at the seams with marimba, drums, and, yes, all manner of bells, a far cry for the see-saw slouch of the original.

The other side is an unreleased instrumental remix of “Optimo,” which (bear with us here) was rerecorded by the Liquids in 2008 and then remixed by Optimo (Espacio), the Glaswegian duo who are named in tribute to the song in question. If you followed that, then you know. If not, just remember that we’re all showing up here because of how important and essential this band remains.

**

"Bellhead"
Recorded in 2004 at RPM Studios, NYC.
Produced by the DFA. Engineered by Andy Sarnoff
Assisted by Eric Broucek

"Optimo - Instrumental Mix by Optimo (Espacio)"
Recorded in 2008 at SRG Studios in Hamilton, NJ
Mixed by JD Twitch and Dave Clark

Mastered and cut by Bob Weston at Chicago Mastering Service
Vinyl pressed at Furnace Record Pressing in Alexandria, VA

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Bellhead

Error808

Fatima Yamaha - Between Worlds

patrickcowley.bandcamp.com/album/afternooners

Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12″ singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.

In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in between 1979 and 1982. Some of these recordings are demos from the album "Mind Warp".  All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.

Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.

Afternooners

Patrick Cowley - Surfside Sex

Tail Lift / MPH

Tail Lift

ARTIST: Daphni
TITLE: JIAOLONG
CAT#: JIAOLONG005


Tracklisting:
1. Yes, I Know
2. Cos-Ber-Zam - Ne Noya (Daphni Mix) 
3. Ye Ye 
4. Light
5. Pairs
6. Ahora
7. Jiao
8. Springs
9. Long 

All tracks written and produced by Dan Snaith except Track 2 which appears courtesy of Analog Africa (www.analogafrica.com).
Artwork by Jane Eastlight

Release dates:

UK/EU/Australia - October 8th on JIAOLONG RECORDS  - digital, CD, and 2x LP
US/Canada - October 16 (physical) + Octobber 9th (digital) - MERGE/JIAOLONG  
Japan - October 3nd - Hostess/JIAOLONG  digital + CD

Orinoco Flow [Roy of The Ravers' Irish Wedding Remix] ACIWAX65

Acid Waxa

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