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violoncellos often play the same line an octave higher, or a different melodic or rhythmic part which is not a bassline when double basses are used; basso ripieno; that bass which joins in the full passages of a composition, and, by its depth of tone and energy of stroke, affords a powerul contrast to the lighter and softer passages or movements.

It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work.|In classical music, different forms of bass are: basso concertante, or basso recitante; the bass voice of the chorus; the bass which accompanies the softer passages of a composition, as well as those passages which employ the whole power of the ensemble, generally played by the violoncellos in orchestral music; contrabass (вЂњunder bassвЂќ), is described as that part which is performed by the double basses

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