I spent the morning adding my third element to a few tracks and finally decided that my contribution to encym and Jimmy Lem's combo was the most coherent. I was struck by the contrasting tones of encym's off kilter Tele with the controlled chaos of Jimmy's cuatro. Sandwiched in between are some sparse tones from my Terra, fed through the "Vangelis Verb" on the Zoia.

disquiet0638

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

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Track notes: "Lucky Link Village" from Creatures_Once/@miraclemiles (via @SinnySounds) jumped out at me straight away and got me thinking about a guitar accompaniment along the lines of Ry Cooder, Haruomi Hosono and Makoto Kubota. I recorded a simple fingerpicked acoustic guitar pattern which found its way around G tonic of the tuned percussion. I then added some slide guitar around this and affected both guitars with some phasing and flanging to give it a dreamy feeling. Then a field recording of the ocean lapping at the shore seemed entirely fitting.

[Disquiet_Junto_0638] Lucky Link Village Connect (feat. Sinny Sounds & August_Miles) (Centre 3 of 3)

Week 3 of a 3 part assignment, adding to disquiet0637 and 0636. 

Incorporating Roughshark by scénický rys (https://soundcloud.com/ackercz/roughshark-with-analoc-disquiet0637) and Left shark by analoc (https://on.soundcloud.com/imRuTwDmAo4eAUiw9)

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

shark tank [disquiet0638] with scénický rys & analoc

with https://soundcloud.com/raincat-306596410/idiophones-disquiet0637-w-xhg by @xhg and @raincat-306596410

filling in imagined blanks - background field recording + sample based patch w granular processing

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More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

disquiet0638 - bells/idiophones/swells (with xhg and raincat)

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

I looked in the sheet for something unused and opted for https://soundcloud.com/xhg/disquiet0637-marsh-bones-factory-with-raincat because of the sheer feeling of reality it had to me. I played different instruments but nothing worked for me. So instead I used old samples, a recording of a turnstile on a train track near Munich and a door that creaked wonderfully in the wind near Assisi, Italy. It seemed to me to fit in wonderfully with the duo's palpable spatiality.

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/66559

Swamp Bone Factory Building [disquiet0638] (with Raincat & xhg)

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

with 33per and Andreas Kitzmann - Not in Kansas Anymore [Disquiet0638]

Forest stream [with he_nu_ri and mikey_a] (disquiet0638)

A long-distance (both spatial and temporal) collaboration with @xhg and @randomshuffle – based on https://soundcloud.com/xhg/disquiet0637-guitar-talk-with-marc-eisenschink. I added a drone and a field recording to their guitar dialogue.
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More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Conversation (disquiet0638) — with xhg and Marc Eisenschink

This ambient album immerses the listener in a calm, expansive soundscape shaped by deep drones and soft, emotionally resonant pads. Slowly evolving layers drift through a quiet atmosphere where time feels suspended, allowing space for reflection, stillness and inner presence. The absence of rhythm and percussion gives each composition room to breathe, unfolding with a fragile sense of intimacy and depth.

Between gentle shadows and faint light, the sound shifts from darker, enveloping tones to brighter, almost weightless passages. Beneath the surface, a subdued sense of contemplation emerges — echoing moments where thoughts linger a little longer than intended, yet remain quiet, softened by warmth and subtle harmony.

A tranquil journey through atmosphere and emotion, designed for late-night listening, creative focus or moments of peaceful solitude.

Forest stream [with he_nu_ri and mikey_a] (disquiet0638)

scénický rys

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