AIDC Podcasts

Talking about VR

Virtual Reality: Documentary Outside the Frame

Virtual Reality has quickly become the most-talked about technology in the media industry. From the BBC to Hollywood, media-makers around the globe are experimenting with VR as an entirely new way to tell stories. But what are the opportunities for non-fiction storytellers in a medium that puts the audience at the centre of the action?

This session brings together Australian and international pioneers in documentary Virtual Reality storytelling to share their experiences and reflect on the opportunities that arise when working in this medium, and the new thinking that the format demands of documentary makers. 

Speakers: Julie Young, Astrid Scott, (Senior Producer/Experience Strategist, ABC) and Katy Morrison (Producer, VRTOV).
Host: Jess Linington (Researcher/Producer, i-Docs / VRTOV


AIDC 2016 Virtual Reality Podcast

Storytelling is at the core of all human art. Storytelling provides a way of sharing and interpreting experiences, bringing an understanding and meaning of human existence. Throughout history, storytelling has evolved through different media from verbal into written, from theatre into film, and now into Virtual Reality. VR is empowering storytellers with new tools and platforms to produce innovative content that immerse the viewer in ways like never before.

In this podcast we discuss the exciting new ways of storytelling in VR (in games and cinematic VR).Exploring topics such as constructing narrative for VR, immersion: how to tell a stories now that the audience is more than just a passive observer, presence, perspective, direction and agency. 

Panellists include: Brendan Croxon, Brooke Maggs, Clea Frost, Piers Mussared and Chris Bailey.

VR: Changing the Rules of Storytelling

How local AR/VR producers can use the global market
VR Plus
Have you heard? By 2020, revenue from Augmented/Virtual Reality is forecast to reach $160 billion. Obviously there has never been a better time to get involved. But what does this mean for AR/VR documentary producers based in Australia? 
With so much investment funding and resources overseas, what is the best way to tap into them? What are the best new global platforms? And what does producing – not to mention distribution – even look like? For many Australians, the answers to these questions continue to lie in collaborating and co-producing internationally, working with funding bodies and initiatives beyond our borders. 
In this session, successful Australian AR/VR producers Katy Morrison (VRTOV) and Melanie Horkan (Fathom Film Group) will discuss moving into the international arena in order to create content. Drawing on their own professional experiences and insights, they will provide expert perspectives on how the Australian industry can maximise creativity and opportunity here at home.

Northern Exposure AIDC 2017

Masterclass with the creative team behind podcast Trace

Despite the global success of podcasts like Serial, the team behind Trace didn’t set out to emulate other popular true crime podcasts. Trace had a different ambition, chiefly to find justice and truth for the sons of Maria James, who was murdered nearly 38 years ago.

In this masterclass, the journalist, producer and sound designer will break down how they created ABC’s first ‘true crime’ podcast; from distilling a 16 month investigation in to a story structure, creating a soundscape that would captivate listeners, maximising ABC’s cross platform reach to harness new leads, through to the team’s journalistic intent at the heart of the creative storytelling.

Retracing Crafting a Story in Audio Documentary AIDC 2018

Editing Masterclass with Erin Casper

In this exclusive masterclass, Erin will share her personal approach to editing by thinking about the construction of each film as a language of its own, spoken cinematically through an editor’s hands.

Drawing on excerpts from her award-winning films such as Our School, American Promise, The Last Season and The New Black, this masterclass will explore her creative process, writing with images and crafting cinematic language in non-fiction films.

The Art of Cutting it Fine AIDC 2018

Interactive digital narratives, fully-immersive VR, open source gaming, robots writing novels – what does the future of storytelling look like? What do emerging technological advances mean for writers and artists creating work in the digital era?

Four artists at the forefront of innovation in digital storytelling kicked off Digital Writers' Festival 2017 with a discussion about the impact of interactive digital narratives, virtual reality, geolocated narratives and more in conversation with artistic director Izzy Roberts-Orr.


Copyright acknowledgements: 

Clips Played

Title: Door Into the Dark Trailer
Copyright: Anagram
Link played: https://vimeo.com/97591942
More info: http://weareanagram.co.uk/project/door-into-the-dark/
Title: The Gardens Between 
Copyright: TheVoxelAgents
Link played: https://www.youtube.com/watch?v=OmBXEGmQ_og
More info: http://thegardensbetween.com/
Title: The Gardens Between ~ Slow Trailer TEASER
Copyright: TheVoxelAgents
Link played: https://www.youtube.com/watch?v=Z_AaniqoqfEMore info: http://thegardensbetween.com/
Title: Way From Home 
Copyright: Misha Myers
Link played: N/A
More info: http://profiles.arts.monash.edu.au/misha-myers/biography/
Title: Magic in Modern London: iPhone App Trailer
Copyright: Amblr
Link played: https://www.youtube.com/watch?v=7RJ77Q-uiKw
More info: https://itunes.apple.com/gb/app/magic-in-modern-london/id555328123
Title: The Turning Forest Making Of 
Copyright: Vrtov
Link played: https://www.youtube.com/watch?v=M6C3TBSqMTw
More info: http://vrtov.com/projects/turning-forest/
Title: IS JAPAN COOL? DOU - 道
Copyright: ANA
Link Played: https://www.youtube.com/watch?v=DLHukYrVi8M
More info: https://www.ana-cooljapan.com/contents/dou/
Reading List referenced / not played
Title: Our Friends Electric (excerpt)
Copyright: Superflux and Mozilla
Link: https://www.youtube.com/watch?v=PsjunTAH-2A
More info: http://superflux.in/index.php/work/friends-electric/#
Title: Her Story Trailer
Copyright: Sam Barlow
Link: https://www.youtube.com/watch?v=gaHw97l7-Lc
More info: http://www.herstorygame.com/
Title: The story of Replika, the AI app that becomes you
Copyright: Replika by Luka inc 
Link: https://www.youtube.com/watch?v=yQGqMVuAk04
More info: https://replika.ai/
Title: A message from Karen | Blast Theory
Copyright: Blast Theory
Link: https://www.youtube.com/watch?v=Aqa2gTj2uYI//
More info: https: www.blasttheory.co.uk/projects/karen/

ACMI Conversations: The Future of Storytelling

From the surface of the sun to the depths of the prehistoric seas and the earth's orbit, VR continues to open portals onto worlds we could never physically inhabit. What potential does this technology hold for expanding the realms of human experience?

Erth's Scott Wright (Prehistoric VR), artist Jessie Hughes (Soul Of Sol – La Palma) and astrophysicist Professor Alan Duffy (Swinburne Uni) discussed art, tech and science in their latest VR works.

Copyright acknowledgements: 

Clips Played

Title: Mars 2030 
Copyright: Mars 2030 was created by FUSION in collaboration with NASA and is powered by Nvidia GeForce
Link played: https://www.youtube.com/watch?v=prpQB0nlRV8
Purchase / Experience: http://store.steampowered.com/app/510850/Mars_2030/
Title: the Blu: Whale Encounter | 3D 360 VR
Copyright: Transport Wevr
Link played: https://www.youtube.com/watch?v=hUpkVa4UkMg
Purchase / Experience: https://www.transportvr.com/theblu-series
Title: Tree VR – Seedling
Copyright: Rainforest Alliance
Link played: https://www.youtube.com/watch?v=ERffRXjTAqM
Purchase / Experience: https://www.treeofficial.com/
Title: Soul of Sol | Inspiration | NASA | Thermonuclear Art – The Sun In Ultra-HD (4K)
Copyright: NASA's Goddard Space Flight Center 
Link played: https://vimeo.com/167370549
Title: Soul of Sol | La Palma
Copyright: Jessie Hughes
Link played: https://vimeo.com/167207800
Title: Soul of Sol | Artist Residency
Copyright: Jessie Hughes
Link played: https://vimeo.com/167368978
Images Shown
Prehistoric VR, Erth
http://erth.com.au/
Sci VR,http://www.scivr.com.au/

ACMI Conversations: Art, Science and Tech in VR

In this talk we explore the creative, technical, cultural and collaborative practice of creating VR from personal histories for this moving new work.

A Thin Black Line is an immersive VR experience that follows one family in the aftermath of the bombing of Darwin in 1942, when half the population fled believing a Japanese invasion was imminent. Among them was Indigenous filmmaker Douglas Watkin’s mother, just five-years old at the time.

Director Douglas Watkin, VRTOV's VR director Oscar Raby, artist Vernon Ah Kee and lead 3D artist Kalonica Quigley shared behind-the-scenes footage and early drawings from their unique journey bringing oral storytelling to digital life through graphic and game design.

See A Thin Black Line free from 3 March in the Untold Australia VR Showcase in our permanent exhibition Screen Worlds.

About The Speakers

Douglas Watkin
Brisbane-based Indigenous filmmaker Douglas Watkin was born in Cairns, Far North Queensland. His broadcasting and filmmaking career began in television doing small news reports and producing various corporate videos, and has progressed to feature films, broadcast series and multimedia works for a range of clients and audiences. Douglas has been actively working in the film and television industry for over twenty years, including producing and directing multiple series for ABC and NiTV.

Oscar Raby
Oscar Raby is an award-winning multimedia artist and Creative Director of independent digital production studio VRTOV. His Virtual Reality documentary Assent (2013), about the Chilean dictatorship, has been exhibited world-wide including screening at Sundance New Frontier, IDFA DocLab and Sheffield Doc/Fest where it received the Audience Choice Award for Cross-platform.

Kalonica Quigley
Kalonica is a 3D Artist and Game Developer who has developed award-winning games with small teams and independently. She currently works as Lead 3D Artist at VRTOV, an independent studio that crafts virtual reality experiences at the borderline of film and games.

Vernon Ah Kee
Born in Far North Queensland and currently living in Brisbane, Vernon is a member of the Kuku Yalandji, Waanji, Yidinji and Gugu Yimithirr peoples.

Vernon’s multi-faceted practice includes works that range from large-scale drawings of his ancestors to hard-hitting text-based works and installations. In his work Ah Kee fuses the history and language of colonisation with contemporary black/white political issues in an ongoing investigation of race, colour and politics. Through clever puns and plays on words and objects Ah Kee fuses the history and language of colonisation with contemporary black/white political issues to expose degrees of underlying racism in Australian society.

ACMI Conversations: A Thin Black Line

Robert Fernandez has been producing award-winning documentaries and commercials for over 25 years - yet he still loves getting his hands dirty on budget spreadsheets 'I love the numbers'. Working with Errol Morris since The Fog of War, Fernandez recently delivered their biggest project to-date: the Netflix series Wormwood. With no precedent for its hybrid format or production model, it took 1.5 years to develop and finance with Netflix, and 2.5 years to shoot. Fernandez is the master producer behind a master director, and the man that 'did the numbers' to produce the opus Wormwood, replete with a feature shoot's worth of drama and 10-camera interview setups.

AIDC 2018: Errol Morris' Wormwood ... like producing 3 films at once

How do we build stronger alliances and create impact campaigns that engage audiences on issues, to create lasting change?

The phenomenal rise of documentary impact campaigns in recent years, following the success of Good Pitch Australia and the growing field of expertise, means we now have a global community of impact producers and a rich library of case studies to learn from. There is also a plethora of online tools and organisations offering expertise in delivering impact campaigns. So what have we learned and where are we going? What is the best impact approach for your project and budget?

Through unpacking several environmental sustainability themed case studies, our panellists from very different corners of the industry demonstrate the wide variety of ways to achieve genuine social impact.

AIDC 2018: The Evolution of Impact

In an ever-changing media landscape, and with audiences savvy and cynical about advertising, brands are looking for more subtle ways to draw their customers in. Enter the documentary filmmaker. Does this offer an exciting new source of finance for documentary or is it a sell out? Is it still possible to make authentic stories within this form? Who has creative control in this environment? Why do brands give money to filmmakers and what do they want in return?

This session brings together a world-class panel of award-winning filmmakers, producers and broadcasters to share their first-hand experiences making documentary content for brands and the mechanics of building successful partnerships to do so. They will explore how brand funded content works, why they do it, how it is different to working within traditional funding pathways, and what the deals look like. Between them, our panel has made everything from online content to television to feature films, financed by brands. They will share the realities, the pitfalls and the opportunities of this new financial option in our documentary producing toolbox.

AIDC 2018: Brand + Filmmaker = Story

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Located at Fed Square. Open daily. #acmimelbourne www.acmi.net.au

AIDC 2016 Virtual Reality Podcast

ACMIOnline