this it the sound when you leave a room and all electromagnetic waves snap back to their original position where they would be unbent by your presence

React

This track by Peter Strickmann was submitted to 'Intermission an Audio Portrait of Place' for a live broadcast event in 2013.

The project was produced by the artist collective Echoes for the Lisbon Architecture Treinnale and curated by Jennie savage. This track was selected from an international call asking people to record their 'local', in response to the question 'What can a sound recording tell us about architecture?'

This archive brings all of the recordings together. A full list of contributors can be seen here:

jenniesavage.co.uk/index.php/project/intermission/

Peter Strickmann St - Johann

This track by Kevin Logan was submitted to 'Intermission an Audio Portrait of Place' for a live broadcast event in 2013.

The project was produced by the artist collective Echoes for the Lisbon Architecture Treinnale and curated by Jennie savage. This track was selected from an international call asking people to record their 'local', in response to the question 'What can a sound recording tell us about architecture?'

This archive brings all of these recordings together. A full list of contributors can be seen here:

jenniesavage.co.uk/index.php/project/intermission/

Kevin Logan  De Zwaan

This track by Damir Kustic was submitted to 'Intermission an Audio Portrait of Place' for a live broadcast event in 2013.

The project was produced by the artist collective Echoes for the Lisbon Architecture Treinnale and curated by Jennie savage. This track was selected from an international call asking people to record their 'local', in response to the question 'What can a sound recording tell us about architecture?'

This archive brings all of these recordings together. A full list of contributors can be seen here:

jenniesavage.co.uk/index.php/project/intermission/

Damir Kustic Unfinished Structure

This track by Christopher DeLaurenti was submitted to 'Intermission an Audio Portrait of Place' for a live broadcast event in 2013.

The project was produced by the artist collective Echoes for the Lisbon Architecture Treinnale and curated by Jennie savage. This track was selected from an international call asking people to record their 'local', in response to the question 'What can a sound recording tell us about architecture?'

This archive brings all of these recordings together. A full list of contributors can be seen here:

jenniesavage.co.uk/index.php/project/intermission/

Christopher DeLaurenti Away From WNP - 5

This track by Munan Overlid & Marcellvs was submitted to 'Intermission an Audio Portrait of Place' for a live broadcast event in 2013.

The project was produced by the artist collective Echoes for the Lisbon Architecture Treinnale and curated by Jennie savage. This track was selected from an international call asking people to record their 'local', in response to the question 'What can a sound recording tell us about architecture?'

This archive brings all of these recordings together. A full list of contributors can be seen here:

jenniesavage.co.uk/index.php/project/intermission/

Munan Overlid and Marcellvs  Birds, Father And Mathematics, Balbakken October 2012 - April 2013

This track by Acoustic Mirror was submitted to 'Intermission an Audio Portrait of Place' for a live broadcast event in 2013.

The project was produced by the artist collective Echoes for the Lisbon Architecture Treinnale and curated by Jennie savage. This track was selected from an international call asking people to record their 'local', in response to the question 'What can a sound recording tell us about architecture?'

This archive brings all of these recordings together. A full list of contributors can be seen here:

jenniesavage.co.uk/index.php/project/intermission/

------------------------------------------------------++
Acoustic Mirror
This is a brief stroll through Madrid's quarter of Lavapiés, one of
the noisiest, most-multicultural, and most heavily-gentrified areas of
the city. The soundwalk starts out at Plaza Lavapiés, and progresses
all the way to El Rastro, Madrid's traditional bustling flea
market. The soundwalk attempt to register the multiplicity of noises,
but mainly the voices, languages and manners of speech typical in this part of the city.

Osso Radio

Acoustic Mirror Soundwalk in Madrid, Spain: Lavapiés to El Rastro

This is a short piece for the disquiet 171 "Oblicardo" project, following the «Into the impossible» Oblique Strategy.

Most of the processing was done using a feedback delay network in Pure Data.

Into The Impossible (disquiet0171-oblicardo)

On May 27th and 28th, 1977, Maryanne Amacher presented "Listening at Boundary: Scenario for a Sound Saga" at The Kitchen. Though preceding the first formal iteration of Amacher's "Mini Sound Series" by 8 years, "Listening at Boundary: Scenario for a Sound Saga" marks a significant shift in Amacher's thinking toward the expanded notions of narrative that will accompany most of her later work. Amacher's 1977 introduction to the evenings is documented on a cassette tape made and signed by Rhys Chatham, then musical director of The Kitchen.

Thanks to Maryanne Amacher Archive and Robbie Lee.

Maryanne Amacher introduces "Listening at Boundary" at The Kitchen, 1977

Concert de l'Enric Casasses, en Pascal Comelade, en Gerard Meloux, en Pep Pascual, en Didier Banon, en Jean Paul Dayd i en Samy Surfer al Gamatzem per celebrar la Gran Festa de la Marededéu Fumadora per als Infants Entremaliats de l'any 2004. Gamatzem, Arenys de Mar, 11 de desembre de 2004 

Casasses, Comelade i la Bel Canto Orquestra directe al Gamatzem

41 6e 74 68 65 6d 20 66 6f 72 20 44 6f 6f 6d 65 64 20 59 6f 75 74 68

Into The Impossible (disquiet0171-oblicardo)

acoustic_mirror

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