Such a cool connection between the granular synthesis of the vocal samples and the concept of the voice.. this definitely made me more conscious of voids, and the differences between different kinds.

Disquiet Junto Project 0515: Talking Cure
The Assignment: Write music for a psychotherapist’s waiting room.

Step 1. Imagine that you are about to consult a therapist. You are sitting in the waiting room of his/her/their office.

Step 2. Picture some comfortable chairs, abstract artworks on the wall, and some large plants in the corners of the room. The perfect music for this moment is playing out of a high quality, vintage-looking speaker. You are ready for your appointment.

Step 3. Create a piece of music that you imagine hearing in this situation. The duration of the piece is up to you. If you are OK with your work potentially being excerpted, please license it with a CC license that permits derivative works (i.e., any CC license that does not include ND, “no derivative works”).

Background: Selected results from this assignment will be included in the soundtrack of an experimental video series The Talking Cure, currently being produced by visual artists The Big Conversation Space. The Talking Cure will be projected in the group exhibition The Real Show at the contemporary art museum CAC Brétigny, France from January through April 2022 and broadcast on YouTube. The video series will also feature the Disquiet Junto through interviews with Marc Weidenbaum and other Disquiet Junto participants and supporters. The Junto participants whose work is included will be credited by name in the videos.

Disquiet Junto Project 0515: Talking Cure

Dense noise and or moody ambience, Summer ends Autumn begins.

Summer Meets Autumn(NaviarHaiku405)

Studio Noah creation on JUNO-Di Mobile Synthesizer

You Lied [disquiet0515]

For "Bardominium", I wanted a sound reminiscent of a Marpac Dohm noise machine, but with vague extras.  

This is the 40 second version.

To achieve this, I combined sections of tracks by my side group Aleodeology.  These tracks are titled "Aleodeological Travel", "Industrial Terminal", and "Significant Mallets".  I also mixed in a bunch of homemade loops created from the Korg IMS-20 iPad app .

More on this 515th weekly Disquiet Junto project — Talking Cure (The Assignment: Write music for a psychotherapist’s waiting room) — at: https://disquiet.com/0515/

Bardominium (disquiet0515)

For this challenge:
Disquiet Junto Project 0515: Talking Cure
Imagine that you are about to consult a therapist. You are sitting in the waiting room of his/her/their office.
Create a piece of music that you imagine hearing in this situation. 

I was recording ebow guitar today so did this jam, guitar, upright bass, ebow guitar, synths.
it was pure "free association", just played whatever came to my mind on top of the previous tracks.
Friday November 12th 2021

----

little home video recording this:
https://www.instagram.com/tv/CWOQ47JqJfc/?utm_source=ig_web_copy_link

Let's Bring It Back To The Waiting Room (disquiet0515)

Sittin in the waiting room  listening to the radio. What i hear inside is not what comes from outside My schizo mind cooks another brew. Rehearses its own music.  Thank you, my brain. 

All sounds EMU Morpheus. Sequenced by Flame Six in a Row

More on this 515th weekly Disquiet Junto project — Talking Cure (The Assignment: Write music for a psychotherapist’s waiting room) — at: https://disquiet.com/0515/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0515-talking-cure/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Image credit: Lamont Hall, Smith College, Northampton, Massachusetts. Waiting room, 1956. Public domain.

Image by The waiting room rehearsals

Waiting room rehearsals

waiting room rehearsals  disquiet 0515

"The voice may well be the key to the presence of the present and to an unalloyed interiority, but it conceals in its bosom that inaudible object voice which disrupts both. (...) This object embodies the very impossibility of attaining auto-affection; it introduces a scission, a rupture in the middle of the full presence, and refers it to a void—but a void which is not simply a lack, an empty space; it is a void in which the voice comes to resonate."

(Mladen Dolar, The Voice and Nothing More, MIT Press, 2006)


This is my contribution to Disquiet Junto project #0515: Talking Cure. This week, the prompt consisted in creating a piece of music that you imagine hearing in a therapist's waiting room.

More on this 515th weekly Disquiet Junto project — Talking Cure (The Assignment: Write music for a psychotherapist’s waiting room) — at: https://disquiet.com/0515/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0515-talking-cure/

Disquiet Junto #0515 - Talking Care

Le sujet-supposé-savoir (disquiet0515)

Corrupt Priest (Instrumental)

SIXTYNXXXNE [LoopDiggers Sunday Roulette N° 69]

a rework by Mean Flow of a track by Marco Lucchi featuring Henrik Meierkord 

dicembre 2021

Mean Flow, Marco Lucchi & Henrik Meierkord - Morning Star

#dibiflipsessionsSAC3 
https://twitter.com/darealdibiase/status/1473386436699168768
https://soundcloud.com/mr-dibiase
https://twitter.com/darealdibiase
Original Track - https://youtu.be/_WpfkvQc9mU

Dibi Flip Challenge #dibiflipsessionsSAC3  Lullaby (twitter)

A song for piano composed by Suzuki for my little granddaughter, to which I afterwards added the lyrics. The resulting song seems to reach us from out of the past. Recorded in April, 2022.

Lyrics for Hand in Hand (My Sweetest)

Strolling along on the promenade in spring,
Lazily, wandering in my mind, my dear;
Thinking how happy I might be
If you my darling, we’re here with me
Walking hand in hand.

Yes, I would give you anything, dear,
Just to be with you
Walking hand in hand.

Hand In Hand (My Sweetest)

This the second part to Yet we are lost, personally I like this track more compared to the first one! I might make a part 3 sometime in the future but I'm not to sure about it. I hope you enjoy the track! :)

Yet we are lost 2

Devil Music

Flying Motionless Heron

#3: No Hope.

City Diaries
Bruno Bernard 2024
(english)
"City Diaries" is a refection on our city lives, a daily imaginary journey that invites us to
introspection. Te world of sound that surrounds us is experienced in a unique way by
each and every one of us, yet we all share it.
Each stroll is unique, each moment unique.
It's up to us to make these situations our own, to build our own dream cosmology.
Considering the creative power of what surrounds us as a tool for inner construction, as
poetry, is a response to our materialistic lives and can help us better apprehend the
modern world.
True to Gaston Bachelard, the aim here is to give free rein to daydreaming, while at the
same time giving full artistic expression to the noise of our times, an essential concept
developed by Luigi Russolo.
City Diaries was composed from sounds collected at night in my city (Chalon sur
Saône), which gave rise to an imaginary vocabulary for this acousmatic piece.
Our sound context is a refection of our times, and it's up to us to seize it and, like
modern alchemists, appropriate one of the last things that is free - noise - and transform
it into a work of art. Fortunately, it's one of the last things we have free access to.
Binaural format 24B/48Khz
(français)
« City Diaries » est une réfexion autour de nos vies citadines, un parcours imaginaire
quotidien qui nous invite à l'introspection. L'univers sonore qui nous entoure, à la fois
ressenti de manière unique par chacun d'entre nous, nous est pourtant commun, nous
l'avons en partage.
Chaque déambulation est singulière, chaque moment est unique.
C'est à nous de nous approprier ces situations afn de construire une cosmologie onirique
qui nous soit propre.
Envisager la puissance créative de ce qui nous entoure comme un outil de construction
intérieure, une poésie, est une réponse à nos vies matérialistes et peut nous aider à mieux
appréhender le monde moderne.
Fidèle à Gaston Bachelard, il s'agit ici de laisser libre cours à la rêverie et en même temps
donner toute son importance artistique au bruit de notre époque, concept essentiel
développé par Luigi Russolo.
City Diaries a été composé à partir de sons collectés de nuit dans ma ville (Chalon sur
Saône) qui ont donné naissance à un vocabulaire imaginaire permettant de construire
cette pièce acousmatique.
Notre contexte sonore est le refet de notre époque, à nous de nous en emparer pour, tels
des alchimistes modernes, s'approprier une des dernières choses qui soit gratuite -le
bruit- et le transformer en oeuvre artistique. C'est heureusement une des dernière chose
qui soit nous accessible librement.
Format binaural 24B/48Khz

8.Shadow's Game

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Le sujet-supposé-savoir (disquiet0515)

acoustic_mirror

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