🛫🛫

mid nait krak party

@tsunamibitchclub @tsunamibitchclub @tsunamibitchclub

idk what genre this is anymore lmao

burbankhouse rmx

Technicolor

I'm actually so glad to finally release this,
I started this song even before "callmedumb" and it has an important meaning to my career as the start of myself being a singer-songwriter

So much love for my friends fearozzles, embr for joining as well, genuinely enjoyed working with you all!
PLUS- EXTRA THANKS TO TIKO(twitter @/tikodoodles) for the artwork used for the song!!!
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@fearozzles
@embritis
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MV
https://youtu.be/tu0PIt7eREM
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idgaf

idgaf (w/ fearozzles + it's embr)

HYACINTHĦ

wastingwater

@comastasis - Ross 308 EP
[PAYNOMINDTOUS, PNMTU005, out Apr. 29th, 2022]
* featuring remixes by @exmantera and @yikii *

Comastasis (he/him) is a producer and DJ based in Helsinki, Finland who manipulates an incessant flow of sound stimuli and sonic violence bursts in the shape of abstract post-club outings, influenced by grime and industrial music. After hosting “Stagnant” paynomindtous.bandcamp.com/track/comastasis-stagnant, one of his many remarkable tracks, inside our 2020 mammoth v/a compilation “WE NEVER WILL”, we are so glad to present you his latest work which furthers the producer’s investigations into heavily rhythmic, unsettling experimental music: Ross 308 EP.

Named after the proprietary commercial name of a particular breed of chicken, bred for life in atrociously overcrowded warehouses to grow as fast as possible (thereby often incurring dramatic health conditions leading to organ and bone failure) so to maximize profits of the corporate machine, the release revolves around the feeling of melancholy and world-weariness which, in the case of factory farming, has been condensed into a single physical representation in a time and space. The sound palette used by Comastasis captures the anguish and the stench exhaling from the slaughterhouses and constricts it into music. A perpetual swarm of stress-drenched flesh turned inside-out washing over you; a passing swirl of tendons snapping at the root of your ear with ASMR-like quality and putting you in intimate contact with agony and embedding you in their misery.

Ross 308 EP is composed of three original tracks and features remixes by the Finnish multidisciplinary artist @exmantera, and by the singer, poet, artist, and music producer @yikii, based in China. While the former provides a both rusty and sharp, clangy re-interpretation of the eponymous opening track which manages to even turn the knife in the wound, the latter offers an eerie re-interpretation of the Fermented Biomass composition in the form of an eerie industrial ballad, a dark, sneering lullaby for dismembered and mangled limbs.

Ross 308

Name-your-price DL

Comastasis - Ross 308

Taken from SBKT049: Osheyack - Intimate Publics
Release date: 8th June 2022

Intimate Publics, Osheyack’s second album, is an homage to Shanghai, the city he has called home since 2012. Over the past ten years the producer has evolved from an avid club-goer to a key member of the vital soundscape that emerged from ALL Club and its predecessor, the now defunct club The Shelter. As hinted by the title, which draws on American social theorist Michael Warner’s work on publics and counterpublics, the album expresses a commitment to mining the utopian potential of club music, forging new worlds and generating future social relations, just as the artist bids farewell to the city at a moment of uncertain transition. While tracks like 'Edging' and 'Thrall' continue to present his signature collage of harder club music, the rest of the record reveals a shift to synthetic approximations of acoustic instruments. 'Still', the central track of the album, is a piece composed almost entirely of samples found on Vocaloid (a vocal synthesizer developed by Yamaha, commonly used to give voice to Japanese virtual idols). While echoing themes explored in previous projects, like the nature of realism and authenticity in a techno-mediated landscape, Intimate Publics is charged with an unexpected emotional candor and vulnerability, unveiling a personal side Osheyack is only beginning to explore.

Words by Alvin Li
Artwork by Xiaofei Qiu
Design by Luke Griffiths
Mastered by Raphael Valensi

Intimate Publics

Osheyack - Thrall

all tracks produced, mixed & mastered by @maxdahlhaus
remixes by @lilianechlela @najibmusic @TSUMUTSUMU @xliks
artwork by Luna Woelle

The core of 'A Cracked System' resonates from the urgent need of change and immediate self-care. “It's an EP with ups and downs, surprises and different states of feelings, all wrapped into soundscapes,” says Berlin producer and audio-visual artist Max Dahlhaus about his new EP, which takes a different sonic paths than previous releases 'Short Morrow' (Infinite Machine, 2021) 'Be A Glitch' (Hyperboloid Records, 2021) or 'Glacier' (self-released, 2022) and which was also heavily influenced by the series of lockdowns.

MAX DAHLHAUS - STYMIED CYCLE (T5UMUT5UMU REMIX)

Between UK bass continuum, percussive experimentations and other sharpened rhythms, B E N N signs a solid track on the first compilation of the label POSTWORLD.

Read more on CxC 🔗 couvrexchefs.com/en/b-e-n-n-postworld-photon

Article

PREMIERE: B E N N - Photon (POSTWORLD)

“Which sounds lie within the quietness that precedes the rise of new species?”

Calmaria is the first act of Acta Recordings, previously named AVNT Recordings. The label went through a rebranding and reconfiguration to better represent a new generation of emerging artists, specially from Brazil and Latin America.

Acta Recordings aims to be a sheltering space for divergent and limitless creative artists, gender-bending through Pop and Obscure music. We're designing a new and exciting home, from scratch and within the possibilities of our resource availability in a socio-political complicated country - collectively world-building and terraforming in inhospitable places.

Digital Exhibition & Online Zine:

calmaria.xyz

Artwork: Yan Higa

Iguana - Introspecção

terra-reforming music
actarecordings@gmail.com