Sampled 
Rabit - Straps
Madonna - Justify My Love

Justify My Love

beat

“Jakuzure Butoh" is Japanese producer KΣITO's striking take on gqom. KΣITO combines the thundering intensity of gorge and the pulsating rhythms of gqom into rugged, brooding beats. These are seven club churners, set to entrance listeners in their layers of heavy bass and percussion.

Mastering: Enyang Urbiks 
Cover: Wenzogg 
Simo Uma mixed by jondu

KΣITO - Butoh

33 - 33-69

Format: Digital/Vinyl
Cat.No: CANVAS012
Release Date: 21st October 2022

Pre-order available at https://canvas-index.bandcamp.com/album/33-69

C.A.N.V.A.S. is proud to announce the release of 33-69, the debut album of 33. 33-69 laments and commemorates the interruption of the simplicities, beauties and charm of mortal life in full Baroque splendour, whilst also partaking in the final opportunities for carnal pleasure and orgiastic excesses in the earthly realm.

Through their collaborative project 33, Billy Bultheel and Alexander Iezzi further consolidate a partnership which has taken many forms within a visual, artistic spectrum. Their practice envelops performance art, music and installation, whilst pinpointing, developing and elaborating the most meaningful and poignant marriages of the disciplines. Their differing backgrounds have informed the way that their long collaboration works – Bultheel with his conservatory training, and Iezzi coming from DIY punk and experimental music scenes.

Their debut album 33-69 paints a tumultuous world within which the 33 collaboration is extended to a number of other presences that pierce the stormy skies to torment, delight and enchant. Amongst them are Ivan Cheng, Steve Katona and Dylan Kerr who appear in grace as the broody clouds part to let in some light. As the light recedes, NAKED haunts amongst the shadows on 'The Knife', with an avalanche of metallic noise.

'Thomas The Obscure', with Patrick Belaga's Cello performance, introduces an element of serene, meditative calm before 'Heaven's Blade' cuts through with the ultimate rapturous frenzy. The album ends with 'Speed and Beer’, a dizzying brass-led anthem which conveys a sense of nausea and confusion, surfacing from the shadows.

Bultheel and Iezzi carry with them a wealth of composition and performance experience and skill, boasting impressive trajectories which cross each other frequently. Now based in Berlin but hailing from Belgium and Arizona respectively, have worked together for the past three years, producing musical performances that explore relationships between movement, sculpture and electronic and classical music. This complex and intricate working relationship culminates in the creation of 33-69 as a defiant debut — a dense and finely crafted work which finds unlikely pathways through which to navigate Baroque, Lieder and exuberant club through humour, dread and exaltation.

33-69 was conceived during the first Covid-19 lockdowns and documents the duo’s experiences of pandemic life in Berlin. Recreating that dopamine shot and collaborating towards a sense of community that the pandemic had suddenly folded away. The record is a short but powerful rush of emotional states and bodily desires, translated into cerebral and carnal electronic compositions of EDM, noise and techno. 


Written, produced, recorded and mixed by 33 (Alexander Iezzi & Billy Bultheel)

Additional vocals on sirens by Dylan Kerr

Mastered by Ali Najafi

Design by Leïth Benkhedda & Stelios Ilchuk

www.c-a-n-v-a-s.com

33 - Fireworks

Next November 16 we release the ep New Existence
by PERSONALBRAND.
The ep includes three original tracks and three remixes by B E N N,
AFGA06L and rEmPiT g0dDe$$.

We share with you the Disurbanism tracks as a preview.
Enjoy!!

Ả̬̽͜LL̛͟ IDENTITIEŚ̳ A̦͛RE ̣͎̉̐FIC̻̯̅̀T̮̍IOŃ͚̰͂
Producer, curator, and founder of experimental label POSTWORLD, the current iteration of personalbrand is exploring how visions of hope might be reflected in the shards of our contemporary failures. Despite his moniker, he is presently focused on illuminating the music and art of others that share this anticipative outlook.

personalbrand has released music on TAR and Over My Body, and is a former resident DJ at Taipei's FINAL.

©+℗ Infinito Audio Network
IAN111/ 2022

New Existence

Disurbanism

𝗽𝗲𝗿𝘀𝗼𝗻𝗮𝗹𝗯𝗿𝗮𝗻𝗱 - 𝗗𝗶𝘀𝘂𝗿𝗯𝗮𝗻𝗶𝘀𝗺

Sitting Dancer

Tzusing - 偶像包袱 (Idol Baggage)
Label: PAN
Cat.No.: PAN 123S2
Release Date: 13 March 2023
Purchase: https://pan.lnk.to/IdolBaggage

Tzusing shares '偶像包袱 (Idol Baggage)', the second single from the upcoming full-length album '绿帽 Green Hat' out via PAN on March 31st.

Mastered by Enyang Urbiks
Cover photography by Xiaopeng
Artwork by Virgile Flores

Tzusing - 偶像包袱 (Idol Baggage) (PAN 123S2)

STROBE (Official Video)
 www.youtube.com/watch?v=vaOGDMIUtkM

@mhysa301 
@Halcyon-Veil

www.mhysa301.bandcamp.com

INTERVIEW:
http://www.artinamericamagazine.com/news-features/interviews/wayward-potential-in-conversation-with-e-jane-/

Download

MHYSA-STROBE (N1L REMIX)

Available for download at open.currents.fm/c/osheyack

A White Rabid Dog

https://soundcloud.com/chromosav
https://soundcloud.com/tau96mx

DOLO REMIXES

DOLO / CHROMOSAV 3DIT (FULL EP @ T.A.U.)

Hey everybody, we just met @jclxm a few days ago, because they made this great clubby remix of Ari's and Luke Fierce track Expensive Kunt. And we are very happy to share it with you. Thank you LUNÁTICA for reaching out to us. 

REMIX FOR 
@arimerten
https://www.instagram.com/a_r__i___/
ft. Luke Fierce 
www.instagram.com/lukefierce/

"Let me tell u every motherfucking time I step into the gig, I see all u bitches staring, I’m out here serving fierce body, expensive kunt. You girls can’t take me, because you girls can’t take shit, Best believe I’m sitting real tight with my kunty clan miss thing, showing u the devils werk bitch." - Luke Fierce

Fierce Doll (Ari Ft. Luke Fierce) Lunática Remix

Since 2017 acting in concert has built a context for queer and anti-racist projects, that experiments with how people gather through sound. acting in concert is mostly based in a very small city called Witten in the Ruhr area in Germany where we organize festivals or concert evenings, if we can muster the courage and endurance to go through with it. Since 2020 acting in concert has also been working as an online label. In all these works we would like to try to focus on ways of relating, such as solidarity, responsibility and care. Together we want to practice how we can create spaces in music that are as free of hierarchies as possible and hopefully are places of retreat for many people – against a violent normative, racist, patriarchal and capitalist world.

Seit 2017 arbeitet acting in concert an einem Kontext für queere und antirassistische Projekte, die damit experimentieren, wie Menschen durch Sound zusammenkommen. acting in concert findet meist in der kleinen Stadt Witten im Ruhrgebiet statt, wo wir Festivals oder Konzertabende organisieren, wenn wir den Mut und die Ausdauer haben. Seit 2020 arbeitet acting in concert außerdem als online Label. Dabei möchten wir versuchen Beziehungsweisen wie Solidarität, Verantwortung und Fürsorge in den Fokus unserer Arbeiten zu rücken. Und gemeinsam erproben, wie wir möglichst enthierarchisierte Räume in der Musik schaffen können, die hoffentlich für viele Menschen Rückzugsorte - entgegen einer gewaltvollen normativen, rassistischen, patriarchalen und kapitalistischen Welt - sein können.

Fierce Doll (Ari Ft. Luke Fierce) Lunática Remix

acting in concert

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Otto Wotroba

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