DarkAmbient

www.instagram.com/trentemoeller/
www.facebook.com/inmyroom.page
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www.twitter.com/inmyroom_label
www.youtube.com/InMyRoomRecordings
www.trentemoller.com/index.php/in-my-room

Over his career, multi-instrumentalist Anders Trentemøller has crafted songs steeped in adumbral elements , evoking images of gorgeous, balmy, Scandinavian summers and bleak Nordic winters, sometimes within the same song.
His new song "No One Quite Like You” features Tricky reciting a six word mantra over a five note passage. The entire song is bathed in intimacy, from studio vérité elements like the mechanical noise and hammer clacks of the piano, to Tricky’s weary delivery, which falls somewhere between a lullaby and a warning. Add to this Byzantine string arrangements by fellow Danish violinist Maria Jagd arrive, and you have yet another mesmerising release from Trentemøller.
The reflective piano figures of ‘Vesper- tine’ manifests this subtle yet powerful prologue to the A side of the second and last stand alone single release of 2021 by Trentemøller.

Trentemøller
No One Quite Like You
02.07.2021 on In My Room

01. No One Quite Like You (feat. Tricky) 
02. Vespertine

No one quite like you (feat. Tricky)

Trentemøller - Vespertine [CLIP]

Stupid Dream

Tinto Brass

Morning Tsunami

Two-Faced Angel

This is my second favourite track from my first album 
produced by Cdogg420 / DR B.R.E (E)

Ice Reign (Reprise)

Written/Produced/Mixed by Jason Corbett
Northern Light Records


Flesh And Bone

And here is the second version. It´s up to you, which version will be finished. Share, Like, Spread the link. The Version with the most likes will be finished and released with a Video etc...

Architect - Neon (unreleased Second Demo)

Control

Inner Metallic Echo 417 Hz. [Dark Nature Concept]

Anderson .Paak x Blxst Type Beat – “Velvet Breaks”  
Style: West Coast Soul • BPM: 136  

🎧 Free for non-profit use. Credit: “Prod. by Unknown Architect”.

🌐 Follow & connect:
YouTube: @unknownarchitect101
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💬 Leave a comment, drop a like, and let me know what you think. 
Thank you for listening!


Anderson .Paak x Blxst Type Beat – Velvet Breaks  West Coast Soul  2025 (Prod. Unknown Architect)

In the Lens, Solo Andata’s fourth full-length album, was born from recordings found in the interstices of decades-old hard drives, lost email threads from disused accounts, and forgotten samples recorded on cassette dictaphones. These fragments were combined and re-worked with newer elements to create an album very much in the spirit of the band’s debut Fyris Swan (Hefty Records, 2006), an album touched by both folk and jazz and swathed in a dusty, narcotic haze.
Solo Andata’s Kane Ikin and Paul Fiocco have always pushed aside the digital studio in favor of a more haphazard and hands-on workshop vibe to their productions. They prefer near-broken acoustic instruments, cheap microphones and, as can be witnessed by their live performances, tend to turn anything they can get their hands on into a beautiful sound-making object.

While there is a raw and guileless nature to the duo’s sound it is precisely this that makes their music so powerful amidst the over-produced cliches of much modern music. The beauty of their work is how simple instruments and objects can be physically manipulated into creating such rich, layered sound. Dark, swaying, almost-looped melodies from piano, woodwinds and horns wrap themselves in smoky obscurity around remnants of percussion and warm beds of noise and the world around us.

In The Lens is very much a late-night record, reflected in the rain-soaked cover imagery, dripping with half-forgotten memories. Jittery yet calming, rhythmic, yet unhurried, it leads you down its dark corridors to a soft resting space. Ikin and Fiocco have created a new story around the chemistry of their creations that were taking place during the early days of their musical explorations.

In The Lens

Separate Lovers

Ending music from Animatrix

Original song

Animatrix Song OST

Free track from the upcoming album "No Land Called Home" to be released late October/early November on Ad Noiseam (DE).

Teaser trailer: http://www.youtube.com/watch?v=0EDK7nr-BHk
More info: www.adnoiseam.net

Streets

Alternate download link: http://bit.ly/Goto10

Goto 10

The first public performance of music intended for Robert Wilson and Philip Glass's 1976 opera 'Einstein on the Beach' took place on March 19th 1976 at a concert given at The Kitchen in New York City. It was recorded live and the Train/Spaceship section was broadcast on WNYC on November 12th 1976 shortly before the American premiere of the opera at the Met.

The Philip Glass Ensemble at the time consisted of:
Jon Gibson - soprano saxophone
Philip Glass - electric organ and ensemble direction
Joan La Barbara - voice
Dickie Landry - flute
Kurt Munkasci - live sound production
Richard Peck - alto saxophone
Michael Riesman - electric organ

The 'Einstein chorus' consisted of:
Scott Ainslee, George Andomiadis, Connie Beckley, Ritty Ann Burchfield, Frank Conversano, Grethe Holby, Jeanie Hutchins, Richard Morrison, Dana Reitz, Ronald Roxbury, Marie Rice, Alexandra Stavrou, Sheryl Sutton, and David Woodberry

Philip Glass - Train/Spaceship from Einstein on the Beach (Live NYC 1976)

Produced by Black City Lights 
Mixed by Black City Lights & Charlie Bronson
Engineered by Adam Ladley 
Mastered by Mike Gibson 
Art Work by Timothy Marsh 

→ http://www.blackcitylights.bandcamp.com
→ http://www.facebook.com/blackcitylights
→ http://www.starsandletters.com

© 2013 Stars & Letters
℗ 2013 Black City Lights

Released on Stars & Letters Records

Black City Lights - Give It Up

ACTORS artist/producer from Vancouver
www.facebook.com/actors1984
www.actors.bandcamp.com
www.twitter.com/ACTORStheband
www.youtube.com/ACTORStheband
www.northernlightrecords.com

No compromise. That's what Jason Corbett, musician, producer, artist decided. He'd had enough of trying to create music to please everyone else and knew he needed to craft the songs he himself ached to hear. The songs he conjured formed ACTORS. The band of five with Corbett at the helm emanates the New Wave wet dreams of his subconscious. Every song a blend of hopes and fears, memories, pain/pleasure/release. From the first lyric to the final mix he has thrown his soul into each ACTORS song. The music is uniquely his yet resonates with all those who hear the imagery he has spun. A perspective that the world can be aggressive and dreamy, coldly mechanical yet beautifully human at the same time. The hymns that score your once-in-lifetime dreams. ACTORS is uncompromising. 

Flesh And Bone

ACTORS

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