I’ve worked on this mix a while back and kept it private!
With house and disco being the soundtrack of summer I’ve decided to make this mix public!!
Let me know what you think ;)

Guy Scheiman - Disco

Signal is a song about learning how to have a dialog withyoursef; to be able to look at your own self objectively and call out the things in your life that you truly know are wrong. How do you get through to yourself?

Signal



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© 2025 Glitchicon

Electric Guitar: Clay Willis
Electric Rhythm Guitar: Spencer Brochard
Cello & Acoustic Guitar: Milo Deering
Drums: Josh Rodgers
Bass: Pete Miller
Keyboards: Bob Patin
Vocal: Will Montgomery
Backup Vocals: Julie Laverty, Spencer Brochard
Engineering: Paul Osborn @ Audio Dallas
Written, Mixed & Produced by Will Montgomery

LYRICS:

[Verse 1]
Same bed, same room,
But I don’t feel you move.
Eyes wide, your back turned,
Love fades, we don’t learn.

[Chorus]
Half a heart away,
But miles in between.
Too quiet to fight,
Too loud to dream.
You stay,
But you’re half a heart away.

[Verse 2]
Hands close, no touch,
We don’t talk that much.
Used to burn so bright,
Now we hide from the light.

[Chorus]
Half a heart away,
But I still pretend.
Too tired to leave,
Too far to mend.
You stay,
But you’re half a heart away.

[Bridge]
Don’t know who gave in first,
But we made it worse.
Don’t know what it means to be
all alone without you and me.

[Final Chorus]
Half a heart away,
Still lying side by side.
No fire, no flame,
Just the slow goodbye.
You stay,
But you’re half a heart away.

[Guitar Solo]

[Outro]
Guess we’re close enough to stay...
But still half a heart away.

Half A Heart Away

Lyrics:

Heart full of scars,
but the Xans make it numb.
Pretty bitch, dick down,
straight face when I cum.
Then I’m done,
grab the guns,
let it bang
like a drum.
Gold on my neck,
looking like colostrum.
And I’m deadly,
.45 Glock in the Chevy.
Say you rep squad,
but yo crew fruit medley.
Say you want smoke,
boy yo lungs ain’t ready.
I lay you fuckin’ out,
swear to God—
don’t test me,
bitch don’t test me.
‘For it get Messi,
not talkin’ FC
or Miami—
damn, he kill it,
like a mothafuckin’ jammy.
Fuckin’ on yo bitch,
break her hip like a granny.
Aye—bitch, you get bodied.
I bomb you fuckin’ faggots,
call that nigga Nagasaki. (x2)

Apocalypse,
we all gotta die—
so pop a brick, yeah.
Apocalypse,
we all gotta die—
so blaze a spliff, yeah.
Apocalypse,
we all gotta die—
cocaine I’ll sniff, yeah.
Apocalypse,
Apocalypse,
Apocalypse.

Bitch,
my wordplay’s immaculate,
like the shaved pussy
of a bitch that’s not average.
Masochist, bitch,
I’m an act of sacrilege.
Homicidal,
ceasing opposition—bio catalyst.
I mastered this,
rappers fatuous and passionless.
I’ll smoke ’em like they cannabis,
my Swisher sweet like Cavendish.
Antagonist,
I’m the rap game antagonist.
I’ll pussy-fuck yo bitch
till her body is exanimate,
Inanimate—an analyst,
it’s gonna take an analyst
to figure out my mind
and how the fuck I even manage it.
No management,
I’m the realest and it’s evident.
Underground prophet from the depths,
I’m not heaven sent.
A pestilence—
what you are, a pestilence.
My AK-47
causing mass soul exodus.
My excellence—
and it’s not just pride.
It’s a fact that a nigga
murda beats till he die.
Yeah.

Apocalypse,
we all gotta die—
so pop a brick, yeah.
Apocalypse,
we all gotta die—
so blaze a spliff, yeah.
Apocalypse,
we all gotta die—
cocaine I’ll sniff, yeah.
Apocalypse,
Apocalypse,
Apocalypse.

APOCALYPSE (Prod. Akkari // Ayumi)

the "triple AAA" EP is a triple threat of new zorenLo tracks - a return to reggaeton after 2023's PERREO inTECHNO.

Spotify: open.spotify.com/album/3RjgwmLnWQRQfeANUBzZ0M?si=ZqJ8IueiRTCiEWyTQ1xjAA
Apple Music: music.apple.com/us/album/triple-aaa-single/1834419606
Bandcamp: zorenlo.bandcamp.com/album/triple-aaa

Produced, written & performed by zorenLo
Mixed and mastered by zorenLo
Guest vocals and co-production by @Notagami on AAAmanecer

2025 Rollup Vibe Conglomerate

triple AAA

corazón AAArdiente

An intimate radio show by Sunday Café Records. Hosted by @kebivibes✌️
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Crossing the boundaries of culture, generation, and genre, Sunday Café is a community that highlights love and connection through an ever-expanding range of timeless music and healthy vibrations .

We see you, we love you, and we appreciate you. Join us on Sunday Café Radio and be a part of our community of positive change. For more information, please email us at sundaycaferecords@gmail.com.

Rooted in Nature 🌱 Curated with Love ❤️

Sophisticated & Sexy Afro-Latin House (4 Hour Mix)

I decided to use instruments from diffrent genres for this track. A lot of drums and percussion are useful to make the night right for dancing

You&The Night

Holly Roadfeldt - Piano

Hommage a Gary Gygax (1938-2008) - Given all of the artistic and scientific people I've covered so far, why write an Hommage to Gary Gygax, the creator of the role-playing game Dungeons & Dragons? When I set out to write this series, I wanted to pay respects to people who inspired me to create. Gary was the first. I was introduced to D&D in the 3rd grade, and I became fascinated with it immediately. I used to sit in class drawing dungeon maps on graph paper instead of listening to my lessons. This was my first real creative outlet, and where I first encountered the mechanics of telling a story. For instance, if I drew a long hallway on the graph paper, and then drew in a secret door halfway down on the left wall, this in itself posed many questions - questions that I had to answer. Why is there a secret door here? What is it hiding? Is it an object of significance relating to the rest of the story? Is it a dangerous monster, sealed away forever? How does that relate to what the adventurers are going through? My 3rd-grade mind was sent wandering with almost endless possibilities. Through Gary's creation, I learned to craft a narrative - a skill that became invaluable in writing music. How could I not write an Hommage to Gary?

Hommage A Gary Gygax (Official Album Version)

Holly Roadfeldt - Piano

Hommage a Eddie Van Halen (1955-2020) – Eddie Van Halen, guitarist of the band Van Halen, was, simply put, the person that inspired me to become a musician.  I remember the moment vividly.  It was 1984—I was 11 years old—sitting in my dad’s recliner, listening to Van Halen’s album 1984 on his Walkman.  The beginning of side B (of the cassette) starts with the song Hot for Teacher, and features this blazing explosion of finger tapping from Eddie.  I heard that, and right then and there, I decided I was going to learn to play the guitar.  Much of the piece uses the tapping pattern that Eddie used in Hot for Teacher, as well as nods to moments from Jump and Eruption.

Hommage A Eddie Van Halen (Official Album Version)

Me vocalizing my upper head voice register, demonstrating the difficulties that I am experiencing.

Head voice difficulties......

Adam Lehman 1