Hailing from the Canary Islands and fast becoming one of house music’s most revered up and coming producers, Pablo Fierro has seen a lot of success since inaugurating his music career at the ripe age of 16. When he is not releasing on his own label Vida Records the young Spaniard can be found on some of the industry’s most commendable imprints, including both Noir Music and Defected Records, and his latest release is dropping on one of electronic music’s most recognised soulful brands; Soul Heaven Records. ‘How Could I’ maintains the calibre consistent within the imprints string of releases to date by staying true to the soul agenda conceived over a decade ago between the collaborative minds of ‘Little’ Louie Vega and original label owner Oli White. The Spaniard’s production is overflowing with praise house vocals, touches of electric guitar and upbeat sunshine vibes that signifies Tenerife’s jovial take on the deep house paradigm. The result is a glowing and charismatic number suitable for beach bars and superclubs alike.

Pablo Fierro 'How Could I' (include Dj Spen Remixes) Soul Heaven

Knock Knock Remixes

Drone Me Up, Flashy (&Me Remix) [feat. Sophia Kennedy]

Extended Mix https://www.beatport.com/track/taa-ya-kesho/16755761

BAQABO - TAA YA KESHO (Enzo Siffredi's Disco Edit)

KM027
Adam Port "I Never Wear Black" Ep
A1 - I Never Wear Black
B1 - E Sound Edit


Adam Port - E Sound Edit (KM027)

Buy on Bandcamp

Godheals The House - Fourth Healing (Long play)

 Its been just a few months ago, Rampa carved his last EP-notch into the Keinemusik-release-tally. But here he goes again, delivering his second KM-offering this year, an almost prophetically headlining track called "Newborn Soul".

This tune is virtually the score to the current situation of its creator. A lurking, tension building piece thats coping without a kickdrum for more than 50 %% of its running time, just to place it in floor-shaking boost in the exact perfect moment. A percussion and synth-flavoured build-up somewhere between tool-characteristics and stylish peaktime-emphasis, thats rising like phoenix from the ashes.

"Mascha" on the flip can be appreciated as a classical Rampa. Analogue sounding, washed out intro, irresistible tribal-grooves including analogue filter and delay-rides, percussive cushioning and folkloristic chants that will invoke nothing else but rowdy floor-ecstasy in this context.

Rampa - Mascha (KM029)

Artist - Dele Sosimi Afrobeat Orchestra, Laolu
Label - Innervisions

https://pro.beatport.com/track/too-much-information-laolu-remix-edit/7360974

Dele Sosimi Afrobeat Orchestra - Too Much Information (Laolu Remix) Edit

SF004: andhim - Amene
https://superfriends.lnk.to/SF04
release date: September, 15th

Amene

andhim - Amene (Radio Edit)

Rampa & Hollis P Monroe - Look Out feat. Overnite - Keinemusik

Here we go with Keinemusik's newest release - it is already number 47 and going by the lovely title "Hand In Hand". Speaking of, let us just give you a hand real quick and elaborate on this. The label is actually turning ten years in 2019. That is ten years of quite a few buzz making records within the back catalogue, ten years of priceless memories on the road, in the studio or somewhere in-between and above all, ten years of doing things hand in hand. So therefore the release to celebrate the occasion simply needs to carry this name. The idea is pretty basic: everyone of the label's mainstays is handing in a tune. Rampa is starting things off on the A-side with "For This" - a collaborative effort together with Berlin born and London based singer Chiara Noriko. It is a track rich in contrast, laying down a roughly shaped foundation featuring a swirling bass and shimmering synthnotes, but then suddenly enriched by harmonies and topped off by Chiara's yearning croon. Safe to say, the rather emotively charged frames of a clubnight have been waiting for this. Then there's Reznik - up to this point being in the picture as the DJ only fella - chipping in "Schuhu's Groove". A cut that indeed delivers a good amount of grooving energy. And at the same time, a bright tune that's switching beat patterns and indulges in Neo-Disco- leanings and funked up synth arrangements. &ME is opening side B with "Fairchild" and yet another sophisticatedly laid out floor epiphany, showcasing his ability to shape monolithic yet soulful peaktime masterpieces. Here he introduces staccato synths on top of a stoic groove, that are being shrouded by a pending note and then ultimately enlightened by pads and an instantly infectious piano melody. And finally we find Adam Port on B2, pursuing his knack for lost African treasures. Once again he finds the source material in an old traditional by Quim Manuel O Espirito Santo. Port's edit of "Eme Lelu" seeks to update the original in some of the rhythmic patterns and create a whole new dramaturgic, floor tweaked build up, yet he leaves the original's cheer- and playful nature untouched. Cheers to Analog Africa for providing the original composition