The Church

Rampa — The Church

Stuck in My Head

Stuck in My Head (feat. Coco)

Solomun - Never Sleep Again (Keinemusik Remix)

A Habit I Can't Break

A Habit I Can't Break (Reznik & Mikesh Remix) [feat. Zoot Woman]

You Can Dance Now

Aula Regis (At The King's Hall) is more than music-it is a journey through time.

Rooted in the ceremonial grandeur of ancient Anatolia, this composition evokes the echoes of vaulted stone halls, royal rituals, and the deep resonance of mythic memory. Orchestral textures rise like domes above immersive bass lines and luminous atmospheres, blending traditional motifs with subtle, visionary electrics.

Nothing, absolutely nothing." A contemplation of the silence before creation.

The piece unfolds a tale of ancient cities, lost kingdoms, and the trials of those who lived within them. Through richly layered regional instrumentation and haunting melodic themes, Aula Regis channels the sacred and timeless spirit of Anatolia-epic, human, and eternal.

Essential listening for anyone drawn to world traditions, mythic storytelling, and the evocative power of ancestral sound.
#AulaRegis, #AtTheKingsHall, #loannisAlexanderKonstas, ‪@PulseInTimeTunesAgency‬

Aula Regis (At the King's Hall)

Hate It Or Love It

What to Do (Remixes)

What To Do

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What To Do (&ME Remix)

It's been quite a wait for new &ME material here on Keinemusik. But these two new cuts, adding to our catalogue number KM046, sure have been worth waiting for. The EP starts with The Rapture Pt.II and as the title already suggests, it coherently takes up where his last original material had left us, in a stirred state of sweet, harmony-kissed affection. Known as a virtuoso of sound-details, &ME lives up to that reputation, implementing fine synth-elements and temperately rattling percussions, all conjoined by shimmering layers and, of course, an ultimately heart-melting Piano improvisation that at some point will play along to the rhythm of its synthetic brother to a finale that will leave no crowd untouched.

"Solaris" on the flipside adds indeed a futuristic note to the arrangement, opening up with a broken beat and propelling claps. A cut that, as much as its predecessor, is relying on flow and organic shifts rather than forced and peaktime formatted gimmickry, adding a synth arpeggio, white noise, vocal chants and harmonies in a rather subtle way. Nevertheless, it unfolds a compelling strength to heat the dancefloor gradually through its playtime.

Planet 9

Adam Port