Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

Juanita's Mix 100: Ciel

Christian Walt, Double Bass, Electronics
Oliver Schmid, Drums
Recorded at BI400 Studios, Zürich by Christian Walt
Mixed and mastered by Martin Ruch, Control Room, Berlin
www.youtube.com/@dotandply

Der Schaum des Aufpralls

Llanpsych goes on a mission to the grassroots of dub.
Beats (Looperman) GAWGAW Groove by laurentwirz
Guitars, bass, Synth and mix by Llanpsych

Dub Mission

Bandcamp

Auf'm Ritt

testing new setup -  ampero ii, roland p-6, ableton, sp404mkii

Who Is It?

der abschaltbefehl

Observing Yourself Observing

off road over write

This contains audio of a musical art installation at Caldwell, Idaho Indian Creek Plaza. This recording  captures Ava, Chester, Tidus and I along with the collective of passerby interested in making some sounds. So many unaware participating guest musicians! 
Also used a Blipbox and Tidus threw in some post recording string pluck synth and bell synth

Rock Is Too Dangerous, Choose Paper

"Song for the Roadless"

"No elevators to Eden".

Composer, lyricist, published poet, sound artist, improviser, recording artist. Since 1998.

Also known as @ajkaufmann.

"Song for the Roadless"

Adam Majdecki-Janicki