Rosewood & Main

Tendering my confession in advance to the writer's besetting sin of oversimplification, I say: synthesizer technique has two main paths. The first -- call it the Moog approach -- sees the instrument as a tool for the creation of new (if you will) organ stops. The other, the Subotnik approach, is concerned with the generation of SOUNDS -- very few if any of which will be at all expressible in the notation which has developed over the past millennium and served us so well. The two approaches are not mutually exclusive, of course: virtually all synthesists draw from both, as their Muse, mood, and machinery may dictate.
As to my title, it goes back to a chance inspiration scrawled on a balloon at the Fillmore in '67. (Cream, Paul Butterfield, and Charlie Musselwhite, "Three bands for three bucks," eat your hearts out, endebted-out-the-whazoo youngsters!) It was a time and place where the most extraordinary things were said -- and more than might have been hoped or feared were even done -- but this wasn't one of them. But like the good man who can't be kept down (or the bad penny that keeps coming back) here it is in our present day. Lacking the euphony and heartstring-tugging of the Twelfth of Never, perhaps, but equally from that realm of the definitionally impossible, even for this age determined in so many ways to make 2+2=5.
To the technical side: all synth parts from my Roland SH-32. Rhythm (and Reality-grounding) comes from my African drums, assisted by real-world cymbals and the Yamaha DTXtreme.

the 32nd of February

What I Can

All You Need Apparently

"The Citadel" (2015).

🪐⁂©All Rights Reserved 05-2025
©Mixing, Mastering, Special FX, Pro License & Creator: Lady ElectroTrek
***

Rings Away From Uranus

Take A Seat On Saturn

instruments: vintage lemon drop guitar, voice, stylophone, boss sl20, nux atlantic, roland vt4, zoom r12, samplitude
narration: another moment, as true as any other
image: delphi, greece 2012, museum exhibit,  photograph copyright jo richter

poem / copyright jo richter: nested

letting go of
human focus she

turned into a bird
hovering high
above physical

labyrinths of hope

nested

Another 'getting away from it all' experimental trip. 

Beyond The Spiral Arm

I've been on this kick lately posting short isolated tracks of previously uploaded full songs, just to highlight certain parts. In this one, it's an isolated section of the vocal track & harmonies, with a bit of percussion. Here's a link to the full song, a cover of the infectious "It's All Right" by Curtis Mayfield & The Impressions. I'm really not much of a fan of my own voice, but had some fun playing around with this one. :)

The full song details are at the linked page:
on.soundcloud.com/JG34TadM9uxvzEmi9

More goodies in the "ISOLATED TRACKS" playlist:
soundcloud.com/user-432503709/sets/isolated-tracks

thanks for listening!

It's All Right (ISOLATED vox)

NOZZLIN and Zwakkus opened the box of Dancora. With a truly professional crossover between Dance, EDM, Hip Hop and Jazz they are striving for climbing up the charts.
STAY TRUE!
https://soundcloud.com/nozzlinmusic

Swakkonian Madness "Stay true" | NOZZLIN Collab

An apocalyptic love story with a real gritty lyric and melody.

Yorker demo

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

"The Citadel" (2015).

Adam from Mu