Ubik Trio is a project born between the two cities of Milan and Turin, after two years of careful preparation and research.
Sharing the same tastes in music, from traditional jazz to electronic and contemporary classical music, the band members try to reach a symbiosis between different styles and genres as well as other forms of art.
The name itself, Ubik, is not only a hommage to the writer Philip K. Dick but also stands for ubiquity, the capacity of being everywhere at the same time.   
The main driving force behind their first studio album "UBIK" has been the band's shared taste in books such as W.Gibson's Burning Chrome,A. Huxley's Nova Express and Dostoevskij's Notes from the undergound.

new disc is out now, for more info: http://www.abeatrecords.com/catdetail.asp?IDprod=273

Eazy Quartet is a roller coaster ride, a journey between original contemporary jazz, funny interpretation of rock tunes, mood ballads, arrangements of videogames soundtracks that we love.
Eazy Quartet is born from the gamble of sharing music that follows a different path from the average jazz band, stealing from the world of rock and pop music that eazy-going attitude which means fun, friendship, passion.
Eazy Quartet is atypical from the bottom to the top: the timbres of flute and guitar together create sweet melodies and high voltage moments, and united with the creative solidity of the rhythm section give life to a balanced and unusual mix.

Eazy Quartet è una corsa sulle montagne russe tra contemporary jazz originale, rivisitazioni divertite di brani rock, ballad d'atmosfera, attimi di gioco sfacciato tra gli strumenti e arrangiamenti di musiche dei videogiochi che più amiamo.
Eazy Quartet nasce dall'azzardo del condividere un percorso musicale che esca dal tracciato abituale del jazz, rubando dal pop e dal rock quella leggerezza di approccio che trasmette, al pubblico e ai musicisti, divertimento, amicizia e passione. 
Eazy Quartet è atipico fin dalla formazione: i timbri del flauto traverso e della chitarra, capaci di dolci melodie come di esplosive improvvisazioni, si uniscono alla solidità fantasiosa del contrabbasso e della batteria per un mix equilibrato e inedito.

Electrogecko (a.k.a. Didi Mudigdo) has performed in Australia (Sydney, Cairns), New Zealand (Queenstown), Japan (Tokyo, Osaka, Nagoya), China (Shanghai, Beijing, Guangzhou, Shenzhen, Changsha), Hong Kong, Singapore, Malaysia (Kuala Lumpur) and Indonesia (Jakarta, Bandung).
He has co-composed works on CD albums released by TJ Eckleberg, Weizen Ho and Debra Blaquiere.

1984: Programmed the looped piano intro to Air Supply's "Making Love Out Of Nothing At All" on a Sinclair ZX Spectrum+ computer
1985: First contact with a synthesizer, a Roland Juno 106, at a Tokyo department store, during a family vacation.
1988: First multi-track synthesizer compositions, using a Yamaha DX21, two-cassette tapes, a tape dubbing machine, and multiple bouncing.
1989: First MIDI compositions using an Atari 520 ST running Steinberg Pro 24 III through a Roland MT32 and a Roland RD300s.
1990 - 2002: Gave up electronic music, focussed on acoustic piano.
2003: Purchased a MicroKorg synthesizer and Boss SP303 sampler from Tokyo. Recorded several live performance tracks to a MiniDisc recorder.
2004 - 2007: Gave up electronic music again. Loaned out the MicroKorg to Black Sesame. Sold SP303 on Ebay (much to Black Sesame's disappointment).
2008: Put up MySpace page, with the tracks from the 2003 live performance recordings.
2009: Put up Facebook page
2010: Put up Soundcloud page
2011: ???

Quintetto dalla formazione atipica, già indice della volontà di uscire da canoni e gerarchie prestabilite, che si esprime in un concept musicale libero da vincoli di genere e limiti compositivi. 
Unico punto saldo delle composizioni è lo sviluppo ritmico/poliritmico, la ricerca melodica, del suono e dell'improvvisazione.

Rudi Manzoli - Sax Soprano/Sax Tenore; 
Ruggero Piazzolla - Basso elettrico, freetless, guitar,effects
Diego Nebuloni - Basso elettrico, bass synth, effects
Andrea Daolio - Basso elettrico, effects
Fabrizio Carriero - Batteria

Niccolò Barozzi: Piano, Electronics 
Federico Rubert: Double Bass
Fabrizio Carriero: Drums

Col cuore diviso tra Fabriano, Reggio Emilia e Milano, il Late Sense nasce nel 2015. Vibrafono, contrabbasso e batteria: basterebbe questo per scoperchiare un mondo di suoni, ma è dal 2016 che si inizia a esagerare, accogliendo il sassofono di Gaetano Santoro. 
Una musica che diventa potente, a tratti spigolosa, ma sempre fedele a un’idea di melodia che nasce come risultante di più voci. Un intreccio costante fra mainstream e avanguardia, un equilibrio instabile, e proprio per questo affascinante da esplorare.

A heart divided between Fabriano, Reggio Emilia and Milano, the Late Sense was born in 2015. Vibraphone, double bass and drums: it could be enough to uncover a huge world of sounds, but things become insane in 2016 when Gaetano Santoro’s saxophone jumps in. 
Music becomes powerful, full of tense atmospheres, always faithful to an idea of melody resulting from a sum of voices. An intertwining of tradition and avant-garde, an unstable balance, fascinating to be explored.

‘If you can make sound tell a story it becomes music, and were Daniel Weltlinger not a musician, he would still be a story-teller…he uses notes the way a supremely elegant writer – say, Austen or Orwell – uses words, so the sounds, rhythms and sentence constructions dovetail with the meaning so perfectly that the reader’s eye dances effortlessly along each line.’
John Shand – Sydney Morning Herald

Born in Sydney, Australia in 1977 and of French-Hungarian family background, the critically acclaimed Berlin-based violinist and composer-producer Daniel Weltlinger has long been renowned worldwide for his distinctive warm sound, virtuosic dexterity and innovative expressive improvisations within the genres of Gypsy-swing, jazz, Yiddish-klezmer and experimental/free-improvised music. He is frequently in demand in a performance or recording capacity, often in collaboration with an array of top musicians and ensembles in a variety of different formats, and is highly sought after for his technical and musical mastery on his main instrument.

Weltlinger grew up as a small child completely enchanted by his maternal grandfather‘s violin playing, and took up the instrument at the age of 5. He intensely studied Classical music, beginning classes at the age of 8 at the Preparatory Department of the Sydney Conservatorium of Music studying under Sam Podjarski, Alice Waten and Janet Davies, and went on to complete a Bachelor of Music in Classical music at the Conservatorium, graduating in 2001. Several years previous to finishing his studies he discovered an affinity for jazz and improvised music as well as the music he had grown up with as a child, and since this time he has performed and recorded in countless major concert halls, theatres, festivals and clubs in a variety of different formations across Australia, New Zealand, Europe, China, Morocco, Turkey, the US and Israel. He continues to collaborate with a wide range of renowned artists and ensembles including the German-Sinti guitarist and composer Lulo Reinhardt, Berlin based German/Yiddish singer-troubadour Karsten Troyke and singer-actress Sharon Brauner, the Berlin based big band Moka Efti Orchestra, Polish-Australian East-European folk-soul-jazz singer Nadya Golski and the Australian multi-ARIA Award-winning Gyp-rock band Monsieur Camembert amongst many others. He runs the independent record label Rectify Records, which produced the album ‘Koblenz’ nominated as amongst one of the best albums of 2015 in Downbeat Magazine, and in addition to leading various combinations under his own name continues to develop and lead two Australian based contemporary music projects ‘Zohar’s Nigun’ and ‘The Asthmatix’ with long-time colleague, pianist/keyboardist Daniel Pliner, which fuse Jewish musical influences within the respective contemporary frameworks of jazz and electronica/hip-hop.

Weltlinger’s unique sound has been regularly featured on radio and television worldwide and featured on the award winning soundtrack composed by Nikko Weidemann and Mario Kamien for the hit TV show  ‘Babylon Berlin‘ directed by Tom Tykwer, Achim von Borries and Henk Handloegten which premiered in October 2017 on the Sky Television Network. Further film, documentary and theatre soundtrack credentials have included amongst others ‘Love My Way’ (Stephen Rae), ‘The Underpants’ (Alan John), ‘Uncle Chatzkel’ (Guy Gross), ‘Peking To Paris’ (Roger Mason), ‘The Cat That Walked By Himself’ (Peter Winkler) and ‘Meet The Waks Family’ (Neill Duncan). Weltlinger has had endorsements from a number of top international companies and benefited in 2010-2017 from the support of BNP Paribas in Australia and the BNP Paribas Foundation in Paris for the development of a trilogy of recordings – ‘Souvenirs’ (2011), ‘Koblenz’ (2014) and ‘Samoreau‘ (2017) – in which he wrote original music and arrangements inspired by the music of the legendary Belgian born Manouche guitarist-composer Django Reinhardt. His last album ‘Szolnok’ which in music tells the remarkable true story of his grandfather’s violin generated a further sponsorship from BNP Paribas in Central Europe in late 2018, and was released on May 3rd, 2019. The album was released to widespread critical acclaim both in Europe and Australia, and was nominated for the Preis der Deutschen Schallplattenkritik.

Weltlinger has had further sponsorships with the Danish microphone manufacturer DPA microphones, US string instrument manufacturer Saga instruments as well as the Scottish acoustic amplification and electric violin manufacturer Skyinbow acoustic pickups. He is a regular co-composer with long time colleague, the Australian producer-composer Bruce Maginnis for a number of international production music library houses including Audio Network, Fable, Cavendish Music, The Funky Junkies, Intervox, Focus Music, Home Of Happy and Addictive Tracks.

Followers of Adam Pache