░ Booking  |  louis@muzocreative.com

French producer / DJ, and musician, Viken Arman crafts a distinct sound that blends the timeless and modern from a collage of samples, modular grooves, and acoustic composition, subtly melding his influences of jazz, house, minimal, hiphop & world music.

❲ մենակ միասին ❳

Bookings:
alma@lb-agency.net
ralf@vdhaardt.com (Classical Ensemble Requests)

Management: niko@starling.works

Music and more:  https://linktr.ee/sebastianmullaert

When you listen to Sebastian Mullaert’s music you will feel something enchanting, a resonance that delivers truth, integrity and reminds us to simply be. The Swedish artist has a distinct approach to life, as well as music, which is centred around tranquillity, stillness and the convergence of Zen meditation, nature and creativity. Known for his work as one half of Minilogue, Sebastian is also an accomplished solo artist with new material ready to roll. As an artist that is constantly evolving he has taken a bold new direction in his sonic exploration, immersing himself in the neo-classical scene and joining forces with one of the top 10 philharmonic orchestras in the world - Tonhalle Zürich. Working with great care and innovation he has created a truly immersive audio-visual performance experience, combining a mesmerising integration of electronic and classical instrumentation, with a visual art installation based on breath taking nature landscapes shot from a helicopter perspective. With such an innovative approach he aims to bridge the gap between classical and electronic music and introduce a whole new generation to the neo-classical concept. 

Sebastian's deep connection with music can be traced back to his formative years; from playing the organ and violin as a child, to performing in orchestras, string quartets and pop band, progressing into electronic music in his late teens. Discovering house and techno in the mid-nineties was the catalyst behind a revolution in his life, he set out on a new musical pathway, to promote the simplicity of being. Throughout the late nineties he experimented with electronic sounds, forming cult duo Minilogue with a friend and releasing with Crosstown Rebels, Traum Schallplatten, Wagon Repair and more, plus two albums via Cocoon – ‘Animals’ (2008) and ‘Blomma’ (2013). In 2014, the duo decided to take a break and invest their time in solo projects and Sebastian has since been hard at work cultivating a collection of new music already snapped up by hugely influential labels such as R&S sub-label Apollo, Drumcode, Hypercolour and Minus.

Sebastian Mullaert’s live performances are awe-inspiring, combining technical wizardry with energy, atmosphere and euphoria, you only have to watch his “Interpretations” performance for XLR8R or Boiler Room appearance for examples of his prowess. Recognition of his aptitude has led him to perform at institutions and festivals such as Panorama Bar - Berlin, Labyrinth Festival - Japan, Fabric - London, Concrete - Paris, The Block - Tel Aviv and Blackmarket - NYC. 

Sebastian’s collaborative work runs parallel to his solo endeavours and he has teamed up with several figures in the techno world to produce some unforgettable releases. Collaborators include Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, and releases have come via underground platforms such as Hypnus, Mule Musiq and Kontra Musik. He also produces under the alias Wa Wu We, offering a serene, understated take on the techno aesthetic. Furthermore he is involved in the new Be Yokai project, a trio formed of Sebastian, Douglas Holmquist and Kristoffer Ström. The three men formed a natural alliance, finding their flow after several sessions together. Their first EP is signed to Hypercolour sub-label Space Hardware, with a live show and more music in the pipeline.

Sebastian Mullaert is already established as a potent force in the world of electronic music. Serious about reminding people to BE on the dance floor, or in the comfort of their own home, the music he makes is deep, progressive and utterly unique. Whatever the future holds, you can be sure he will continue to channel the infinite energy that surrounds us into every facet of his life.

BOOKINGS:
irvin808(at)gmail.com

There are not many artists these days who manage to forge their reputation solely as a DJ, but Pierre comes proudly from an era when the craft of stitching records together into a meaningful experience had just as much importance placed on it as being the producer behind the tunes. From his position of influence as one of the long-standing residents of the world famous Fuse club, he has been responsible for countless moments of shock and awe amongst the club-going crowds of Brussels and beyond.
His roots are in the foundations of funk, soul and disco, although like any seasoned digger his tastes reach into the pulse of new wave and obscure 80s electronics. From catching the house and techno bug in 1991 at Fifty Five in Kuurne, he made a natural progression to spinning US deep house at a Sunday residency at Café d’Anvers, at a time when it was rarely heard in Belgium.
This determination to play the music he wanted to hear, whether fashionable or not, has guided his style ever since, and when Fuse opened in 1994 his remit to explore Detroit house and techno as one of the residents gave him the perfect platform to shape the identity of the iconic club.
Through the years of the mammoth I Love Techno events, sharing a radio show with Dave Clarke and delivering numerous mix albums, Pierre also found time to channel his groove instinct into studio sessions. Of these excursions, one of the most timeless is his “Reconstruction Mix” of Spokesman’s “Acid Creak”, originally released in 1994 and still slammed out at techno temples across the world to this day.
However the increasingly knuckleheaded thump of schranz and other such monochromatic techno styles meant that Pierre’s focus started to evolve towards a more experimental style, and with JessicaBossuyt he started the Lessizmore events, label and booking agency as an outlet for the most creative aspects of European house and techno.
The boom in more adventurous minimal records in the early ‘00s was a perfect match for Pierre’s wild tastes, and as the credible corners of the scene kept moving on to pastures new so Lessizmore has evolved naturally to present some of the most exciting music revolving around, but not limited by, the 4/4 groove.
With his years served in the nightlife of Brussels Pierre has turned his hand to parties in unofficial locations, held down residencies at Le Triptyque in Paris and Arma 17 in Moscow and also been invited to launch the Fuse label. It’s this mixture of professional instinct and a constant hunger for new, challenging ways to experience music that have made Pierre such a lasting influence on generations of party people, with the art of his DJing and the direction of his events at the heart of what he does. In his own words, “whether it be for the Fuse’s bookings or those for my label Lessizmore, it’s more of a feeling and family business than anything else.”

A globally respected and highly accomplished artist, founder of Mago Music, A gifted artist at the vanguard of the underground dance scene for over a decade, Magit Cacoon has seen exponential growth in her success and reputation as a globally renowned DJ and producer. As comfortable behind the decks as she is in the studio, Magit’s career trajectory has skyrocketed after successful periods in Tel Aviv and Berlin. Furthermore, over 150 production credits have made their way onto the likes of Ipso, Renaissance Records, Radikon, Second State and Crosstown Rebels plus a host of releases on her own Mago Music. 
Drawing high-profile attention through her music, a growing number of A-list producers have also featured, playing a role in a raft of successful releases and supported by a leading cast of DJ royalty that includes Solomun. It is also with English lead-singer and superstar engineer/producer, Steven Wilson – globally renowned for his award-winning solo work and as lead singer and guitarist for Porcupine Tree – that has seen Magit remix “King Ghost” on Wilson’s Grammy nominated 2021 album, “The Future Bites”, alongside Nile Rodgers, Tangerine Dream and Scottish rockers Biffy Clyro.2020 saw the launch of a new venture and the Mago Music label that has provided an opportunity for an eclectic mix of artists to join forces with Magit in a melting pot of musical ideas. The result has been an array of successful releases. A remix for the world-famous Renaissance Records saw a reworking of Argy’s “Power of Detachment” in late-2021, while 2022 saw no let-up in Magit’s relentless rise to the upper echelons of the underground dance scene. A collaboration with Speicher regular Kölsch, saw “Prison Grass” feature on the German techno legend’s IPSO label.A parallel career behind the decks has been met with equal success, not least through a nomination for “DJ Award for Best Breakthrough” artist in 2018 as the Israeli superstar continues to captivate world audiences with a cross-genre sound. As part of Solomun’s Diynamic crew, global DJ performances at premier nightclub events and festivals including the ‘Get Lost’, ‘Melt’ and ‘Fusion’ festivals’, ‘Day Zero’ and the world-famous ‘Tomorrowland’, have all been regular bookings for the Israeli star’s tour schedule. Furthermore, performances around the world for DC10 and the iconic Fabric, London have shone a spotlight on Magit’s charisma and vitality from within the DJ booth. A highly successful period in Berlin saw a 3-year stint hosting “Sweat Lodge Radio” with further standout performances across the city via mesmerising sets at Watergate Club, Panorama Bar, Kater Blau and the legendary Bar 25.A huge social media following and similarly sized talent continues to see Magit Cacoon at the top of promoters booking lists. Her ability to cast a spell over audiences with an array of bewitching sets on a musical journey of power and poise, confirms Magit’s inimitable talent. Post-pandemic, she has hit the ground running with a surfeit of gigs across the globe. Continued performances have seen successive sets in 2021 and 2022 for “Get Lost” in Miami and OFFSónar’s Barcelona events, while visits to Central and Southern America in late 2021 saw scintillating shows in Argentina, Chile, Mexico and Costa Rica, for Riot in Córdoba, Espacio Broadway in Santiago, and Renaissance in Tulum. Further regular spots at Fabric across 2021 and 2022 have cemented a growing reputation as June 2022 also saw an appearance for Renaissance Ibiza at the party island’s renowned Amnesia and the Extrema Outdoors Festival, Belgium. Success, passion and talent are recurring themes that are consistently part of Magit Cacoon’s rising career trajectory. With Mago Music continuing to deliver an array of club floor-fillers including her own indie dance cut, “Adoration” in December 2022, plus releases on KATERMUKKE, DGTL and Watergate Records, a packed schedule of gigs and festivals are set to follow in 2023. Showing no sign of a downturn in energy, drive and success, Magit continues to find her varied skill set very much in-demand.

Mixes are time capsules of sound. Each capturing a moment in time that will not be repeated the same way. Each mix is meant to transport the listener in their own time machine to their own destination. These are soundtracks for daily living......Mixing Since 1997

Vinyl Collection : http://www.youtube.com/Glubhouse



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